Thankful for... Juan Carlos Ojano

This year for our "thankful for" column I'm interviewing the team (well, the non-shy ones) so you can get to know them better and so I can express my sincere gratitude that they're showcased here on the site. Today, JUAN CARLOS OJANO.

Juan Carlos lives in the Philippines and began writing for The Film Experience in mid 2020. We were all trapped inside due to the COVID-19 pandemic at the time. Human connection was scarce so thank the cinematic gods for zoom sessions with Team Experience! Juan Carlos shares our collective TFE passion for actresses + Best International Feature Film. He put the latter into action creating the podcast "One Inch Barrier" where he reviews each year of that competition. He got personal with a Call Me By Your Name piece, revisited Spotlight, wrote numerous odes to The Handmaid's Tale,and just launched a biweekly series on female directors called "Through Her Lens" that I really hope you will obsess over. I'm already wondering which female directors he'll be looking at from the 00s and earlier when they were less frequently honored and discussed.

HERE'S OUR SHORT INTERVIEW...

When did you first fall in love with the movies?

Click to read more ...

Through Her Lens: An Introduction

A new series by Juan Carlos Ojano

Will any female directors be nominated this year at the Oscars? It's too early to say but sexism has been a long-standing problem in the history of cinema and the Oscars -- that's often reflected in who is invited to enter the canon and who is not. Year after year, films directed by women have been routinely ignored. Seeing five men in Best Director lineups during awards season has long been a given. Only seven women have been nominated for Best Director. Ever. Last season, though, featured what we hope will prove a turning point.

In this series, we will share an alternate list of five films directed by women per Oscar vintage, based on what was eligible. This is not to say that the films we'll cite will always be better than the ones nominated. Take this list more as a reminder that the work by women has always existed. That should be reason enough for celebration. This is Through Her Lens...

Click to read more ...

"Dance of the 41" and "Identifying Features" are up for Ariel Awards

by Nathaniel R

"Identifying Features" is available to rent on several services

The nominations for the 63rd annual Ariel Awards (Mexico's Oscars essentially) have been announced. Identifying Features, a drama about a mother travelling across Mexico in search of answers about her son who vanished trying to cross the border made the biggest noise with 16 nominations. In happy news ALL of the Best Picture nominated films are readily available online to US audiences. We've seen more of the Ariel contenders than usual thanks to their festival appearances and current availability (links in the nomination list if we've written about them). Identifying Features is up against two films we loved, Dance of the 41 and Los Lobos along with Tragic Jungle and a documentary called The Three Deaths of Marisela Escobedo... 

[UPDATE THIS POST NOW REFLECTS THE WINNERS OF THESE PRIZES AS WELL]

Click to read more ...

"I Carry You With Me"

by Nick Taylor 

I am both tremendously enthusiastic and a bit disappointed that I Carry You With Me is finally getting a theatrical release. Enthused because it’s a goddamn gem that ranks among the best films of last year, and sits right alongside Lingua Franca and Welcome to Chechnya as one of the very best queer films. The disappointment comes from the fact that, as far as anyone's concerned, this is a 2020 film. Distributor Sony Pictures Classics went out of its way to give this an awards-qualifying run despite pushing its wide release date further and further back. As with the aesthetically entrancing documentary Gunda or the tonally triumphant, richly acted French Exit (both also distributed by SPC), it’s a bit mystifying that this was seen as the superior strategy rather than letting I Carry You With Me’s reputation build over the course of this year. Art doesn’t need awards, sure, but it’s a bummer that Heidi Ewing’s fiction film debut won’t be able to generate the sort of grassroots attention that Isabel Sandoval, Eliza Hittman, Kelly Reichardt, and Kitty Green all earned to different degrees over the extended 2020 season.

But enough griping! Legitimate criticisms about a film’s release strategy shouldn’t totally overcome the fact that such an engrossing, formally adventurous and emotionally direct feature has gotten a theatrical release. Compared to Lingua Franca and Welcome to Chechnya, it’s by far among the most approachable of the three, which shouldn’t bely how adventurous its storytelling approach is...

Click to read more ...

"Minari" leads the Dorian Award nominees but LGBT films underperform

by Nathaniel R

The Society for LGBTQ Entertainment Critics, to which I and a few of our writers here belong, have revealed their nominations for the film year with Ammonite, Ma Rainey's Black Bottom, I Carry You With Me, Supernova, and Uncle Frank up for best LGBTQ Film though only one of them (Ma Rainey) secured any other nominations. Minari leads with the overall nominations with six and Nomadland is just behind with five.

You can see all the nominations after the jump...

Click to read more ...