Asghar Farhadi has another Oscar contender on his hands...

Oscar History

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Oscar Horrors: The Sixth Sense

"I love this movie so much. And to those sad about M. Night's current career, Split with James McAvoy has gotten positive reviews!." -Connor

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Entries in Diane Keaton (18)


YNMS: The Young Pope

by Laurence Barber

In the wake of House of Cards' success, it seems networks have all been clamouring to make shows about other worlds that are full of their own political intrigue. Netflix itself has the Gerard Depardieu-starring Marseille, which French critics savaged and everyone else mostly ignored, and the upcoming The Crown. In other ways, shows like Mr. Robot and UnReal seem partially derivative of this trend despite updating and resituating it. Now, in a joint production, Sky, Canal+ and HBO have teamed up to produce the latest project from Oscar-winning director Paolo Sorrentino: The Young Pope...

Click to read more ...


HMWYBS: A Sensational Diane Keaton in "Looking for Mr Goodbar" 

Best Shot 1977 Party. Chapter 3
Looking for Mr Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A Fraker

Finally with chapter 3 in our look back at the Cinematography nominees of 1977 -- a little prep work for the Supporting Actress Smackdown (last day to get your ballots in) -- a real threat to Close Encounter of the Third Kind for the Best Cinematography crown. Close Encounters won the Oscar, its sole competitive Oscar, but William A Fraker was more than worthy as a nominee for his evocative experimental work on Looking for Mr Goodbar. The cinematography (along with its swinging partner, the editing) are ready and able to capture the whirlwind moods, liberated momentum, self-deprecating humor, and multiple flashes of fear within this time capsule of the sexual revolution.

My only regret in showcasing the cinematography for this series is that good images are hard to come by. More (a little bit NSFW) after the jump...

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Vanity Fair's 2016 Hollywood Issue Cover - A Close Look

Someone's been paying attention to every single media firestorm in Hollywood this past year from ageism to equal pay to diversity. Gracing this year's cover of Vanity Fair's Hollywood Issue is political showbiz icon Jane Fonda (2 Oscars), the inspirational crusading awesomeness of Viola Davis (1 phantom Oscar -- well, everyone knows she deserved it!), "the world is round people" diva Cate Blanchett (2 Oscars), and equal-pay-demander Jennifer Lawrence (1 Oscar).

VF's "Hollywood Issue" tradition is one of the key attractions in the showbiz circus of Oscar season. Though the covers aren't tied thematically to the Oscars they usually include current nominees. The primary form is a "predict the future superstars" covers in which they lean into the young in-demand crop who are having good years. The less common form is a survey of A listers and legends and a few people that scream "now"  and that's the type we got this year. And girl, it's a beauty.

The only real gripe is that even when the media is actually trying to express diversity (presumably to "help" Hollywood though the media, including this Vanity Fair cover tradition, has its own problems in that arena) they are still thinking in binaries of black and white. Why not include an Asian or Latina actress or let Ellen Page have a place on the cover again since she's still headlining films and working hard to stay in the game after coming out? 

Let's take a closer look after the jump...

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Annie Hall is the Funniest!

Murtada here.The Writers Guild of America released their list of the 101 funniest screenplays of all time. The screenplays were voted on by members of both the East and West coast branches of the WGA. The eligible screenplays had to be in English and at least one hour in length.

Woody Allen is by far the most popular name on the list. He has seven titles including the WGA’s top pick Annie Hall (1977) which he co-wrote with Marshall Brickman. Compartively Billy Wilder only has two titles on the list, The Apartment (1960) and Some Like it Hot (1959). Other writers scoring multiple films include Mel Brooks, Preston Sturges, Christopher Guest, Charlie Chaplin, the Coen Brothers and surprisingly Harold Ramis.

Perhaps to ward off criticism about the lack of representation of women and people of color, the WGA acknowledged the list’s heavy “white bro dudeness”:

"Comedy screenwriting has long been a playground that women and writers of color have not had enough time in. The work of Richard Pryor on Blazing Saddles, Tina Fey on Mean Girls, Amy Heckerling on Clueless, and Hagar Wilde, co-writer of Bringing Up Baby, makes you wonder what a list would be if the playground had been more inclusive all along."

