by Nathaniel R
The 72nd edition of the world's most famous festival has officially begun. We'll try to bring you comprehensive daily coverage by astral projecting ourselves across the ocean (i.e. watching online videos from France and following critics on Twitter). Earlier today the president of this year's main jury Alejandro González Iñárritu arrived with his gender-balanced fellow jurors in tow (or "classmates," as Maimouna N'Diaye so charmingly put it in the preference conference)...
The women from left to right: American Writer/Director /Michelle-Williams-Enthusiast Kelly Reichardt of Wendy and Lucy and Meek's Cutoff fame (🇺🇸), Documentarian/Actress from Burkina Faso Maimouna N'Diaye (🇧🇫), Ubiquitously cast American Actress/Fashionista Elle Fanning (🇺🇸), and Italian Writer/Director Alice Rohrwacher of Happy as Lazarro fame (🇮🇹):
The men (left to right): Writer/Director/Oscar nominee Pawel Pawlikowski of Cold War and Ida fame (🇵🇱🇬🇧), Writer/Director/Producer/Oscar Nominee Yorgos Lanthimos fresh off The Favourite (🇬🇷), Producer/Director/Four-time Oscar winner Alejandro González Iñárritu (🇲🇽), Yugoslavian-born French Graphic Novelist/Director Enki Bilal (🇫🇷), French Writer/Director/Editor Robin Campillo of BPM fame (🇫🇷🏳️🌈) who is serving us some colored sunglasses so as not to fully blend in ❤️
Their sentiments were all similar of course about the great honor of being asked to serve and their excitement about watching films for a change rather than presenting their own (more stressful!). They also were very serious about the responsibility they felt to keep their minds open and really absorb potentially great films from all around the world together with their own unique perspectives while listening to each others. Here were a few moments that most jumped out at the press conference.
• Both the press corps and the moderators drew attention to Elle Fanning's youth. She just turned 21 last month. Does that make her the youngest Cannes juror of all time? We're not quite sure but we'd love to know if you have the trivia knowledge. She didn't really answer the question about bringing a young perspective to the jury discussions other than saying she was honored. But she and Iñárittu traded looks and a laugh when he admitted he felt old when the moderator mentioned that he'd cast her in her 'royal entrance into the movies' when she was all of 7 years old. Nobody pointed out that Babel was actually Fanning's sixth film as she starting acting when she was just two years old playing a younger version of her sister in Dakota's star vehicle I Am Sam (2001).
• Kelly Reichardt got a hearty laugh when she referred to Cannes as the only jury duty she hadn't tried to avoid. She also mentioned that she was looking forward to the day when people didn't refer to her as a female director but just a director.
• Yorgos Lanthimos, who was introduced by highlighting his "poetic strangeness" (well, alright) was asked a "nostalgic" question about how the past ten years of his life have felt after premiering Dogtooth (2009) in Cannes. He confessed that he didn't know anything about Cannes when he first arrived and it's been a strange journey. He was excited to watch movies in a jury setting without the stress of presenting a film. "I think most people have a set way of seeing things. When you enter a structure with creative people from different backgrounds and cultures, there might be an opportunity to learn and allow yourself to see things differently. Hopefully that's what's going to happen."
• Iñárittu gave great quote all throughout the press conference when asked about politics -- pointedly calling Trump and other destructive conservative rage-monsters around the world out -- and the state of cinema. He repeatedly stressed the importance of the big screen theatrical experience in the streaming age. He likened it in a resonant way to listening to classical music from 100s of years ago on spotty car stereos. It's fine to listen to it that way but imagine if you couldn't actually go to the symphony to hear it performed the way it was intended with a full lush orchestra? On this point he elaborated "I am a true believer that to watch is not to see. To see is another thing. Cinema was born to be experienced in a communal setting."
More quotes. On jury duty
I will not call it judgment. I will not judge films. I want to be impregnated by them and react to them."
On great filmmakers judging other great filmmakers.
Basically one of the things that is very important is I would like to see the films as if we didn't know who directed it. No time, no experience, no name, no gender. For respect of cinema we should just judge a film by the art itself. That's the most important thing. No fame or name should influence any decision of that.
ENJOY CANNES FROM THE COMFORT OF YOUR HOMES, EVERYONE! That's how most of us here always experience it, too.