Team Experience Oscar Predictions: Pre-Globe Jitters

by Cláudio Alves

Wake up, Ani. The Team Experience sees lots of gold in your near future!Mere hours before the Golden Globes kickstart the televised part of the season and crown the first big precursor winners, let's unveil the Team Experience Oscar predictions. As in years past, various members of The Film Experience's writing team were asked to deliver their Academy Award predictions, contributing to some collective punditry. This season, you can count on my best guesses and those of Eric Blume, baby Clyde, Eurocheese, Abe Friedtanzer, Christopher James, Ben Miller, Nick Taylor, plus the one and only Nathaniel Rogers. For this first set of team predictions, we've focused on the so-called "above the line" categories, plus Animated and International Film for good measure. In other words, the races that tonight's ceremony might shake up…

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Best Actress Volley: It's On!

Nick, Nathaniel, and Eric engage in a discussion about everybody's favorite Oscar category:  Best Actress. For the record this conversation started the day of the Globes nominations so watch things narrow down as we speak! 

 

Will a surprise SAG nomination rescue any underperformers?

ERIC:  Nick and Nathaniel, I'm really excited about this volley because the Best Actress category is as always stacked, this year featuring at least a dozen ladies who stand a fairly legitimate shot at a nomination at this point.  I thought it might be fun, before we get to the current leading contenders, to take a look at that back half of the possibilities to gauge your thoughts.  Of the actresses that seem slightly less likely to nab a nomination this year...Kate Winslet, Pamela Anderson, Amy Adams, Tilda Swinton, Saoirse Ronan...do you see the winds changing in the weeks to come where any of them could gather enough momentum to move to the front of the pack?

I'm considering Jolie, Madison, Gascon, Moore, Kidman, Erivo, Torres, and Jean-Baptiste more ahead at this point, but comment as you may.

NATHANIEL:  It does feel like quite a crowded, anything-could-happen* year. Take for example one from your column B: Saoirse Ronan and one from your column A: Angelina Jolie...

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Remembering Deborah Kerr in "Edward, My Son"

by Cláudio Alves

This week, I was a guest on The Lone Acting Nominees podcast. Every episode, the show considers a different film whose only Oscar nomination was for one of the four acting categories, going over the individual performance, the picture overall, and the awards season they found themselves within. For my first appearance, Gordon McNulty and I talked about George Cukor's Edward, My Son, a stage-to-screen adaptation from 1949 that earned Deborah Kerr her first Academy Award nomination. Of course, as we all know, she lost to Olivia de Havilland in The Heiress in what was to be one of six defeats in the race for gold. Not that Kerr's record-setting losses are widely mourned. She was never recognized for her best and riskier works, her Oscar sextet making for a terrible introduction to her talent. Still, you have to admire Kerr's big swings in Edward, My Son…

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Let's play the Recasting Game! JLaw Edition

by Cláudio Alves

Here, at the Film Experience, we value the readers' input, good or bad, be it the sharing of a divergent opinion or even suggestions for future posts. Consider how Juan Carlos Ojano's latest Hello Gorgeous piece, about the 2012 Best Actress nominees, led many to discuss the contenders' broad careers, way beyond those five specific turns and those same characters' introductions. Longtime reader and commenter Mr Ripley79 even speculated that we could do a whole post on Jennifer Lawrence's three Oscar-nominated David O. Russell films. Specifically, one about her miscasting – mostly due to the actress' age – and who could have played those roles instead. So, here we are. Let's play the recasting game…

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Hello, Gorgeous: Best Actress of 2012

A series by Juan Carlos Ojano

Romantic drama, political thriller, romantic dramedy, disaster drama, and fantasy comprise the vast span of genres that this year’s nominees appear in. This difference is also reflected in the varying acting styles and demands of these performances. And yet, for their character introductions, each performer is working with some sort of disruption. Whether reflected in the film’s narrative or simply on the formalistic construction of their scenes, each entrance highlights the force that their characters will be in their respective stories.

Are you ready? The year is 2012...

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