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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Colorology (36)

Monday
Sep082014

Curio: Movies By Color

Alexa here with your weekly fix of film art. I've always thought color impacts the mood of a film greatly: the pops of red in Pulp Fiction, the moody blue noir of Blade Runner, the dominant earth tones in The Big Lebowski. Along these lines, there has been a mini-trend lately of designers abstracting films according to their color palettes. My favorite is by designer Charlie Clark.  Clark's project, titled "The Colors of Motion," takes the average hue from each frame of a film and then presents the frames together as horizontal stripes or square tiles. Distilled down to their palettes, The Matrix becomes a sea of green and black, and Frozen becomes a patchwork of dark blues and browns.

more...

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Friday
Aug292014

Thoughts I Had... on a bunch of new posters

We've neglected to share new posters so, let's do. A few brief thoughts, in the order they came, after each poster: Starred Up, Whiplash, The Seventh Son, Theory of Everything and American Horror Story: Freakshow.

Discuss!

Click to read more ...

Tuesday
Jul222014

Beauty Break: "I like thinking about the red dress..."

50 years ago today Marnie (1964) hit movie theaters and, as quite a divisive picture in the Hitchock filmography, ended one of the most beloved perfect runs that any filmmaker has accomplished in the history of ever  (1958-1962: North By Northwest, Vertigo, Psycho, The Birds).

So Marnie has a bad rep, posts about her don't get you riled up like other Hitchcock fests, and she's underseen today. Not to lovingly kick that crazy bitch while she's down but it occurred to me the other day when she popped into my head that Marnie's color phobia means she would never be able to see an Almodóvar picture. Her loss. And she would be absolutely terrified by Sara Goldfarb addictions in Requiem for a Dream. (I mean more terrified than the rest of us) 

I like thinking about the red dress. And the television and your father."

I dedicate this following gallery of beautifully cinematic red dresses to Marnie who fears them and to Ellen (currently battling Pazuzu) who likes thinking about them.

Click to read more ...

Wednesday
Apr232014

Beauty Break: "On Wednesdays We Wear Pink"

Mean Girls Week Begins! For the next seven days (betwixt the normal blogging) we'll be dropping in occasionally on the students of North Shore High to celebrate 10 years of Mean Girls which opened April 30th, 2004.

For now please to enjoy this very pink gallery with a lavender note from Damian...

Click to read more ...

Monday
Apr142014

Yes No Maybe So: "The Homesman"

I've been anxiously awaiting this trailer so let's hitch our Yes No Maybe So wagon to Hilary Swank's as she transports three crazies across the country to Iowa in the western The Homesman. We knew from interviews and a cursory knowledge of the novelist Glendon Swarthout only a handful of things before seeing this trailer.

Oh nos. Nathaniel is talking about me again.

1. Six of Swarthout's other books have been adapted for the screen, most famously the ür spring break girls-gone-wild movie Where the Boys Are (1960) and The Shootist (1976) starring John Wayne
2. "The Homesman" refers to the job title that Swank's farmer character Mary Bee Cuddy signs on to perform, carting insane women across the country 
3. Meryl Streep's role is small and she has no scenes with Swank (according to Swank herself) but her character has some part in collecting the three women in the wagon
4. It's directed by Tommy Lee Jones and shot by Brokeback Mountain's cinematographer Rodrigo Prieto
5. It takes place in the 1850s. 

The trailer and the breakdown after the jump...

Click to read more ...

Saturday
Feb222014

Yes, No, Maybe So: "What a bunch of A-holes"

Oscar season has crushed my will for timely YNMS entries since everything 2014 is a "No, No, Maybe No" until March 3rd, you know? But let's catch up very briefly so that we don't start at a deficit once the Oscars wraps and a new film year is truly free to begin. After the jump we'll discuss the new trailers and other marketing blitz business regarding Guardians of the Galaxy...

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Thursday
Jan302014

Will the real Maleficent please stand up?

Tim here. We’ve all had a few days for the recent trailer for Disney’s upcoming pillaging of former glories live-action Sleeping Beauty riff Maleficent to sink in (full disclosure: all I get is a big rotten whiff of Snow White and the Huntsman with a bigger role for its face-saving Prima Donna as the villain). So I’d like to take a moment to rewind 55 years back to the first Maleficent, for no better – and certainly, no worse – reason than that she’s one of the very best villains not only in the Disney canon, but in cinema as a whole. And while it’s never the wrong time to pay attention to one of the finest pieces of draftsmanship in the whole of American character animation, it’s nice to have an excuse.

The question, “Why is Maleficent so damn awesome?” has many answers, but here’s the easy one: black. 

Click to read more ...