WATCH AT HOME!
Film Bitch History
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

 

Powered by Squarespace
Don't Miss This!
Comment Fun

Soundtracking: Hustlers

"YES, this soundtrack was soooo good!!! The Fiona Apple 'Criminal' dance, instantly iconic." - JWB

"Does anyone remember Demi Moore in STRIPTEASE? They had her dancing to sad Annie Lennox songs. smh." - David

Keep TFE Strong

We're looking for 500... no 461 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Interviews

Directors of For Sama


recent
Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Wanuri Kahiu (Rafiki)
Jia Zhang-ke (Ash is Purest White)

What'cha Looking For?
Subscribe
« No Time to Link | Main | Oscar Trivia, Weekly: Everything Cate Blanchett »
Wednesday
Aug212019

Soundtracking: Toni Erdmann

by Chris Feil

Maren Ade’s Toni Erdmann is one of the decade’s most exacting looks at depression and the human cost of the global corporate mindset. These two thematic points of view ebb and flow in and out of one another in the film as suddenly as the film’s comedy and tragedy do, showing the malaise of how we live today that’s symptomatic of impersonal capitalistic remove. It’s a state of being that is symbiotically personal and societal, desperately funny and deeply sad.

Ade captures this in the antiseptic international business meetings taken by Sandra Huller’s Ines. It’s a vague playground that she operates within in humbling seriousness and her father, Peter Simonischek’s Winnifred, undermines by infiltrating as a clown to reveal their inherent silly pointlessness. Personal pain comes in their shared baggage, largely unspoken. The corporate sterility around them is so blandly, laughably gauche, and only exacerbates the isolation of both, like when Capital Cities’ “Safe and Sound” pumps in the speakers of a conference event as they share a silent moment. It’s a song engineered for commercials to sell us things, and Ines and Winnifred look entirely alone as it blares around them.

But one of the film’s signature scenes comes even more musically pronounced. In an attempt to either humiliate her or ignite her sense of self, Winnifred forces Ines to sing Whitney Houston’s “The Greatest Love of All” for a room of strangers. Ines, ever victim to her subservience, obliges for a pitchy rendition that nevertheless becomes accidentally soul-baring.

In perhaps the most easily graspable way, this scene illustrates how Ade achieves balance between humor and pain. We laugh because of the bum notes, the patient but unmoved acceptance of her audience, the knowing feeling of shared embarrassment we feel in our gut. But Ade also moves us in how Ines ultimately gives in to the yourning of the song, finding herself in the song’s people “searching for a hero” and allowing herself to feel something for once. Maybe she finally finds some momentary hope in the song, but it’s ultimately fleeting.

It feels intentional that Ines sings a song by Whitney Houston, herself an artist plagued by depression and an industry’s expectations of her. “The Greatest Love of All” is also one of the most intentionally uplifting songs in the pop lexicon, earnest to the point that we take it as some kind of self-help pop anthem. For depressives like Ines, it instead only illuminates the distance between its optimism and her reality.

Lyrically the song carries some subtext for this father and daughter, its poetry of children in search of heroes to look up to stirring up images of doting parents and their well-adjusted offspring. Perhaps Winnifred’s selection of the song is an admission of their stunted connection, acknowledging both of the emotional support they can’t ever find in one another. Either way, the song feels like the first time both of them are speaking in the same emotional language at the same time, if only for a few minutes.

All Soundtracking installments can be found here!

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (8)

Will they keep the song in the American remake? Will it ever get made?

August 21, 2019 | Unregistered CommenterPeggy Sue

@Peggy Sue-I hope not. Lena Dunham's involvement was enough to make me say no as she tends to be quite full of herself as she's only good in small doses.

August 21, 2019 | Unregistered Commenterthevoid99

Save Huppert, Hüller was better than all the nominees that year. She was magnificent.

Loved this film enough to see it three times in theatres. I hope the remake never happens. If it does, I believe only Kirsten Dunst could do justice to Sandra’s Ines.

August 21, 2019 | Unregistered CommenterRoger

SAw it twice in theatres. Loved everything about it.

2016 Cannes was staggeringly good. Shame the winners weren't, but some wowsa films.

August 21, 2019 | Unregistered CommenterArkaan

Toni Erdmann was on track to win the Oscar until Trump and politics derailed it chances..

August 22, 2019 | Unregistered CommenterClaran

Such a beautiful, unique film. I'm so glad it resonated with audiences throughout the world and I'm appalled at the idea of any kind of remake.

The Greatest Love of All is my favorite Whitney song (who needs to "always love" their ex when here she's teaching you to love yourself!) and when Sandra Huller started singing it I was beyond delirious. It's one of the most unexpected scenes in this very unexpected story and it's beyond powerful and moving.

August 22, 2019 | Unregistered CommenterFrenchToast

The scene where Ines hugs Winnifred while he is in that big costume makes me boohoo like a baby. I love this movie. I love these performances. Thanks for reminding me about this one.

August 22, 2019 | Unregistered CommenterCharlieG

The best scene of that year. Absurdly moving.

August 23, 2019 | Unregistered CommenterFadhil

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>