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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Emmy Aftermath - how to fix the Emmys?

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Entries in Best Actress (197)

Tuesday
Aug052014

Sandra at the Top

Yesterday Forbes published their annual list of the top-grossing actresses of the year. They figure in gross earnings and endorsement deals and everything. The list is as follows: 10. Kristen Stewart 9. Natalie Portman 8. Amy Adams 7. Scarlett Johansson 6. Cameron Diaz 5. Angelina Jolie 4. Gwyneth Paltrow 3. Jennifer Aniston 2. Jennifer Lawrence 1. Sandra Bullock. So here's Matthew Eng chasing our very tiny recent Sandra fest with this climactic love letter. - Nathaniel

Sandra at the Spike Awards this summer with two of her most important co-stars Hugh Grant and Keanu Reeves

I don’t particularly get people who don’t like Sandra Bullock.

Yes, the 82nd Best Actress statuette deserves to be sitting comfortably somewhere on Gabourey Sidibe’s mantelpiece and yes, The Blind Side is a pretty foul piece of limo-liberal fabling. Yes, she is a performer of some obvious limitations that are strikingly evident in even her strongest comedic performances. And yes, she has given us All About Steve and The Proposal and the Miss Congenialitys and Two Weeks Notice and all those other “duds” we love to roll our eyes at in public almost as much as we love to sheepishly watch them in private whenever they pop up on FX or Lifetime or HBO.

I’m more than happy to make couch potato time for Two Weeks Notice, a funny/frisky valentine to New York that’s patently flawed but genuinely sentimental, and even The Proposal, a ridiculous container of rom-com contrivances that would make Kate Hudson cringe, but which has plenty of good moments to spare. No, I haven’t yet laid an eye on All About Steve, which is likely for the better, but I do own While You Were Sleeping and Miss Congeniality, and I’ve sat through the latter’s sequel, um, three, maybe four times.

Why am I glued to these movies when I still have so many unseen Bergmans? [more...]

Click to read more ...

Saturday
Aug022014

Posterized: Famous Singer Biopics of the Past 50 Years

Oscar loves a lot of movie-things with predictable regularity though it should be noted that those things go in and out of style (when was the last time you saw a hooker with a heart of gold?). But one thing that never seems to go out of style with filmmakers: Biopics of musicians. Whether or not Amy Adams ever gets around to her Janis Joplin picture, or Hathaway goes through with the Judy Garland picture (I'd so prefer her to do Liza Minnelli who hasn't been done!) or Jane Krakowski ever gets the greenlight for Jackie Jormp-Jormp, there's plenty to choose from in the library already. And awards bodies, not just Oscar, often choose them. It's as good a way as any to be noticed.

How do you think Get On Up, from the director of The Help will fair with AMPAS? Reviews may be mixed but they don't seem to be for Chadwick Boseman's playful performance in the energetic title role. Hollywood is always searching for "the next Denzel Washington" and he's one of the candidates even though 'the next...' is always so problematic since true stars are always their own unrepeatable thing. Remember that uncomfortably weird forcing of so many actresses into 'the next Julia Roberts' tag? Even Julianne Moore (lol) was once in that lineup in a major magazine.

Let's look back at the past 50 years within this particular subgenre and see how many films we've gotten and how many of them won awards traction. I came up with about 27 pictures (excluding biopics of musicians who weren't singers or snapshots of the industry more than individual singers because you have to narrow it down somehow) though it's possible I missed a few.

27 FAMOUS SINGER BIOPICS (1964-2014)
How many have you seen?

Click to read more ...

Tuesday
Jul152014

Queen of the Desert Pic and Nicole in the Oscar Race?

Queen of the Desert, Werner Herzog's biopic on Gertrud Bell starring Nicole Kidman wrapped filming in March. Though it's still looking for a distributor it looks like post-production is all done since producers are tweeting about the final cut and calling it "EPIC". Herzog has also expressed real enthusiasm about Nicole's performance in his slightly oddball way of speaking.

"Now, Nicole Kidman,” Herzog said of her lead performance in "Queen Of The Desert." “Wait for that one. Wait for it. I make an ominous prediction: How good she is.”

(You can even hear his voice when you read quotes from him, can't you?)

