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The Films of 2021. The 22nd annual FiLM BiTCH Awards

PICTURE | ACTING | VISUALS | AURALS | EXTRAS | SPECIAL | SCENES 

AND THE WINNERS ARE

 

gold medal

 silver medal

  bronze medal

 

 

Best Original Score
         

DUNE
Hans Zimmer

Industrial menace, alien shimmer, and those trademark deep Zimmer vibrations.

THE FRENCH DISPATCH
Alexandre Desplat

 Desplat does it again, the full orchestra, like another set of quirky unforgettable characters offscreen. Jean-Yves Thibaudet on piano.

THE GREEN KNIGHT
Daniel Hart

 Earthy and alien simultaneously. Expertly deployed echoes, choral exclamations, and wood-wind instruments

POWER OF THE DOG
Jonny Greenwood

 The cello plays a banjo in this instantly iconic insinuating score.  

ZOLA
Mica Levi

A playful avante-garde but never twee soundscape, full of chirps, trills, and trap-infused music box melody.

Runners Up

Finalists: Carter Burwell for The Tragedy of Macbeth, Dickon Hinchliffe for The Lost Daughter, Bryce and Aaron Dressner Cmon Cmon ,

Semi Finalists: Albert Iglesias for Parallel Mothers, Henry Gregson-Williams for The Last Duel, Anne Dudley for Benedetta, Eiko Ishibashi for Drive My Car

 

Best Original Song
Tunes!
         

"So May We Start"
The Sparks Brothers
ANNETTE

 Leos Carax's arch romantic tragedy whatsit has almost no where to go but down after this dazzling "start" even though it sets the tone superbly.

 

"U"
millienium parade
BELLE

An involving driving cacophonous banger to open the movie. Like "So May We Start" it's so strong how do you chase it?

"Surface Pressure"
Lin-Manuel Miranda
ENCANTO

 The best "character" song in a delightful tapestry of them. Wonderful interpretation by Jessica Darrow. [INTERVIEW]

 

"We Don't Talk About Bruno"
Lin-Manuel Miranda
ENCANTO

 Clever wordplay, baton-passing fun, and comic paranoia in this plot/character song. Plus that singalong appeal on "Bruno---no no no". No wonder it's a huge hit.

 

"No Time To Die"
Billie Eilish & Finneas
NO TIME TO DIE

A dirge but not an inexpressive one. Bond songs get lots of attention, sometimes for good reason. 

Runners Up

Finalists: "A Million Miles"  with its 'lalalala' choral responses provides Belle  with a beautiful reverent climax (of sorts), "Jim Crowe Count"  is a miniscule banger in The Harder They Fall , introducing Stagecoach Mary and making you wish the whole film were the musical it actually wants to be, "Just Look Up" is a camp power ballad highlight within Don't Look Up ... deliciously dumb while also sounding like an actual hit power ballad.

Semi Finalists: "Keep the Beat" Vivo, "Dos Oruguitas"  Encanto,  "This Was Me" Everybody's Talking About Jamie

 

Best Sound
Considering the whole soundscape: Mixing, Editing, Effects, and Overall Design.
         

DUNE

 

Inventive, alien and foreboding world-building. "Use the voice!"

THE GREEN KNIGHT

 

 Eery quiet, moody scoring, and medieval fantasy

IN THE HEIGHTS

 Movie musical heaven - high energy and clarity.

THE POWER OF THE DOG

 The comb. The piano & banjo wars.  That score. A sublime mix.

WEST SIDE STORY

Movie musical heaven - gorgeous vocals!

 

Finalists: The ragged flopsweat of last-chance music-making in tick, tick...BOOM!, an intriguing soundscape of whimsical scoring, twitter chirping, loud diegetic songs, and character quirk in Zola
Semi Finalists: The Tragedy of Macbeth, No Time To Die, A Quiet Place Part 2, The French Dispatch , and The Last Duel

 

Best Adapted Score, Combination Score, or Song Score
*not an Oscar correlative traditional category - anything song heavy or that uses both old & original music *
         

CODA

Marius de Vries (score) and various artists (songs). Performed by Emilia Jones and Ferdia Wasl-Peelo

IN THE HEIGHTS

 Lin-Manuel Miranda (songs) Performed by Anthony Ramos, Olga Merediz and more

TICK TICK BOOM

 Jonathan Larson songs performed by Lin-Manuel Miranda, Vanessa Hudgens, Joshua Henry and more

UNITED STATES VS BILLIE HOLIDAY

Billie Holiday songs performed by Andra Day

WEST SIDE STORY

 Leonard Bernstein's iconic score performed by Ansel Elgort, Rachel Zegler and more

Runners Up

Finalists: Encanto (Germaine Franco (score) and Lin-Manuel Miranda (songs), Annette (the Sparks)

Semi Finalists: Passing Devonte Hynes (score) and various artists (songs), Dance of the 41 Andrea Balency-Béarn and Carlo Ayhilon (plus classics artists like Schubert, Mozart, Bizet, and Hande, Dear Evan Hansen, Blue Bayou, Red Rocket, and Vivo

 

NOMINATION TALLIES FOR  OSCAR-ADJACENT CATEGORIES*
37 FILMS RECOGNIZED ACROSS 18 CATEGORIES

the film bitch awards have 5 less traditional categories as we do not have short film categories,
doc feature, or international feature categories

10 nominations
POWER OF THE DOG (5 gold, 2 silver, 3 bronze)

7 nominations
DUNE (4 gold, 1 silver, 1 bronze)
ZOLA (2 gold, 1 silver, 2 bronze)

6 nominations
PASSING (1 gold, 1 bronze)
THE WORST PERSON IN THE WORLD (1 gold, 3 silver, 2 bronze)

5 nominations
THE GREEN KNIGHT (1 gold, 2 silver)

4 nominations
IN THE HEIGHTS (1 silver)
WEST SIDE STORY

3 nominations
ENCANTO (1 gold, 1 silver, 1 bronze)
THE FRENCH DISPATCH (1 silver, 1 bronze)
MASS
THE TRAGEDY OF MACBETH (1 silver)

2 nominations
CRUELLA (1 gold)
DRIVE MY CAR (1 bronze)

1 nomination
ANNETTE (1 bronze)
BARB AND STAR GO TO VISTA DEL MAR (1 bronze)
BELLE
CMON CMON (1 bronze)
CODA
ETERNALS
THE EYES OF TAMMY FAYE (1 silver)
FLEE (1 gold)
FREE GUY (1 bronze)
GODZILLA VS KONG (1 silver)
KING RICHARD
LICORICE PIZZA
THE LOST DAUGHTER (1 gold)
LUCA (1 silver)
MASS
NO TIME TO DIE
PARALLEL MOTHERS
PETITE MAMAN (1 silver)
RED ROCKET
SHIVA BABY
SPENCER
TICK TICK BOOM (1 silver)
TITANE  (1 bronze)

continue on to "extra" performance categories