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Entries in Best Actress (204)

Monday
Sep082014

Robert Wise Centenary: I Want to Live! (1958)

We're celebrating the centennial of director Robert Wise this week. Previously: Tim on "Curse of the Cat People" (1944) and Nathaniel on "Somebody Up There...". Now, David on Susan Hayward's Oscar vehicle, with an exclamation point!
 


Though the internet seems to increasingly denigrate the importance of punctuation, once upon a time it was vital to our sense of understanding language. Would I Want To Live! have any of the same feverish impact without that exclamation mark at the end of its title? Perhaps. But it signifies the bold stance of this cry for social justice in a millisecond. I mean, just look at this poster! Only Britain's notorious newspaper The Daily Mail has taglines that long these days.

That boldness is a quality more of the film's frenzied marketing than of the film itself; director Robert Wise, whose centennial we're marking this week, excised the closing rhetoric that producer Joseph L. Mankiewicz was insisting upon, sure that if an audience wasn't convinced of the film's social statement by then, a few platitudes wouldn't make a difference. As our series of pieces has and will demonstrate, Wise was an extremely adaptable filmmaker who transcended genre, but he often pursued work that aligned with his anti-establishment politics.

Never more so than here [More...]

 

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Thursday
Aug282014

The 10 Most Terrifying Words You'll Read Today

[from a Telluride preview piece by Anne Thompson]

 

I don't remember one thing about this article (other than an underlying 'screw Toronto!' praise Telluride' tone) due to these ten words. TERRIFYING. I've already tweeted this out but for those of you without twitter, it was important that you share the nightmare. Forgive me for destroying your peaceful slumber tonight.

Wednesday
Aug272014

Gone With The Wind's Glorious Ensemble

Entr'acte After last week's screening of the first half of the gargantuan Gone With the Wind. I realized that three fourths of my memories of the movie come from its first half. What would this screening of Act 2 reveal? We return now to wind-swept Georgia and the tale of the most famous of southern belles, Scarlett O'Hara.

Scarlett summed up: Surrounded in Rhett's wealth and love (the future) but still focused on her self and past girlish ideals (Ashley Wilkes in her hand). Perpetually vain and unhappy.

Part 2 The first act of GWTW is, largely, a Civil War film albeit one that's told brilliantly off the battlefield. The second act shifts gears to Reconstruction. While the South is being rebuilt, Scarlett is doing her own life remodelling. It's now a romantic melodrama, but pleasantly also a rich ensemble film as each character comes into sharper focus (Hattie McDaniel's Mammy and Olivia de Havilland's Melanie in particular - both superb)

Ashley Wilkes, simpleton that he is, still doesn't get Scarlett, assessing her strength like so: 

You never have trouble facing reality."

Oh, Ashley! Our semi-delusional Southern Belle is still continually fantasizing about you, a man she can't have and wouldn't want if she had him, while denying her love for the one she has and does actually want... in her own way. All the way she's hoping to recapture or clinging to her obsession of former glories of the Old South: Tara with its lush lands and easy wealth, the cheap labor force (ahem), and even her girlish waistline which alarming grows to a (GASP!) 20" and she cannot figure why. 'Childbirth? Fiddle-dee-dee!'

If Ashley Wilkes, who idolizes Scarlett, were choosing Part 2's Best Shot, I know just what he'd choose.

Click to read more ...

Tuesday
Aug262014

Best Shot Collection: Gone With the Wind (Pt. 2)

Previously on Hit Me With Your Best Shot - Gone With the Wind Pt 1

We return now to wind-swept Georgia and the tale of the most famous southern belle of all time, Scarlett O'Hara Wilkes Kennedy Butler. We've lost a few Best Shot participants this time around (people don't love Part 2 as much I guess - a group which includes me) or they're just running late (which includes me). I'm still debating between a few images and too tired to think any more. I'll decide tomorrow. Tomorrow is another day!

GONE WITH THE WIND PT 2
Click on any of the Best Shot choices to read the corresponding articles 

The marriage of Scarlett and Rhett is its own version of Sherman's march... a path of destruction in their wake.
-The Entertainment Junkie 

There is something you love better than me, though you may not know it.
-Ashley Wilkes for The Film Experience

a glimpse of reality; her funhouse mirror is cracking
-Cinemunch 

My favorite section of the film [is] the hardcore suffering part, where everyone is starving and filthy and Scarlett has to wear the same dress for 18 months... 
-Video Valhalla 


 Certainly a movie you love wouldn’t take you two weeks to watch... 
-Pop Culture Crazy


No use trying to sweet talk me. I knows you since I put the first diapers on you.
-Mammy for The Film Experience


 You're a heartless creature. But that's part of your charm.
-Captain Rhett Butler for The Film Experience


One of the great characters and performances in the annals of cinema... 
-Antagony & Ecstasy

Scarlett stands confidently and defiantly. Its the only way she knows how.
-The Film's The Thing 

Nothing modest or matronly will do for this occasion...
-Film Actually 

Here's Our Darling Scarlett."
-Melanie Wilkes for The Film Experience


Melanie as the calm moral centre of the film...
-Lam Chop Chop 


I love the fact that Scarlett’s bedroom has a portrait of Marie Antoinette in it...
- Allison Tooey


Gone with the Wind is my mom’s favorite movie...
-Coco Hits NY

-The Futurist

And that is... the end! Except for my choice. Unless a few stragglers show up. Hope you enjoyed.

Next Tuesday night, September 2nd, our Season Five Finale: THE MATRIX (1999) for Keanu Reeve's 50th Birthday. Why not pick a shot and join us?

Friday
Aug222014

Viola Davis. 'Holy s***, that woman can act!'

Here's Matthew Eng on where we are in the career of one of the great screen actresses... 

“Holy shit, I love watching this woman act!” is what I immediately thought during Viola Davis’s doozy of a “big scene” in Get on Up, which nearly every review of Tate Taylor’s surprisingly strong James Brown biopic has been well-inclined to praise. As Brown’s aged, long-estranged mama, Davis—with the aid of terrific star Chadwick Boseman and some pretty expert makeup artists whose numbers Clint Eastwood should find immediately—manages to reinvigorate a set-up familiar from any number of tortured artist-biopics (i.e. absentee parent comes groveling years later to abandoned child-turned-superstar at the peak of his fame) with the same smart, electrifying clarity of character and tender yet tough-minded emotionalism that should be long-recognizable by now to anyone who has seen Doubt or Antwone Fisher or Solaris or Won’t Back Down, or else FencesKing Hedley II, or Seven Guitars on Broadway, or, more likely, witnessed Davis’ extraordinary, one-woman rescue job on Taylor’s The Help.

Holy shit, I love watching this woman act. It’s not the first time the thought’s run through my head.

Davis is, as usual, great in Get on Up, a superior musical drama that’s prone at times, like all entries in this genre, to some patchy plotting and tacky set-pieces, but which sports the affecting ensemble, sobering insights, and stellar, sweat-stained concert sequences that Eastwood and his animatronic Jersey Boys could only dream about. Davis’ role is also, as usual, brief but crucial to the movie at-hand. [More...]

 

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