TV Review: "Ripley" is a Gorgeous, but Disappointing, Remake

by Christopher James

Andrew Scott takes on the titular role of Tom Ripley in Steve Zaillian's latest rendition, "Ripley," on Netflix.

There’s something sacred about a favorite movie. Anthony Minghella’s 1999 masterpiece The Talented Mr. Ripley is a seminal film, burned into my brain as canon. Thus, there’s a certain amount of bias that is hard to overcome when judging a remake. It runs the risk of being so close to the original that it is redundant, or swings far enough away that it pales from the original.

The new Netflix limited series Ripley wisely distances itself from other renditions of the Patricia Highsmith novel, primarily through its gorgeous black-and-white cinematography and new approaches to casting. Writer-director Steve Zaillian has a clear, distinct vision of the tale that feels distinct. However, it prioritizes style over substance. Though filled with haunting beauty, this Ripley lacks personality and tension - sexual or otherwise...

Click to read more ...

Review: Your Grandparents Will Love 'Operation Mincemeat'

By Ben Miller

I loved watching films with my grandfather. We called him Peepaw. It was always something he wanted to do. The problem with Peepaw was a measurement of quality. He always wanted middle-of-the-road stories with little challenges and concise, wrapped-in-a-bow storylines. One of his favorite films was the Kevin Costner snooze-fest Dragonfly. The conventionality and Costner’s charismatic banality was exactly what he wanted. He thought it was a masterpiece.

This doesn’t mean Peepaw only liked terrible movies. He was a huge fan of The Guns of the Navarone or The Great Escape. His generation couldn’t get enough of World War II films. These days, when my brothers and I see a film that hit those points, we would describe them as “Peepaw movies” for their ability to appeal to our late grandfather’s particular sensibilities. John Madden’s Operation Mincemeat is THE Peepaw movie...

Click to read more ...

FYC: Soundscapes and Music

by Nathaniel R

The Film Bitch Awards continue with ballots for Best Score, Best Sound, Best Original Song, and in the non-Oscar parallel category Best Adapted, Combined, or Song Score (since so many films opt to have scores that lean into "soundtracks" as opposed to "scores" if you know what we mean)...

Click to read more ...

Year in Review: Greatest Thirst Traps

by Team Experience

Beauty is the eye of the beholder and so is sex appeal and cinematic eye candy. So take these rankings as seriously as they were assigned which is to say, barely seriously at all. T'was but a glancing approximation of how many lists each hottie showed up on from our teammates and whether they were high up on said lists. At any rate these faces (and bodies) and born-to-perform stars deserve your wide open appreciative eyes when they're working it onscreen. 

We meant to post this last night when the mood was more drunken and festive but it's okay to start a new year off lustily, too! Please to enjoy our choices for the greatest thirst traps of 2020. Which of these stars made you quiver under your bodice or weak at the knees these past twelve months? 

Click to read more ...

Review: The new "Emma."

by Lynn Lee

Now that we’ve revisited past Emma adaptations like 1996's Miramax release and 1995's Clueless, courtesy of Claudio, it’s time to turn our attention to the latest version, which just went wide last week.  It’s a production of relative newcomers, marking the directorial and screenwriting debuts, respectively, of photographer Autumn de Wilde and Booker Prizewinning New Zealand novelist Eleanor Catton, and starring a cast of mostly fresh faces headed by rising star Anya Taylor-Joy (The Witch).  Whatever it’s lacking in big names it certainly makes up for in indie credit.

The result is an Emma that’s bright, fun, and funny – not attaining the sublime heights of Clueless but more successful than the 1996 Miramax version with Gwyneth Paltrow...

Click to read more ...