The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Team Experience is revisiting a dozen Judy Garland movies for her Centennial. Here’s Baby Clyde on her most infamous picture...
Get Judy and Gene at the peak of their movie star appeal, allow Vincente Minnelli to go as ‘Vincente Minelli’ as he pleases, hire the world’s greatest songwriter to provide the tunes, script by the same team behind The Thin Man and It’s A Wonderful Life, sets by Cedric Gibbons, costumes by Irene, all presided over by the fabled Freed Unit. What could possibly go wrong?
The Pirate, that’s what. A great big glorious, Technicolor mess. And I love it...
Forget Disney+, this month we have Judy+. For those of you not already subscribers to the streaming platform, The Criterion Channel has (in addition to a slew of other old studio musicals) added seven classic Judy Garland musicals to the platform for the month of November. Spanning a decade of Garland’s film career, it’s a treat from more famous titles like Meet Me In St. Louis to other oddities such as The Pirate. To entice you to binge as I did, let's run down one of Judy's songs from each of the films available...
New Series! Three Fittings celebrates costume design in the movies.
The whitest Caribbean ladies of all time! And why is Judy wearing a kilt balled up on her head?
We kicked off with La La Land and Alliedbut after a break for Oscar madness we're back with an old classic. Or perhaps this movie is better described as a notorious curio though that doesn't have the same blurb power. Regardless, Vincent Minelli's The Pirate (1948) has to be seen to be believed.
You must watch it while sober for the movie is its own pharmaceutical enhancements. I'm still having sudden flashbacks. Which is all well and good since hallucinations and fever dreams are plotted right in.
Stay with me through this elaborate but crucial plot point. When travelling actor Serafin (Gene Kelly) hypnotizes the newly-engaged Manuela (Judy Garland) he realizes that she romantically fantasizes about the infamous pirate Macoco and promptly pretends to be him...
Just as there are films that shine bright in a star's history, there are also films whose histories are controversial at best. The Pirate is an odd contradiction of a movie. As one of Judy Garland's most expensive films, it was also her first MGM bust. Released two years after childrearing had put Judy on hiatus, it was nonetheless stuck in preproduction for five years before that. While it landed Judy another hit song, the knockoff written four years later would become a classic. Though The Pirate was the loudest, brightest movie Judy had made to date, its most interesting sequences were left on the cutting room floor. What to do with The Pirate?
The Movie: The Pirate (1948, MGM) The Songwriter: Cole Porter The Players: Judy Garland, Gene Kelly, The Nicholas Brothers, directed by Vincente Minnelli
The Story: The Pirate must have seemed cursed from the start. By the time Vincente Minnelli started filming, it had already been stuck in pre-production hell since 1943. This meant that even though Minnelli tried to keep costs down, enough money had already been sunk into it that the budget ballooned to almost $5 million. Judy wasn't helping either - she reported sick to work 99 times. Then there was the issue of reshoots. The song "Voodoo" apparently enraged Mayer so much that he ordered the nitrate negative burned. The ending was a mess and had to be reshot. Then that ending got the boot in the South because it featured black men tapdancing
All of these production problems took their toll, and the resulting movie is a little bit of a beautiful mess. Nonetheless, there are three reasons to see this movie:
It's the first A Movie appearance of the Nicholas Brothers
Vincente Minnelli makes really beautiful color movies
Judy Garland throws china like a red-haired Bucky Walters
However, the scene that would make the film famous was "Be A Clown." As previously mentioned, it would become a modest hit for Judy, but the real hit came four years later when Judy's friend Donald O'Connor sang "Make 'Em Laugh" in Singin' in the Rain. Nacio Herb Brown and Arthur Freed whipped up the song while trying to find a number for O'Connor. Luckily for them, Cole Porter was under MGM contract and wasn't feeling particularly litigious. While Judy would continue to sing the original throughout her career, ultimately Singin' in the Rain made Freed's version more popular. Even great talent couldn't keep The Pirate from sinking.
Monday, June 6, 2022 at 5:10PM 
