Cinema Audio Society nominees. How are they as a precursor?

by Nathaniel R

THE BATMAN

In the mad rush of guild announcements last week (all over but for the ACE Eddie awards which will curiously be announced after the Oscar nominations this year) we missed this one: The Cinema Audio Society. While Top Gun Maverick has long been marked the frontrunner for the Best Sound nomination it has formidable competition in the sound spectacle department. Nominees, comments, superhero split, and Oscar stats after the jump...

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Interview: Ryan White on "Good Night Oppy" and recording Angela Bassett

by Nathaniel R

Director Ryan White and his new film "Good Night Oppy"

In October I had the pleasure of introducing director Ryan White to a warmly receptive audience at the 10th annual Middleburg Film Festival. They'd just screened his buzzy documentary Good Night Oppy and there was lots of love in the room. That's been a through line with the film wherever it's shown. The space exploration documentary has since received glowing notices and several awards including five wins at the Critics Choice Documentary Awards. The charming doc about two sister robots on Mars, "Opportunity" and "Spirit", who wildly surpassed initial expectations, also represents a change of pace for the director. He's always had range. His previous lauded projects have included films as varied as the Oscar finalist short Coded (2021) about the gay golden age illustrator J.C. Leyendecker, the Emmy-nominated political doc The Case Against 8 (2014), the Emmy nominated unsolved crime doc-series The Keepers (2017), and profile docs like Ask Dr Ruth (2019) and Serena (2016). 

When we first met Good Night Oppy had not yet reached Amazon Prime but it was headed there for the Thanksgiving holiday. A feast it would likely be to families that gave it a try. I was delighted to catch up with White to talk about the film again now that it's available to a wide audience...

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Mahler's 5th - the secret destroyer in "Decision to Leave" and "Tár"

by Lynn Lee

Mahler’s Fifth Symphony is enjoying a bit of a renaissance these days, thanks to its prominent placement in not just one but two of the most fascinating films of the year, Park Chan-wook’s Decision to Leave and Todd Field’s Tár.  Not that it’s ever really been out of the public eye.  It’s been a staple of classical orchestras for decades, and its fourth movement – the dreamily romantic Adagietto, which cinephiles may recognize from Visconti’s Death in Venice – long ago reached a degree of mainstream popularity rarely accorded classical works.

Just because it’s a war horse, though, doesn’t mean it can’t be used in constantly different and surprising ways.  The Fifth – like all of Mahler’s symphonies, but perhaps even more so – contains multitudes...

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Hit Me With Your Best Shot: 'The Conversation'

by Nathaniel R

a wonderful 'establishing shot' not of a building but of a man (Gene Hackman), his targets (in photographs), and the tools of his trade.

Francis Ford Coppola's The Conversation (1974)  is nothing if not elusive. So many of the images in this paranoid mystery are obstructed. Coppola and the cinematographer Bill Butler are continually adjusting focus and searching for the subject and his targets. The protagonist, an 'unreliable narrator' type albeit without the narration, is Harry Caul (Gene Hackman, brilliant) and he's often hiding in the corner of frames, or with his back turned to us. The film begins with a full circle, as Harry is spying on a man and a woman as they walk around a city park. For what reason we do not yet know and might never know. Though we see his targets frequently, there are constant visual interruptions from trees and people and their own movements. We understand this to be Harry's view, figuratively if not literally, since people can't move like a crane shot or zoom in for a closeup...

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ASC and CAS nominations: 'Dune' & 'Power of the Dog' make both lists

by Nathaniel R

The American Society of Cinematographers and the Cinema Audio Society have released their nominations for outstanding work in film and television last year. As with the Art Directors yesterday, there are surprise omissions of notable contenders. West Side Story, for example, is not nominated for cinematography while another musical tick, tick...BOOM! misses with the sound guild. It's all leading up to an Oscar nomination morning that could be volatile.  The full list of nominations with notes after the jump...

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