Oscar History

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Entries in Diane Keaton (25)


Yes No Maybe So: "Book Club"

by Nathaniel R

First things first: how utterly fabulous does Jane Fonda look in the trailer for Book Club? She's 80 (!!!) Don Johnson isn't even 70 year but he should be so lucky. She looks great as a ginger. 

Now that the mandatory Jane worship is out of the way (I just saw Klute again -which is a renewal of breathless fandom for her gifts every time), let's break down the trailer for this romantic comedy of sorts about four golden girls who aren't willing to stop living and are dating again. Whilst they read books? We're really not sure how the books fit into it to be honest. Neither is the trailer...

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Soundtracking: "The First Wives Club"

Chris Feil's series on music in the movies dips into some actressexuality this week!

Do you and your friend group have a song, one that defines and unites you instantaneously? Or is that just something that happens in the movies? I’ve certainly never had that, but my two best gays from college do namesake ourselves by a set of cinematic galpals that do: The First Wives Club. (I’m the Bette.)

This film has the good sense to capitalize on the musical charms of its legendary actresses Bette Midler, Goldie Hawn, and Diane Keaton. This threesome foursome *technically* (RIP Cynthia) has their origins defined by their place in musical history, with Diane Keaton’s opening narration evoking Woodstock and The Beatles. But its the beginning twinkle of Hal David / Burt Bacharach fantasy over the opening credits that more musically defines the feminine fantasy thrust upon their generation - idyllic beauty, subservience to men, etc. By the time Aretha Franklin and Annie Lennox have them breaking down literal walls in the third act, these sisters are doin’ “Sisters Are Doin’ It For Themselves” for themselves.

But obviously the film’s most enduring and notorious musical impact comes from Lesley Gore’s “You Don’t Own Me”.

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Tweetweek: Babadook, Keaton, and Chris ____  

It's time for another roundup of tweets that amused provoked or told it like it was this week...


 Though we've been talking about Diane Keaton a bit to celebrate her AFI Lifetime Achievement Award they don't broadcast such things live (boo!). So you can bet we'll return to that particular celebration after the ceremony airs. It's scheduled for this Thursday June 15th at 10 PM ET/PT on TNT and will have an encore presentation on TCM on July 31st. Excited?


More tweets featuring The Babadook, Hollywood's "Chris" fetish, and more are after the jump...

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The Dramas of Diane Keaton

“It’s not a good idea to be identifiable, though it’s reassuring. It feels safe in most ways, and that’s bad, because it means that you’re accepted, and once that happens that’s where you stay. You have to watch yourself. I’d like a life like Katharine Hepburn’s in terms of work. She matured. She made the changes. Like Martha Graham.”

Diane Keaton,  New Yorker, 1978

Diane Keaton is to receive the American Film Institure Lifetime Achievement award on June 8th. We should be pleased, not only deserved because Keaton is a true legend, but also because highly accomplished comic actors are so often overlooked by awards bodies. Think of Keaton and Annie Hall comes immediately to mind along with other Woody Allen films, as well as comedies like The First Wives Club, Father of the Bride and Something's Gotta Give. But few actresses have a dramatic filmography that can match Keaton's. For all her fluffy breeziness, her dramatic skill is equally sharp and coldly acerbic, with films like Shoot the Moon, Looking for Mr. Goodbar and Reds capturing this dichotomy. And we can't forget the entire Godfather trilogy.

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Beauty Break: The Men of "Mr. Goodbar"

by Seán McGovern

Annie Hall turns 40 this year and Diane Keaton will be the recipient of the AFI Life Achievement Award next month (June 8th to be exact). Keaton, a perennial A-lister, reminds us every few years about the extent of her talents. She's been enjoying recent success in The Young Pope and her upcoming projects Hampstead and Book Club sound promising at least. Since Annie Hall turns 40 this year so too will Keaton's other '77 triumph, Looking For Mr. Goodbar. 

