Split Decisions at the Critics Choice Awards

by Nathaniel R

ONE BATTLE AFTER ANOTHER takes Best Picture. It's finally Paul Thomas Anderson's trophy time.

While Sinners led the nominations by a comfortable margin there wasn't a clear "favourite" to emerge at the the Critics Choice Awards this past Sunday night. Three films dominated with One Battle After Another taking Picture, Director and Adapted Screenplay, Sinners winning Original Screenplay, Young Actor, Casting, and Score, and Frankenstein taking Supporting Actor (Jacob Elordi), Costume Design, Production Design, and Hair and Makeup. Three to four awards is nothing to complain about but they all lost some key races, too. As we move on to the Golden Globes (Sunday) and the SAG Awards it remains to be seen if any one film will become a threat for a mini-sweep at the Oscars, or if it will be more of a spread the wealth kind of year like this. 

After the jump the full list of winners and a few comments... 

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Oscar Volley: Is there space for supporting actors in the Best Supporting Actor race?

The Oscar Volleys are back! Tonight, it's time for Eric Blume and Cláudio Alves to discuss Best Supporting Actor...

Stellan Skarsgård in SENTIMENTAL VALUE | © Neon

ERIC: Hi, Cláudio. I'm very excited to tackle this year's Best Supporting Actor race with you! This is often the most boring acting category, but am I naive to think this year might be different? There are a lot of really fantastic performances that are not only nomination-worthy but win-worthy in my opinion. Are we to be disappointed that once the precursors start naming nominees, things will narrow too small too quickly? 

For the moment, it's an open book. I would love to discuss with you the two performances that do seem like locks even at this early stage: Sean Penn for One Battle After Another and Stellan Skarsgård for Sentimental Value…

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TIFF 50: "Frankenstein" has great gowns, beautiful gowns

by Cláudio Alves

Last year, Emilia Pérez finished in second place for TIFF's People's Choice Award, and, while not as bad, this year's runner-up left me similarly displeased. You can deduce that the masses disagree, having received Guillermo del Toro's Mary Shelley adaptation with open hearts and adoration aplenty. I think I was also predisposed to love the Mexican master's spin on Frankenstein, having defended his follies for the last decade, even when critics I respect soured on the man's cinema. Moreover, I even re-read the novel – comparing the 1818 and 1831 versions as I went along – to prepare for what was sure to be a grand Gothic spectacle to sweep me off my feet.

As it turns out, del Toro's Frankenstein was one of my major disappointments at TIFF 50, maybe the biggest. Thank heavens for those beautiful costumes and that beautiful Creature, for I'm not sure I'd have made it through this 150-minute slog without them…

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Almost There: Barry Keoghan in "Saltburn" & Andrew Scott in "All of Us Strangers"

by Cláudio Alves

Earlier this week, the Almost There series returned with a look at Penélope Cruz's failed bid for the Best Supporting Actress Oscar. Now, it's time to move on to Lead Actor, where the season's most prominent contender without a nomination was Leonardo DiCaprio in Killers of the Flower Moon. But since you're probably tired of reading my defense of Scorsese's latest, I decided to focus on two others instead. The first victim is Barry Keoghan in Saltburn, for which he was nominated at the Golden Globes, BAFTAS, and Critics Choice Awards. Our second sacrifice is Andrew Scott, whose campaign for All of Us Strangers was full of passion but few actual plaudits. There were nominations at the Globes, Spirit and British Independent Film Awards, little else...

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Barbenheimmer and "Killers of the Flower Moon" are all over the BAFTA longlists

by Cláudio Alves

Even at the BAFTAs, these three are inescapable.

Since its 2020 overhaul, the British Academy has been changing its rules, aiming for more diversity within its ballot. So far, the effort's been relatively successful, though last year's choices were too Oscar-y for some people's tastes. I tend to prefer when BAFTA maintains a certain idiosyncratic identity, honoring less-seen national gems along the way. Judging by the just-released longlists, it seems we're heading down a similar path to last season's, with three Oscar frontrunners scoring in fifteen categories. That doesn't mean the Brits have lost their uniqueness. Look at the love for All of Us Strangers, including listings for all its principal cast…

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