by Nathaniel R
"Time" keeps racking up the honors
The Cinema Eye Honors are now in their 14th year and considered an influential prize for documentary films. Prison sentence justice movie Time leads the nominations with six but two competitors for the top prize, Romania's political corruption doc Collective (Romania's Oscar submission) and Norway's farm doc Gunda aren't far behind with four nominations.
Outstanding Nonfiction Feature
“Boys State”
“Collective”
“Dick Johnson is Dead”
“Gunda”
“Time”
The full list of nominations and links to our reviews are after the jump...
Outstanding Direction
“Collective”- Alexander Nanau
“Dick Johnson is Dead” - Kirsten Johnson
“Gunda” - Victor Kossakovsky
“Notturno” - Gianfranco Rosi
“Time” - Garrett Bradley
Outstanding Editing
“Boys State”
“City Hall”
“Collective”
“Gunda”
“MLK/FBI”
“Time”
Outstanding Production
“76 Days”
“Collective”
“The Dissident”
“Notturno”
“A Thousand Cuts”
“Welcome to Chechnya”
Outstanding Cinematography
“Gunda”
“My Octopus Teacher”
“Notturno”
“Stray”
“The Truffle Hunters”
Outstanding Original Score
“Bloody Nose, Empty Pockets”
“Bulletproof”
“The Mole Agent”
“The Reason I Jump” - which was just nominated at the BIFAs too
“Time”
“The Truffle Hunters”
Outstanding Graphic Design or Animation
“Coded Bias”
“Feels Good Man”
“My Psychedelic Love Story”
“Slay the Dragon”
“The Social Dilemma”
Outstanding Debut
“Feels Good Man” - Arthur Jones
“Mr Soul!” - Melissa Haizlip
“Softie” - Sam Soko
“Some Kind of Heaven” - Lance Oppenheim
“Stray” - Elizabeth Lo
“Time” - Garrett Bradley
Outstanding Nonfiction Short
“Huntsville Station”
“John Was Trying to Contact Aliens”
“A Love Song for Latasha”
“See You Next Time”
“Then Comes The Evening”
Audience Choice Prize
“Boys State”
“Crip Camp”
“Dick Johnson is Dead”
“I Am Greta”
“John Lewis: Good Trouble”
“The Mole Agent”
“My Octopus Teacher”
“The Social Dilemma”
“Time”
“The Truffle Hunters”
Spotlight
“Acasa, My Home”
“The Earth is Blue as an Orange”
“Jacinta”
“Landfall”
“Mayor”
“Through the Night”
Heterodox
(This annual category is for films that blur the line between narrative filmmaking and documentary filmmaking)
“Bloody Nose, Empty Pockets”
“I Carry You With Me”
“Never Rarely Sometimes Always”
“Nomadland”
“Ridge” (Säsong)
The Unforgettables (Non-Competitive Honor)
“Boys State”
“Collective”
“Crip Camp”
“Dick Johnson is Dead”
“Gunda”
“I Am Greta”
“John Lewis: Good Trouble”
“Mayor”
“The Mole Agent”
“Mucho Mucho Amor”
“Softie”
“A Thousand Cuts”
“Through the Night”
“Time”
“Welcome to Chechnya”