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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Saturday
May102014

Team Top Ten: The Best Cannes Winners of All Time

Amir here, to bring you this month’s edition of Team Top Ten, a monthly poll by all of our contributing team at The Film Experience. Cinephiles all around the world turn their attention to the south of France in May as the most prestigious film festival in the world gets underway in Cannes.

The festival’s history is a rich one, full of interesting cinematic and political narratives. It’s an event that has celebrated the best in cinema and operated as a launching pad for emerging artists as much as it has played games of politics and festival world favouritism. Still, when all is said and done, the list of Palme d’Or winners can rival any list of the best films ever made.

With this year’s edition of the festival just about to begin, we thought it would be a good time to revisit the past and choose our Top Ten Favourite Cannes Winners of All Time. For this poll, we’ve excluded the first two editions of the festival (1939, retroactively awarded to Union Pacific, and 1946, when the top prize was shared between 11 films.)

There is really no easy way to select the cream of the crop here, because these films are already... well, the cream of the crop. Consider the eight films that finished behind our top dozen: Pulp Fiction; Dancer in the Dark; Viridiana; 4 Months, 3 Weeks and 2 Days; Farewell My Concubine; Secrets & Lies; The Tree of Life; The Pianist. Not to mention masterpieces like Black Orpheus, Wages of Fear and Rosetta that placed outside the top 20. The point is that this is the highest echelon of films awards so the standards are high and margins are slim. Some of you will surely disagree with our ranking, but we welcome that. Let us know what you think in the comments.

THE BEST CANNES WINNERS OF ALL TIME
a non-definitive poll which begins with a three-way tie for tenth

10= La Dolce Vita (Fellini, 1960)

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Tuesday
Oct162012

Curio: 70s Paranoia Posters by Jay Shaw

Alexa here.  Catching Argo this weekend, with its panic, mustachoied men and analog opening credits has given me a taste for some good 70s paranoid thrillers.  (My current addiction to Homeland's depressive spy world set the table a bit, too.) I'm on the verge of staging a marathon of my favorites: Marathon Man, Three Days of the Condor, The Conversation, All The President's Men.  I was reminded that artist Jay Shaw recently created possibly the best alternative posters for this genre, each in stark black and white, utilizing images from these films seamlessly in his bold designs. They've been printed in editions of 100 and most are still available through Gallery 1988 for $30.  If this niche genre is a favorite for you too, snap these up while they are still available.

 

 

 

Click for... Klute, All The President's Men, Invasion of the Body Snatchers, and Marathon Man...

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