Nicole shared this photo of the wrap of shooting.first official image. will they keep this aspect ratio? it's so Lawrence of Arabia long

Of course all of this is from people who are involved in the picture so they'd never be anything less than enthusiastic. But I myself have high hopes and I'm not involved. Unless you count my heart which belongs to Nicole.

Though I'd love for Werner Herzog to have a major Oscar success -- imagine how fun he would be on the campaign trail all season? -- the truth is Oscar has resisted him over and over again. Despite a prolific acclaimed filmography his only Oscar success is Encounters at the End of the World (Documentary Nomination, 2007). Nope, they didn't even go for the classic going insane in the jungle epic Aguire, The Wrath of God (1972) or the classic going insane building opera houses movie Fitzcarraldo (1982) or the classic already insane and hanging out with bears in the wilderness doc Grizzly Man (2005) all of which attracted awards heat elsewhere... just not with AMPAS. (Does Nicole Kidman go insane in the desert? I'm sensing a theme here.)

This sudden burst of news about the picture and our love of Nicole Kidman has us hoping she can climb the Oscar charts. But given that last year's Best Actress Shorlist had the most communal previous nominations of all time  I'm sensing this is the kind of year where Oscar is going to want some fresh blood.

UPDATED OSCAR CHARTS
BEST ACTRESS and BEST SUPPORTING ACTRESS 

Thursday
Jul102014

Halfway Pt. 5 Best Performances

Are you getting restless about all these halfway posts? We're almost done. The Power of List compels me. There's one more halfway post to go that's basically 'The Oscar Charts are Updated!' as the coding problem I mentioned is fixed and the updates are happening behind the scenes as you read this. We must get all this halfway business behind us by Saturday morning so that we can ape out all weekend with Andy Serkis & Co and start this second half of the year off right.

Herewith...

THE GREATEST PERFORMANCES OF 2014's FIRST HALF


BEST LEADING ACTRESS: Keira Knightley does her most relaxed and fluid work ever in Begin Again as a musician at a crossroads, never letting any one aspect of the character's situation pigeonhole her emotional responses; Agata Kulesza is an abrasive and evasive presence in her first scenes in Ida as a cynical woman who is too guarded to let her affection for the niece she's just met show but the performance keeps revealing more in each scene, like a window opening up; Luminita Gheorghiu sure can hold the camera and doesn't care what you think of her complicated often unpleasant character in Child's Pose; Marion Cotillard often silent and soulful performance in The Immigrant as a Polish woman who is lured into servitude (sexual and otherwise) is a beauty; and Scarlett Johansson proves herself quite the auteur vessel in her enigmatic, curious, unpredictable, sexual and unsettlingly "off" star turn in Under the Skin.

(This was so difficult to narrow down from ten so my apologies to: Emily Blunt who gives one of the great bad-ass performances even if there's not a lot to her Edge of Tomorrow role beyond that; Angelina Jolie who gifts her wicked witch Maleficent with subtle and unfamiliar affections as well as her usual screen presence for days; Gugu Mbatha-Raw who is so beautiful when righteously aggrieved as Belle; Jenny Slate plays abrasive stand-up well and is even better at believable impulsive decision making on the fly in Obvious Child; and Agata Trzebuchowska as the silent and watchful Ida - and yes both actresses from Ida are named Agata which is funny considering the polar oppositeness.)

BEST LEADING ACTOR: Russell Crowe reminds us he's a movie star with his commanding title performance in Noah, a strange collision of righteous pacifism and violent obsessivenessRalph Fiennes is brilliant as the perfect concierge in Grand Budapest Hotel not quite playing against type but subverting his usual sophisticated cad with new comic energy and a remarkably innocent carnality; It's Jake Gyllenhaal versus Jake Gyllenhaal in Enemy and it's easy to tell the characters apart (and argue about preferences) which is a real coup for this perpetually underrated if well employed actor; And finally James McAvoy seriously owns X-Men: Days of Future Past in his second go-round as Professor Xavier, never phoning it in (always a danger with reprisals... his co-stars are much flatter than before) and absolutely committing to the genre, the emotional logic of the highly convoluted plotline and Xavier's combustible feelings for his co-stars and his desire not to feel at all.

