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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Colorology (32)

Monday
Apr142014

Yes No Maybe So: "The Homesman"

I've been anxiously awaiting this trailer so let's hitch our Yes No Maybe So wagon to Hilary Swank's as she transports three crazies across the country to Iowa in the western The Homesman. We knew from interviews and a cursory knowledge of the novelist Glendon Swarthout only a handful of things before seeing this trailer.

Oh nos. Nathaniel is talking about me again.

1. Six of Swarthout's other books have been adapted for the screen, most famously the ür spring break girls-gone-wild movie Where the Boys Are (1960) and The Shootist (1976) starring John Wayne
2. "The Homesman" refers to the job title that Swank's farmer character Mary Bee Cuddy signs on to perform, carting insane women across the country 
3. Meryl Streep's role is small and she has no scenes with Swank (according to Swank herself) but her character has some part in collecting the three women in the wagon
4. It's directed by Tommy Lee Jones and shot by Brokeback Mountain's cinematographer Rodrigo Prieto
5. It takes place in the 1850s. 

The trailer and the breakdown after the jump...

Click to read more ...

Saturday
Feb222014

Yes, No, Maybe So: "What a bunch of A-holes"

Oscar season has crushed my will for timely YNMS entries since everything 2014 is a "No, No, Maybe No" until March 3rd, you know? But let's catch up very briefly so that we don't start at a deficit once the Oscars wraps and a new film year is truly free to begin. After the jump we'll discuss the new trailers and other marketing blitz business regarding Guardians of the Galaxy...

Click to read more ...

Thursday
Jan302014

Will the real Maleficent please stand up?

Tim here. We’ve all had a few days for the recent trailer for Disney’s upcoming pillaging of former glories live-action Sleeping Beauty riff Maleficent to sink in (full disclosure: all I get is a big rotten whiff of Snow White and the Huntsman with a bigger role for its face-saving Prima Donna as the villain). So I’d like to take a moment to rewind 55 years back to the first Maleficent, for no better – and certainly, no worse – reason than that she’s one of the very best villains not only in the Disney canon, but in cinema as a whole. And while it’s never the wrong time to pay attention to one of the finest pieces of draftsmanship in the whole of American character animation, it’s nice to have an excuse.

The question, “Why is Maleficent so damn awesome?” has many answers, but here’s the easy one: black. 

Click to read more ...

Tuesday
Jan142014

Red Carpet Globe Lineups

I'm frantically trying to prep my final Oscar predictions (so difficult this year. Wheeee) and realizing with great sadness that I don't have anymore time to talk about the Golden Globes. Oh, that they'd space things out a little. So herewith some hastily assembled photos and super brief gawking at Globe looks. 

Starting with a gallery I've dubbed "Trying Too Hard / Barely Trying" -- guess who's doing which? -- and moving on to best & worst after the jump...

Click to read more ...

Friday
Nov222013

Happy 98th to a Great Cinematographer!

Let's sing a big raucous happy birthday to 98 years young Oscar winner Oswald Morris who is still with us! That's a lot of candles. And a lot of great movies.

The British born Morris only ever received Oscar nominations for big screen musicals (Oliver!, Fiddler on the Roof , and The Wiz) but that's hardly the full picture of his career. Though reknowned for his use of color -- his cinematography on Moulin Rouge (1952, recently discussed) was particularly innovative -- he also won prizes for his black and white work, most notably: Moby Dick, The Pumpkin Eater, The Hill, and The Spy Who Came in From the Cold. Other well known pictures include EquusThe Guns of Navarone, Stanley Kubrick's Lolita and a couple of Liz & Dick adventures (The Taming of the Shrew and Reflections in a Golden Eye). His awards haul includes 1 Oscar, 3 BAFTAs, 3 British Society of Cinematography wins and a couple of career tribute trophies.

Curiously or too-cutely, you decide, his last two motion pictures were all about puppets. He retired after The Great Muppet Caper (1981) and The Dark Crystal (1982) thirty-some years ago. We hope he's still enjoying that good long retirement. 

The Dark Crystal was Morris's last gig before retirememt
The Pumpkin Eater with Anne Bancroft
Oswald (far left) with Deborah Kerr & Robert Mitchum on the set of "Heaven Knows Mr Allison"