Doc Corner: 'American Symphony' is a biography misfire

By Glenn Charlie Dunks

Director Matthew Heineman has made a name for himself covering warzones in narrative film (A Private War) and most prominently in documentary (City of Ghosts, Cartel Land). I don’t blame him for stepping back just this once and making a movie about a charming musician and his rise to zeitgeist prominence. The film is American Symphony about Jon Batiste, a soft lob of a tribute that somewhat perversely is the film that could very well win him an Academy Award. Even documentarians can follow the same tried-and-tested path. I just wish I liked it more.

Batiste is 37 years old. American Symphony doesn’t say this stat outright as far as I recall, but it goes to great pains to make the audience very well aware that he is some sort of wunderkind. A Juilliard graduate who landed a big break as bandleader on The Late Show with Stephen Colbert and then shocked people by winning four Grammy Awards including Album of the Year as well as an Oscar for the original score to Pixar animation Soul.

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Which Movie and TV people won Grammys?

by Nathaniel R

Ben Platt, Rachel Zegler, Cynthia Erivo, and Leslie Odom Jr sing "Somewhere" from West Side Story at the Grammys

The Grammys have almost 90 categories so it can get very difficult to track them all. "Complete lists of winners" around the web are usually missing several if not 2/3rds of the actual winners. The list which follows in this post is also probably not complete though we tried by pooling from different sources. We only care about the Grammys very selectively since we're focused on the actors mediums (film, tv, stage) so the "Triple Crown" has always been cooler to us than the EGOT. Neverthless, there are some venn diagram overlaps between our concerns and the Grammys since at least a few actors are nominated each year for something or another. What's more, despite the remake of West Side Story being up for several Oscars, it essentially got a better tribute at the Grammys. That came by way of a truly stirring "In Memoriam" presentation which ended, reverently, with the late great Stephen Sondheim.

So who got closer to an EGOT last night, even if they're still very far away? Find out after the jump...

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Movie-Adjacent Grammy Nominations!

by Nathaniel R

"Sour" and "Montero" -definitely two of the most talked about albums of the year.

Each year when the Grammy nominations are announced we dive in to find notes of interest for cinephiles and/or general movie/tv enthusiasts. Jon Batiste, who took home the Oscar for Best Original Score for Pixar's Soul last spring, leads the Grammy nominations with 11 citations. But before we get to the movie stuff, we should acknowledge the three top categories: album, record, and song of the year...

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Can Reznor and Ross make Oscar history?

by Cláudio Alves

In 2008, the music branch of the Academy caused a stir when it announced that The Dark Knight was disqualified from the Best Original Score race. The reason for this had nothing to do with the use of non-original compositions as it's often the case. Instead, AMPAS had deemed that the picture had too many composers. In total, there were five credited artists – Hans Zimmer, James Newton Howard, Alex Gibson, Mel Wesson, and Lorne Balfe. Even though the first two did most of the soundtrack and the remaining three signed affidavits relinquishing their chance at a nod, the Academy didn't budge.

Since then, rules have changed and then changed back again. Still, the presence of collaborative teams on the Academy's lists of nominees remains rare. In the past decade, only The Social Network, Lion, and Her have earned nominations for featuring the credited work of multiple composers. The first example even won Trent Reznor and Atticus Ross the Oscar. The erstwhile Nine Inch Nails members are back in contention this year. Thanks to Mank and Soul, they might become the first such team to receive a double nomination, effectively competing against themselves…

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