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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Adapting "Guardians" -a screenwriting interview

I especially like that part about how boundaries can be a good thing. Knowing where the plot points have to hit always stops me from wandering aimlessly in my writing. Some may see those thing as cookie cutter but I've always found them inspiring.❞ -Daniel

 

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Entries in Best Actress (190)

Friday
Mar072014

Yes, No, Maybe So: "Grace of Monaco"

Approaching trailers for movies you're going to see no matter what (i.e. anything with your favorite actor in it) makes the Yes, No Maybe So™ question a strangely hypothetical one. Such is the case with Grace of Monaco which is currently scheduled to open on ____. No, we don't know the date yet but people will be talking about it in May after its Cannes premiere. Let's hope those of us who can't afford $1000 a night for a trip to France in the summer don't have to wait seven months* to form our own opinions; a bit of glam adult counterprogramming in the summer (look at the scenery!) would be a kind thing to do!

But where were we?

Oh yes, Princess Grace. At the beginning of the trailer we learn that she'd like to return to Hollywood -- Hitchcock wanted her for Marnie (1962) but...conflict! Her formerly charming prince won't allow for it; this is not a Disney musical and there will be no Happily Ever After...

the Yes No Maybe So breakdown is after the jump. Non-Spoiler Alert: I'm a "Yes"

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Monday
Mar032014

The Winning Moment & The Loveable Losers

Oscar night is still rich with the thrill of victory but not, I'd argue, with the agony of defeat. At least not anymore. The Oscar race has never been as sports-analogous as some would like but the victory part in the modern awards season maybe. That requires true endurance... months of campaigning and appearance and interviews and people whisking you here and there. The agony of defeat is surely now lessened by way of expectations. There didn't use to be all these signposts along the way that you're never going to win which might account for how polite and calm the losers are in their little live-television grids. Nevertheless we still love to slow-mo the shit out of those moments.

We're doing three and a half categories (Supporting Actress, Director, Actress, and ?)  starting now...

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Monday
Mar032014

The Beautiful People

The Class of 2013 via The 86th Academy Awards,  March 2nd, 2014!

Damn, that's a good looking bunch. It occurs to me that there was more than just a little bit more of a consensus this year behind "shoulds" when it came to acting winners, hence the repeats from ceremony to ceremony. That was true even here at The Film Experience. Though McConaughey didn't win his reader's poll here (he came in 3rd in a tight race for 2nd with Chiwetel, both behind Leo), the rest were your preferred winners as you can see on their percentage totals on the individual charts. And Cate and Lupita were also my gold medalists in the The Film Experience's long running Film Bitch Awards, too.

Group Tidbits & Trivia
• Cate and Matthew are the exact same age (44) and I wonder when or if that's ever happened before with the lead winners? It probably doesn't happen often given Oscar's double gender standards when it comes to what age its appropriate to honor male and female actors; generally speaking, women win most often when they're in their late 20s to mid 30s wherease men have much better luck in their 40s.
• The lead winners are both married and both have three children. The supporting winners are both single and keep publicly joking about the rumors that they're dating

Jennifer and Lupita reenact the last month of the internet backstage!

• another cute Lead/Supporting divide. The leads brought their spouses to the Oscars and both Lupita and Jared brought a sibling!
• Interesting gender divide in terms of origins. The women are international (Australia and Kenyan/Mexican) while the men are both from the Southern US (Texas and Louisiana)
• All four went to college --  so since Ellen went there with a joke: stay in school, kids

Jared Leto photobombing Anne Hathaway

• Cate is the old pro (6 noms / 2 wins) but the other three are all 'first time's the charm' winners
• I interviewed 75% of this group, alas not a perfect fab four: ICYMI my chats with Matthew, Jared, & Lupita
• Four different zodiac signs but we have two waters (Matthew & Lupita) and two earths (Cate & Jared) and yes, I have insomnia, or else why else would I be looking this up?!

Saturday
Mar012014

1 Day Til Oscar... "No. 1 Fan"

Flashback March 25th, 1991

Which one of these guys do you think Kathy Bates wanted to lock up in her house and possibly hobble? If neither Tom nor Dustin are the correct answer who do you think Kathy was eyeing on Oscar night that year? Tell us in the comments.

Question #2: If you had to nurse one of this year's Oscar nominees back to health in your remote house in the woods, who would it be? 

 

Saturday
Mar012014

Why Amy Adams Might Have Us All Fooled, or The Emancipation of Sydney.

Hello, lovelies. Beau here, gone for far too long, with something that I've been racking my brain over for the better part of two months.

Much has already been said about American Hustle, on this site and throughout the internet in general, and the film has taken on a kind of love-it-or-hate-it reputation that makes it seem even more controversial than Scorsese's touted lightning rod, The Wolf of Wall Street. Whereas that film is richly deserving of its many dissenting opinions, the criticisms being levied at Hustle tend to direct themselves at its lightness, so to speak. A puff pastry strutting about in sequins. Indeed, the general consensus for a long period of time was that the film was too light to be considered a threat for the Oscar for Best Picture. Its themes of survival are dwarfed by Gravity, a film where said theme is made literal and considerable. Themes of deception are dwarfed by the hedonists of Wolf of Wall Street. Jennifer Lawrence's show-stopping performance in particular has become a source of contention, with mentions of miscasting, ageism, an inconsistent accent all to blame.

And while I have my own reservations about the film, there has been one particular element of the picture that's been thrashing about in my head, one performance that I can't seem to lay my finger on entirely. It evades me, like a crook whose face I know and can identify, but who always seems just out of my grasp. [More...]

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