Almost There: Diane Keaton in "Shoot the Moon"

by Cláudio Alves

The magnificent Diane Keaton is 75! The Best Actress champion of the 50th Academy Awards has been enchanting movie audiences since the early 70s, making a name for herself as a comedienne before proving she was a versatile performer, as good at having audiences cry for her as she's at making them guffaw. Unlike many great thespians of the silver screen, Keaton's Oscar history is a good representative of her talents. The winning turn in Annie Hall and the runner-up marvel that is Something's Gotta Give represent two wildly different approaches at comedy, one spiky and cerebral, the other warmly commercial. Then we have the romance of Reds and the melodrama of Marvin's Room, a drama played at the scale of an epic and a chamber drama respectively. 

Still, one can quibble with the results and wish Keaton had gotten even more love from AMPAS. For instance, when I examined the battle of the titans that was Meryl Streep and Jessica Lange's bid for the 1982 Best Actress trophy, many mentioned how Diane Keaton. Some said she should have been present among the nominees for her work in Alan Parker's Shoot the Moon for which she got considerable buzz. I confess I agree with those Keaton-loving readers…

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Showbiz History: Skeksis & Mystics... and Judy Garland & the Supremes?

7 random things that happened on this day, December 17th, in showbiz history

1943 Now forgotten Universal B franchise "The Inner Sanctum" begins with Calling Dr Death featuring Lon Chaney Jr. Intended as a series that would be carried by Chaney and Oscar winner Gale Soondergard, only Chaney actually made it to the screen. There were six films in all. 

1965 Judy Garland and the Supremes perform at Houston's then brand new 60,000 seat Astrodome Theater. Wait, what? Judy Garland AND Diana Ross and you could attend for a single dollar...

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Over & Over: 1987's "Baby Boom"

by Eric Blume

Baby Boom, directed by Charles Shyer with a script by him and his then-wife Nancy Meyers, encapsulates 1987 beautifully.  From young James Spader's Wham!-like hair to Keaton's fashions to the dated woman-in-the-workplace-can-she-have-it-all plot, it could be a time capsule film for the year and its essence.  While we're celebrating 1987, this film couldn't be a better example of exactly where we were.

And yes, Baby Boom is a mercilessly commercial enterprise, engineered with cliche characters and "adorable" cutaway shots to the child inherited by the "Tiger Lady", J.C. Wiatt, played by Diane Keaton.  I can't defend this movie as a work of fine cinema, but I've returned to it over a dozen times for the sheer joy in Keaton's peerless performance...

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New Podcast: Poms, The Hustle, and Under the Silver Lake

by Murtada Elfadl and Nathaniel R

 

Index (50 minutes)
00:01 Diane Keaton and Jacki Weaver and Pam Grier (sort of) in Poms
10:30 David Robert Mitchell directs Andrew Garfield in bizarre red-herring filled hallucinatory noir called Under the Silver Lake
24:45 Anne Hathaway and Rebel Wilson in The Hustle 
34:00 Joanna Hogg's The Souvenir starring Tilda Swinton's daughter
40:22 Olivier Assayas' Non-Fiction
42:30 Ralph Fiennes's Nureyev biopic The White Crow
48:18 Bye for now! 

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Poms, The Hustle

The Gay Heart of "The Family Stone"

Members of Team Experience have been asked to share their favorite holiday film. Here's Spencer Coile with his...

I vividly remember the trailer for The Family Stone when it first came out in 2005. I was thirteen, a recent film and Oscar snob, and still incredibly naïve. I was swept into the two-and-a-half-minute long saga of uptight Meredith (Sarah Jessica Parker) visiting her boyfriend Everett’s (Dermot Mulroney) family for their first Christmas together and the family’s cliquey antics. Add on a stellar cast and the Maxine Nightingale classic, “Right Back Where We Started From,” and I was hooked. I couldn’t possibly wait until December to see it. 

And I didn’t. I waited even longer, months after it was released...

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