Looking Ahead at Best Original Song
Tuesday, August 1, 2017 at 8:00AM
Chris Feil in A Ghost Story, Beauty & the Beast, Original Song, Oscars (17)

Chris here. What with Nathaniel's updated Oscar predictions and my regular Soundtracking duties, my mind has been on that ever pesky Best Original Song category. How will this year shake out for the sometimes maligned category?

Per usual we haven't had many obvious contenders, though I would argue that Beauty and the Beast's "How Does A Moment Last Forever" is one of the film's bright spots - can you just imagine Celine Dion taking the Oscar stage for the first time since Titanic. Perhaps our best chance at an Original Song behemoth like last year's La La Land and Moana were is The Greatest Showman, this season's original musical. But other questions and curiosities remain: what documentary song will surprise this year? Can credits song queen Sia finally land a nomination (she'll at least have one option with Wonder Woman)?

One contender I'm already hoping has some staying power is A Ghost Story's "I Get Overwhelmed" by Dark Rooms. The track flows fluidly in and out of Daniel Hart's score (naturally, he heads Dark Rooms), encompassing both the film's intimacy and cosmic expansiveness. Lyrically, the song carries meaning for Casey Affleck's songwriter and has a whole new context in the afterlife - so it carries the kind of narrative weight the Academy's songwriting branch has been seeking. But will it even make the eligibility long list?

Do you have any Original Song hopes already?

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
See website for complete article licensing information.