Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Comment(s) Du Jour
Saoirse Ronan as Mary, Queen of Scots

"With only a few scenes at her disposal, Samantha Morton was an amazing, amazing Mary Queen of Scots in "Elizabeth: The Golden Age". Don't expect that portrayal of the lady will ever be topped." -Ken

"Saoirse Ronan is an inspired choice for Mary. But... Who signed off on Margot Robbie as Elizabeth I? What is this madness." - BillyBob

What'cha Looking For?
Interviews

 

Jerome Reybaud Director
(4 Days in France)
Emmanuelle Devos Actress
(Retrospective)
Nicholas Galitzine Actor
(Handsome Devil)
James Ivory Director
(Maurice Restoraton)
Betty Buckley Actress
(Split)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Soundtrack (20)

Wednesday
Jul052017

Soundtracking: "A Mighty Wind"

HEY WHA HAPPENED?! It's Chris Feil's weekly soundtrack series!

Christopher Guest’s A Mighty Wind begins with the death of a music producer, so it makes sense that the film ruminates on a supposedly dead musical genre. Folk music is a fit for Guest’s idiosyncratic eye, with the nuances in musicality or artistic personalities making easy fodder for his world of self-serious oddballs. Wind explores the breadth of the folk genre in three distinct groups: the narrative-based acoustics of The Folksmen, the chearfully disposed harmonies of The New Main Street Singers, and the placid romanticism of duo Mitch and Mickey. Though the film plays these characters with typical Guest behavioral farce, it does take their music seriously...

Click to read more ...

Sunday
Jul022017

A League of Their Own, Pt. 4 - The World Series

Here is the conclusion of our 25th anniversary retrospective of A League of Their Own!

Part 1 introduced us to the team and Part 2 showed us their success and struggles on the field. In Part 3, the sibling rivalry between Dottie (Geena Davis) and Kit (Lori Petty) got Kit traded to the Racine Belles and the return of her husband from the war caused an exhausted Dottie to quit the team. Where will that leave the Rockford Peaches as they go on to the first all-women World Series?

Part 4 by Chris Feil

1:30:15 - It’s the first game of the first AAGPBL World Series and it’s our beloved Rockford Peaches against the Racine Belles. And wouldn’t you know Doris has some fawning fans in the stands (including “that guy” actor Joey Slotnick in his film debut)!

Click to read more ...

Wednesday
Jun282017

Soundtracking: "Drive"

It's Chris Feil's weekly column on music in the movies! This week is the techno mythmaking of Drive:

So there’s a new musically-infused motorist crime tale on the block? While Baby Driver tries to take space on your headphones, it may still have to take a backseat to something even more moodily effective (if less uplifting): Nicolas Winding Refn’s Drive.

Refn is no stranger to using music (mostly in original scores from frequent collaborator Cliff Martinez) to help build his films’ elusive auras, but he has never been so successful as using this tool as he is here. This film’s musical identity is inextricably linked to the protagonist in ways that inform the audience of his psychosis as much as the subtlety of Ryan Gosling’s performance. Just as Gosling pulls us into the mind of a lovable psychopath, the song choices help make this grim pulp landscape something beautiful.

Click to read more ...

Wednesday
Jun212017

Soundtracking: "Big Little Lies"

It's Chris Feil's weekly series on music in the movies, this time on one of this year's television favorites...

Did you know that Emmy added a music supervision category this year? While this may seem a bit nebulous (Emmy sure does have a heck of a lot of categories!), at least we might get some great soundtracks and song choices recognized. Consider my soundtrack column this week an FYC (among others we've written) for what must be the inaugural front-runner Big Little Lies. Emmy: did you ever want it? Did you want it bad?

The musical landscape of Monterey is packed with soul tunes both new and old, weighted with a kind of timeless, cross-generational longing that ties together the various women of its ensemble. They way these songs ache deepen our understanding of each woman’s unique pain: the angry defiance of Jane running to “Bloody Mother Fucking Asshole”, Madeline’s romantic respite in “River”, and a lyrically literal reflection of Celeste’s sexual confusion with “Victim of Love”. For the audience, music helps us draw the connections between their shared pain, what ultimately unites them all. Big Little Lies’s musical identity is as distinct as the series itself.

Click to read more ...

Wednesday
Jun142017

Soundtracking: "The Adventures of Priscilla, Queen of the Desert"

It's Pride month, so this week's installment of Chris Feil's column on music in the movies celebrates a gay classic...

I’m guessing that there’s a good amount of crossover between your Pride playlist and the soundtrack for The Adventures of Priscilla, Queen of the Desert. If not, get out. The song choices are veritable staples of the gay experience, a disco-inflected factory of delight.

Priscilla is one of the quintessential disco soundtracks. While younger generations may draw from more recent pop icons, disco has been an expression of queer pleasure that has lingered for decades as an integral part of gay pop culture...

Click to read more ...

Wednesday
May312017

Soundtracking: "Sister Act"

It's the 25th anniversary of Sister Act! Here's Chris Feil with the second installment of Soundtracking, our newest series at The Film Experience, focusing on music in the movies...

Nuns having fun while singing runs! Alma, check your battery, because it’s time to take it to church!

Sister Act is about as much of an easy comfort as 90s movies get, from Whoopi Goldberg’s peak comic powers to that vibrant choral soundtrack. The film is kind of a prototype jukebox musical, recontextualizing 60s girl group soul to a vaguely christian context. “Guy” becomes “God”, traditional hymns transition into contemporary gospel, music and lyrics twisted twenty years before Pitch Perfect and Glee popularized the mash-up.

Click to read more ...