Okay, one final round of question for Team Experience about the Oscar nominations. We've talked about people who didn't make the list and the nominations that delighted us. Now, two burning questions inspired by the Production Design and Costume nominations.
Which production design nominated picture would you most want to live inside?
GLENN: Hail, Caesar!, but only if Tilda Swinton and I find ourselves running around movie studio backlots set to a zippy orchestral soundtrack. I might just sneakily pop into Passengers' robot bar for a drink when we're done.
DAVID: The moment I saw the ridiculously giant Ingrid Bergman wall in La La Land is the moment I knew that film was definitely on my wavelength...
LYNN: La La Land. It's both the L.A. all Angelenos know & love & hate, and the L.A. we all dream it could be. In Technicolor.
JOSE: Considering the houses in La La Land look like Almodovar meets Ikea, they're the most practical, so going with that.
STEVEN: I gasped when I first saw Amy Adams' house in Arrival and my heart ached more for it every time the film returned to it. It's obviously a calming place to be when it seems the world is ending, so now seems the right time to move in.
NICK: I would like to be this deck chair. Wait, is that what you asked?
LAURENCE: Hail, Caesar!. Such a gorgeous-looking movie - Deakins would've deserved one of his requisite nominations for it too - that in a just world would be way more present on the nominees list. I want to hide out in that beachside blacklisted commie den.
MANUEL: I basically want to take residence in the "No Dames" set from Hail Caesar! (So long it comes equipped with Channing & his sea men.)
JOHN: So I hear there's this bar full of sailors where Channing Tatum bursts into song and dance?
Which costume design nominated picture would you most want to raid for wardrobe?
DAVID: If I ever look as good as Brad Pitt does in those natty suits from Allied, you can go ahead and give me an open casket funeral right now.
ERIC: I want to spend a week in Morocco with Marion and Brad in their Allied costumes. And then two more weeks with them both out of those costumes.
STEVEN: I'll have to go with (somewhat surprisingly to myself) Fantastic Beasts. I actually really loved some of Newt Scamander's wardrobe, particularly that dashing blue coat. As a ginger myself, I think I could rock it with similar aplomb.
NICK: I would surely look amazing in all eight of the frocks that Florence Foster Jenkins wears simultaneously at any given moment. Nobody layers like she does.
MANUEL: I'd kill for any of Sebastian's suits in La La Land.
LYNN: Oh easily La La Land. I want all of Emma Stone's dresses. ALL OF THEM.
JOSE: That scene where Natalie Portman tries on all her dresses while drinking vodka and smoking in Jackie is like the artsiest fashion montage scene ever.
MATTHEW: I'd grab Jackie's mourning couture, if only to amplify my newfound hobby of walking around the house purring, "Miiiiiiiiis-ter Vuh-len-tee."
JOHN: I'd love to be dramatic and wear Jackie's blood-stained pink dress and twirl around in that silky bathrobe crying to the Camelot score.
How about you dear reader? Which of the production design nominees (Arrival, Passengers, Hail Caesar, Fantastic Beasts, La La Land) are you prepared to live inside of? And which of the costume design nominees (Allied, La La Land, Fantastic Beasts, Florence Foster Jenkins, Jackie) has numbers you're dying to try on?