Though Goodbar is remembered for Keaton in a dramatic role (which this author will pay attention to here at a later date), the film is definitely what we'd call in contemporary parlance "problematic". I recently watched Goodbar for my own podcast, but amongst the reprehensible moments I finally understood why so many women of a certain age (i.e. my mother) swooned over Richard Gere - who we get to see plenty of in this film, as well as co-star Tom Berenger who never looked so gorgeous.[More, slightly NSFW, after the jump...] 

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The Real Link Deal

Today's Must Read
"I am Diane Keaton's Crisp White Shirt" an imagined monologue by Charlotte Barnett. I can't even describe how much I love this, guys. I love it as hard as Diane Keaton's crying jag in Somethings Gotta Give is long.

I am immaculate, woven by gods from fibers of cotton and Nancy Meyers’ discarded screenplays...

EW talks to Cate Blanchett about Manifesto but works in a Carol bit, too, bless them.
Interview talks to Tracy Letts of The Lovers about his dual career as acclaimed actor and award winning playwright

Go Fug Yourself Elle Fanning on the cover of Vogue
Tracking Board Jeff Goldblum's career is busiers than ever. Now he's signed on for a thriller called Hotel Artemis with Jodie Foster and Sofia Boutella
EW Anya Taylor-Joy and Maise Williams will play Magik and Wolfsbane in the New Mutants movie. (But it's still so diappointing that the rumor is that the movie is leaving out the Asian member of the original comic book group, Karma. Who also happened to be an LGBT character. Hollywood just loooooves gay erasure and whitewashing. They cannot get enough.)
Variety Thom Yorke, of Radiohead fame, hired to score the remake of Suspiria from director Luca Guadagnino
NYT Michael Parks, Tarantino favorite and prolific character ever, dies at 77
THR Kenny Miller, B movie actor of 1950s drive-in classics dies at 85
Variety talks to the costume designer of Snatched, dressing for laughs
The Playlist remember that Michelle Williams movie Suite Francaise that had Oscar buzz but then sat on a shelf for years? It's now going to Lifetime TV

BuzzFeed is thankfully keeping this handy list of cancellations and renewals on TV up to date. I'm so sad about The Real O'Neals . I expected American Crime  but anthology cancellations hurt less since they come to a natural end each year anyway.
Vulture 13 shows that defined dystopian TV before The Handmaid's Tale
VF Hollywood Scandal probably ending next season. But will ABC shift their drama strategy away from wealth porn?

And the teaser FINALLY for Top of the Lake Season 2 starring Elisabeth Moss and Nicole Kidman. We couldn't be more excited about it. If you missed season 1 with Elisabeth Moss investigating the disappearance of a young girl and finding a much larger crime that she wasn't expecting you really must catch up with it. Jane Campion's still got it and she still makes riveting human drama rife with feminist implications.

WAMC Will Swenson talks about Waitress
Theater Mania Tina Fey on her new Mean Girls musical
Playbill Glenn Close remembers her Broadway debut, going from understudy to star
Playbill Lin-Manuel Miranda to fund O'Neill Theater Center Scholarship for artists of color


Instagram Battles: Sir Ian vs Blake vs Keaton

Would you rather...

... have a cuppa in Istanbul with Sir Ian McKellen?
... spend some time bedazzling with Blake Lively?
... hug a pitbull with Justin Theroux? 
... take a quick nap with Rossy de Palma? 
... order around Diane Keaton's "housekeeper" Emmie while she dusts? 
... take costume-fitting selfies with Jennifer Ehle?


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YNMS: The Young Pope

by Laurence Barber

In the wake of House of Cards' success, it seems networks have all been clamouring to make shows about other worlds that are full of their own political intrigue. Netflix itself has the Gerard Depardieu-starring Marseille, which French critics savaged and everyone else mostly ignored, and the upcoming The Crown. In other ways, shows like Mr. Robot and UnReal seem partially derivative of this trend despite updating and resituating it. Now, in a joint production, Sky, Canal+ and HBO have teamed up to produce the latest project from Oscar-winning director Paolo Sorrentino: The Young Pope...

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