That’s all well and good but even when included the stories of women were low on the list. Really The Hangover and Wedding Crashers are funnier than All About Eve and Mean Girls ? Come on !

Surely everybody looking at the list will have their own reservations and “Really!!!” moments. Tell us yours in the comments. 

The list in full after the jump:

Click to read more ...


Kristen Wiig's Awards Bait: 'Crying in a Sweater'

Margaret here, bringing you the first of this year's Oscar-bait parodies and with it proof that awards season is fully upon us.

Kristen Wiig, on the promo circuit for Nasty Baby, used her spot as a guest on Jimmy Kimmel Live! to debut the trailer for her new "extremely independent" movie Crying in a Sweater (directed by Michael Bay). The title, if you can believe it, about covers it: Wiig lolls about tearfully in a series of sweaters while rhapsodic critical praise scrolls by. She's poking fun at the kind of dramatic low-budget Oscar hopeful that she's starred in more than once, but the result is silly enough that it doesn't read as snide.

My personal favorite performances in the Crying in a Sweater subgenre include Toni Collette in The Sixth Sense, Jaye Davidson in The Crying Game, and Cate Blanchett in Blue Jasmine, but the gold standard has to be Diane Keaton in Something's Gotta Give:


In fact, there's a lot of overlap here with the favored TFE movie category Women Who Lie to Themselves. Which prompts the question: what are your favorite crying-in-a-sweater performances? How many of them come from Women Who Lie to Themselves?


Say What? Law & Keaton in "The Young Pope"

Manuel here, sharing a hilarious set of pics from historic Villa Pamphili in Rome.

click to embiggen

Add dialogue or caption: What do you think is happening in these behind-the-scenes pics of Paolo Sorrentino’s Jude Law-led HBO show, The Young Pope? Is Diane Keaton auditioning for a Sister Act spinoff?

Is Law just as amused as we are by his casting as a celibate pope?



Beauty vs Beast: Bombing The Globes

JA from MNPP here again, keeping the Golden Globes afterglow going with this week's double-edition of our weekly "Beauty vs Beast" poll. Looking for a communal villain at an awards show can be rough - one person's beastly Matthew McConaughey or nightmarish Alejandro González Iñárritu will be inexplicably loved by others (quite deranged folks, I'm convinced). But then there are the "Ooof" moments, when something lands with a quite resounding thud, and those are the times that well, those are what we'll most likely remember one two and ten years from now. Here are two of last night's "Ooof" moments. Which side do you fall down on?

I have my own opinions (read this tweet) as to what's going on with Jeremy Renner, who was all kinds of messy from the moment he hit the stage, but anybody who can make a long avowed J-Loather like me feel a pang of sympathy for her is sure accomplishing... something. On the other hand... the globes, they were definitely golden? As a statement of fact it's not false, exactly. Okay I'm stretching.


Next up...

That picture will never not crack me up. Personally I was down with Margaret Cho's North Korean schtick; what pushed it over the edge for me was the banality of her offered opinions, like the category mis-placement of Orange is the New Black. But I gather not everyone took to it so kindly! Meryl Streep, for instance, seemed genuinely mortified being roped into the routine. That said I don't know if you've heard this but Meryl Streep is considered a fine actress -- her horror might've been a ruse. A terribly terribly convincing ruse. (Maybe she'll win an Emmy for the performance next year?)


You've got one week to make your opinions heard; hit the comments and draw your battle lines. And yes, one week from now we'll know the Oscar nominations and the Golden Globes will be but a foggy hangover feeling; tis the nature of the awards beast.

PREVIOUSLY Last week's poll tackled Annie Hall in honor of Diane Keaton's birthday, and she easily la-di-da'd her way to a triumph, taking over 80% of the vote! Poor Alvy, this is gonna keep him in therapy for... yeah he's never getting out of therapy. Said brookesboy:

"I think some people think Keaton is getting by on charm in this role, but it's so much more than that. The seeming effortlessness in this performance is what makes it so special and enduring."