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Yes Not Maybe So: Bombshell

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Entries in Soundtrack (24)

Friday
Nov162018

HMMA Honors "Black Panther" and "A Star is Born"

We're not sure why or how the Hollywood Music in Media Awards came about but they're now in their ninth year honoring musicians in a few buckets worth of categories across all visual media. Their winners are determined by committee and like the NBR, who people tease for divvying up their prizes in a way that insures each studio buys a table at their banquet, there's a little something for everyone. The only multiple winners were Black Panther (Original Score -Scifi/Fantasy, Original Song - Scifi/Fantasy & Soundtrack Album), and A Star is Born (Music Supervision & Original Song).

The winners are after the jump though we're not listing the nominees because it's one of those silly awards shows that seems to have no consistency about how many nominees each category is allowed to have. All that said, you might see some of these winners again on the Oscar nomination lists, though...

Click to read more ...

Tuesday
Jan092018

FYC: Best Editing, Baby Driver

by Tim Brayton

If you know one thing about Baby Driver, surely it's that the film was conceived from the ground up to move in perfect time to music. Every aspect of the film that could be tied to the rhythm of the soundtrack was: the movement of the camera, the blocking of the actors, and the cutting between shots.

Perhaps that sounds like an impressive trick. But "impressive" hardly starts to cover it: love the film or not (I was a little cool on it, overall), Baby Driver is indisputably one of 2017's most audacious piece of film craftsmanship, a high-wire act of choreographing every element of the film production process into one steady flow. And by no means the least of this craft came in the form of the editing done by Paul Machliss and Jonathan Amos.

The editors' work on this film began unnaturally early...

Click to read more ...

Friday
Oct272017

La Pfeiffer and the Original Song Oscar Race

by Nathaniel R

Here's some rather surprising news: Michelle Pfeiffer sings the closing credits song of Murder on the Orient Express. The song is called "Never Forget" which we never in danger of doing for anything Pfeiffer. Though opinions vary about how well the goddess sings, we personally love it when she croons. Case in point: Grease 2 (1982), The Fabulous Baker Boys (1989), The Prince of Egypt (1998), and Hairspray (2007). Listen it's not her fault that her character in Up Close and Personal (1996) was supposed to be a bad singer or that "Miss Baltimore Crabs" is Hairspray's worst song!

"Never Forget" is written by two-time Oscar nominee Patrick Doyle, a regular on Kenneth Branagh films, who also composes the score. La Pfeiffer is, of course, not the sort who would deign to sing in front of the whole world on Oscar night so they will reassign the vocals if the song is nominated.

Regardless the Original Song category is beginning to show its possible contenders so we've updated that chart and still suspect the leader is The Greatest Showman's catchy "This Is Me" - which was recently performed in NYC by Keala Settle & Darren Criss.

We eagerly await the full eligibility list of 80ish songs we've never heard from 40 movies we've heard of and 20 movies we didn't know existed before this always surprising list hits. 

Friday
Oct132017

Dance Armie Dance!

Chris here. Call Me By Your Name is more than a month away from release and it's already a meme. One of the film's most escapist scenes has dropped online to much fanfare - a nighttime dance set to the Psychedelic Furs' "Love My Way". Now I'd argue that the scene does play as meaningfully out of context (most online clips don't), but the sheer delight of Armie Hammer's moves cannot be understated. And the internet has reacted in kind, overdubbing the scene with other songs to hilarious effect. Some tracks work better than others in this silly gag, but nothing matches the heights of the film's original track. Get ready to see a whole lot of dancing Armie in the coming months and to have a classic song completely redefined for you! What song do you want to see Armie dance to?

UPDATE: This wonderful account has been suspended, likely for copyright issues.

 

 

https://twitter.com/armiedancingto/status/9185294214092185

https://twitter.com/armiedancingto/status/918529421409218561

Wednesday
Jul052017

Soundtracking: "A Mighty Wind"

HEY WHA HAPPENED?! It's Chris Feil's weekly soundtrack series!

Christopher Guest’s A Mighty Wind begins with the death of a music producer, so it makes sense that the film ruminates on a supposedly dead musical genre. Folk music is a fit for Guest’s idiosyncratic eye, with the nuances in musicality or artistic personalities making easy fodder for his world of self-serious oddballs. Wind explores the breadth of the folk genre in three distinct groups: the narrative-based acoustics of The Folksmen, the chearfully disposed harmonies of The New Main Street Singers, and the placid romanticism of duo Mitch and Mickey. Though the film plays these characters with typical Guest behavioral farce, it does take their music seriously...

Click to read more ...

Sunday
Jul022017

A League of Their Own, Pt. 4 - The World Series

Here is the conclusion of our 25th anniversary retrospective of A League of Their Own!

Part 1 introduced us to the team and Part 2 showed us their success and struggles on the field. In Part 3, the sibling rivalry between Dottie (Geena Davis) and Kit (Lori Petty) got Kit traded to the Racine Belles and the return of her husband from the war caused an exhausted Dottie to quit the team. Where will that leave the Rockford Peaches as they go on to the first all-women World Series?

Part 4 by Chris Feil

1:30:15 - It’s the first game of the first AAGPBL World Series and it’s our beloved Rockford Peaches against the Racine Belles. And wouldn’t you know Doris has some fawning fans in the stands (including “that guy” actor Joey Slotnick in his film debut)!

Click to read more ...