Amir here, to bring you our newest Team Top Ten. You may remember we tackled the best directors of the new century in our first episode and each first Tuesday of the month Nathaniel and all the contributors will vote on a new list. This time it’s all about two things I’m sure you all love as much as we do:
...Actresses & Oscar.
This is a list of the greatest performances that lost the Best Actress award. We’ve looked at the pool of 337 performances that were nominated for an Oscar in that category but failed to win and we ranked them in the order of our individual preference, irrespective of the actresses that won in any given year.
It was quite a heavy task, as you can imagine. How would you go about choosing only ten among so many stellar turns? 80 different performances managed to get at least one vote from our contributors. Actresses who have had multiple unsuccessful nominations were generally the victims of an internal spread of votes. Meryl Streep is the most glaring example, of course. Four of her performances garnered votes, but none was popular enough to make the cut. Katharine Hepburn’s performances were similarly divisive, though one of them stood head and shoulders above the rest as you will see below. There were surprising inclusions and even more surprising exclusions but the main takeaway was consensus over performances that have found their place in the critical canon. Only 6 ladies from this new century made the top 30, which is reason to rejoice, in my opinion -- old treasures aren’t forgotten just yet.
Nathaniel will share runners-up and some juicy trivia and stats because this experiment really deserves a lot more than a list of ten names. For now, however, here are the actresses Team Experience deems the greatest Oscar losers of all time:
THE 10 GREATEST BEST-ACTRESS-LOSING PERFORMANCES
are after the jump...
10. Holly Hunter (Broadcast News, 1987)
Lost to Cher in Moonstruck
"The leads in so many romantic comedies blend together into a blandly likable blur. Not so with Holly Hunter in Broadcast News. She takes the trope of the hardworking professional woman who is great at her job but unlucky in love, and imbues her with a crackling specificity. Far from sanding down her rough edges, Hunter embraces them, from her crying jags, to her stubbornness, to her clumsy grabs at love, to that southern accent she makes no attempt to disguise. Hunter’s Jane Craig topped my ballot because she is the gold standard against which I measure all other romantic comedy performances."
- Michael C.