Sundance 2021 is a Wrap
Friday, February 5, 2021 at 3:21PM
NATHANIEL R in Sundance, film festivals

by Nathaniel R

CODA was the big winner at Sundance and sold for an extravagant amount of money.

Thank you to Jason, Abe, Murtada, and Eurocheese for their coverage of the traditionally snowy but now virtual and room temperature Sundance Film Festival which wrapped on Wednesday. In case you missed any of the reviews here they all are in one place. As with ALL Sundance film festivals, some of these picture will fade quickly from awareness, others will be talked about incessantly upon release, and still others might strangely go into hiding for a year and all but forgotten before being rediscovered when they get a streaming deal or some such in the not so near future. But which ones? It all depends on the vagaries of distribution, media and public reaction, and future awards play. For example at the 2020 Sundance Awards Minari and I Carry You With Me (both on my top ten list for 2020) were both multiple winners but only Minari seems to have any heat going into the Oscar nominations while I Carry You With Me just kind of sat out awards season despite a qualifying week in virtual cinemas and now won't be released until May 21st, 2021 (sigh) one and a half years after its high profile success at Sundance. 

Our complete list of reviews plus all the Sundance 2021 winners are after the jump...

AWARD WINNERS, REVIEWED
 CODA (Siân Heder, US) Abe's Review 
US Dramatic Competition prizes: Grand Jury Prize, Director, Best Ensemble, and Audience Award. Apple+ will release
• Flee (Jonas Poher, Rasmussen, Denmark) Eurocheese's Review 
World Cinema Grand Jury Prize. NEON will release
• Jockey (Clint Bentley, US) Abe's Review 
US Dramatic Competition Special Jury Prize Best Actor Clifton Collins Jr. Sony Pictures Classics will release
• Summer of Soul (Ahmir "Questlove" Thompson, US) Murtada's Review 
US Documentary Competition Grand Jury Prize and Audience Award 

OTHER AWARD WINNERS, NOT REVIEWED
All Light Everywhere (Theo Anthony) Special Jury Award Nonfiction Experimentation US Doc
Cusp (Parker Hill & Isabel Bethencourt) Special Jury Award Emerging Filmmakers US Doc
Hive (Bierta Basholli, Kosovo) Grand Jury Prize, Directing, and Audience Award World Cinema
Homeroom (Kristina Motwani & Rebecca Adorno) Editing Award US Doc
Luzzu (Alex Camilleri, Malta) Special Jury Acting Award for Jesmark Scicluna World Cinema
Motherhood (?) Sundance Institute NHK Award for Meryam Joobeur
My Belle My Beauty (Marion Hill) Audience Award NEXT
On the Road (Baz Poonpiriya) Special Jury Prize Creative Vision World Cinema
Philly DA (Yoni Brook & Ted Passon) Sundance Institute Producers Award for Documentary for Nicole Salazar
President (Camilla Nielsson) Special Jury Prize Verité Filmmaking World Cinema Doc
Run (Aneesh Chaganty) Sundance Institute Producers Award Narrative for Natalie Qasabian
Sabaya (Hogir Hirori, Sweden) Directing World Cinema Doc
Users (Natalie Almada) Directing Award US Doc
Writing With Fire (Sushmit Ghosh & Rintu Thomas, India) Audience Award and Special Jury Prize Impact for Change World Cinema Doc

OTHER FILMS REVIEWED - PERHAPS SOME WILL POP IN RELEASE?!


Ailey (Jamila Wingot) Murtada's review NEON 
Blazing World (Carlson Young) Jason's Review 
How it Ends (Zoe Lister-Jones & Daryl Wein) Abe's Review 
• John and the Hole (Pascual Sisto) Jason's Review 
Knocking (Frida Kempff) Jason's Review 
Land (Robin Wright) Abe's Review Focus Features
Mass (Fran Kranz) Abe's Review 
Mayday (Karen Cinorre) Jason's Review 
• Most Beautiful Boy... (Kristina Lindstrom & Kristian Petri) Jason's Review Juno Films
• On the Count of Three (Jerrod Carmichael) Abe's Review 
Passing (Rebecca Hall) Jason's Review 
• Rita Moreno: Just a Girl... (Mariem Pérez Riera) Abe's Review PBS
• Strawberry Mansion (Kentucky Audley & Albert Birney) Jason's Review 
Street Gang: How We Got to Sesame Street (Marilyn Agrelo) Jason's Review
Violation (Madeleine Sims-Fewer & Dusty Mancinelli) Jason's Review Shudder
World to Come (Mona Fastvold) Jason's Review Bleecker Street

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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