 (...and I'm going to stop there at four since I cheated on the next category with six though please note that I also appreciated the work of Aaron Paul who is believably limited in the parental skills department as a grieving widower in Hellion, Pierre Deladonchamps who serves Stranger by the Lake's vision with unobtrusive being on camera as opposite to "Acting!", Chris Evans minimalist but effective leading man skills twice over in Captain America: The Winter Snowpiercer and Colin Firth's Firthishness as filtered through PTSD and bookishness in The Railway Man.)

BEST SUPPORTING ACTRESS: I cheated with six women (Shut up! I don't do such things once we get official. You know that by now.) but at the moment I'm going with Jillian Bell who is so much the comic MVP of 22 Jump Street that it positively hurts... like a punch to the face; Rose Byrne who is sharp, sexy, funny and alive to all the ways she refuses to play a stock wife character in Neighbors; Laura Dern, The Face, who gives The Fault in Our Stars its most genuine tears; Gaby Hoffman who is a complicating but also soothing and sobering presence (neat trick) in the funny Obvious Child; Scarlett Johansson in Captain America 2 who is getting better and better all the time (and she was no slouch at the start) and proves it by upping her Black Widow game every damn time infusing character, layers and specificity into the mandatory surface sexiness and showmanship; and I'm holding a spot open for Uma Thurman in Nymphomaniac because.... well... let's talk about that one next week since both Volumes just came out on DVD.

(I'd tip my hat to several other ladies too -- how much time do you have? -- but none were quite on this level so let's not list them all. But please know that this does not mean that I am any less obsessed with Tilda (who was possibly genius but also possibly bad... I'm still deciding... in Snowpiercer) or Nicole (whose role was a dud even if her performance wasn't in The Railway Man, sorry about it.)

BEST SUPPORTING ACTOR: May I abstain? No. Fine... I guess I'd go with Patrick D'Assumçao for fish-out-of-water directness and unfussy depression in Stranger by the Lake; Song Kang-Ho for embracing the selfish agenda of his character while giving generously to the spark of Snowpiercer; Adam Levine for surprisingly natural ease with acting in Begin Again - no false notes; and Jeff Goldblum and Tony Revolori from Grand Budapest Hotel though I should see the film again before justifying those names with any explicit commentary on their performances; And I'd make those five choices while glancing over at Scoot McNairy (The Rover), Jeremy Renner (The Immigrant), Wyatt Russell (22 Jump Street), Christopher Walken (Jersey Boys), Jake Lacy (Obvious Child), and everyone else in Snowpiercer and wishing all dozen or so men either had more complicated characters to play, more screen time to prove themselves, or were just a bit more transcendent of the limitations of their roles. I like all of these performances but it's been an uneventful year in this particular category. 

LIMITED OR CAMEO ACTRESS: Emma Levie is somehow malevolent and frightening without doing much at all in Snowpiercer; Alison Pill is an atypical joy in one of Snowpiercer's oddest scenes; Susan Prior does a lot with a very little in her extended scene in The Rover as a dog loving doctor - the movie doesn't care about her but she sure cares about the movie; Charlotte Rampling wows and completely elevates Young & Beautiful in one of its last scenes; and Tilda Swinton is sublime and memorable as the horny ancient heiress in Grand Budapest Hotel who sets the plot in motion.

LIMITED OR CAMEO ACTOR: Matthew Goode is believably progressive and stalwart in a very short bit in Belle; Harvey Keitel and Edward Norton are great fun in their small roles in Grand Budapest Hotel; Luke Pasqualino is magnetic in a nearly silent role in Snowpiercer; and Craig Roberts is hilariously deadpan as "Ass Juice" in the raunchy comedy Neighbors

And I'll end with a tweet about Luke Pasqualino because it's uncool that more people aren't talking about him...

 

 

Oh wait one more...
BEST ENSEMBLE: Grand Budapest Hotel; Neighbors; Obvious Child; Snowpiercer; Young and Beautiful

YOUR TURN. Which performances and characters were you just wild for in these past six months?

 

Tuesday
Jul012014

Happy Olivia de Havilland Day!

A very happy 98th birthday to the woman who collected Oscars and cats as if she were personally flirting with me before I was born.

Thank you for Maid Marian, cousin Melanie Hamilton, heiress Catherine Sloper, identical twins Terry & Ruth, Miriam who hushed sweet Charlotte, Virginia in that snake pit... and many more.

Your summer Centennial party is just around the corner in 2016!