The Films of 2013. The 14th annual FiLM BiTCH Awards
PICTURE | ACTING | VISUALS | AURALS | EXTRAS | SPECIAL | SCENES
Best Actress
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Paulina Garcia
"Gloria" GLORIA |
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Richly layered cruelly funny, and ultimately devastating. Pick a detail, any detail, to marvel at. Like the way her eyes stop focusing mid-sentence: terrified glimpses into the abyss or anxious dress rehearsals for a psychotic break?
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She's in (literally) every frame and rewards the audience with a totally endearing, funny portrait of a brave sexually vivacious divorcee eager for the next dance... if she can just find a partner with her compatible lust for life |
A lesson to all hard-to-cast singular talents: create your own material! Frances is childlike, pathetic, hilarious, undateable, confused - often all at once - in her reluctant but eventually joyful dance into adulthood
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We all throw up protective walls at times but Grace has walls within walls within walls. Brie gets that Grace's aren't so mobile in this gorgeous empathic braiding of painful personal baggage and innate kindness
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Her comic genius is a given but the textured drama surprises in this technically precise but intuitive work. How she manages facial expressions that elicit both sympathy and schaudenfreude is just beyond me
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Finalists: Adele Exarchopoulus is all insatiable id in Blue is the Warmest Color whether eating or screwing or crying; Emma Thompson gives glorious return to form in her funny bold strokes work in Saving Mr Banks |
Best Actor
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Bruce Dern
"Woody Grant" NEBRASKA |
Chiwetel Ejiofor
"Solomon Northup" 12 YEARS A SLAVE |
Tom Hanks
"Captain Phillips" CAPTAIN PHILLIPS |
Oscar Isaac
"Llewyn Davis" INSIDE LLEWYN DAVIS |
Matthew McConaughey
"Ron Woodruff" DALLAS BUYERS CLUB |
This weary would-be lottery winner is comically single-minded but Dern isn't, giving a career-topping performance of many facets, equally funny and sad. "I was there" (indeed)
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Those huge eyes soak up more horror than even we are privvy to, extending the film beyond its own haunting frames. An astonishing balancing act of filled in humanity and emptied out auteur vessel
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It's all in the last reel but so what? Sometimes the culmination is key, the aftermath as the drama, cathartic release reinforming what came before. The best he's ever been?
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Everything about his abrasively self-sabotaging musican, works, with or without feline accessorizing. That superbly expressive actorly singing voice doesn't hurt either.
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Though much has been made of his physical commitment, the newly reenergized star actor's emotional work on this desperate survivor, myopic but evolving, is as noteworthy and far more compelling.
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Finalist: Paul Eenhoorn fully absorbs the title of This is Martin Bonner and paints you a complete if still tantalizingly withholding portrait. This is the kind of performance that should warrant immediate interest from A list auteurs and casting directors |
Best Supporting Actress |
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Sally Hawkins
"Ginger" BLUE JASMINE |
Scarlett Johansson
"Barbara" DON JON |
Lupita Nyong'o
"Patsy" 12 YEARS A SLAVE |
Sarah Paulson
"Mistress Epps" 12 YEARS A SLAVE |
Léa Seydoux
"Eva" BLUE IS THE WARMEST COLOR |
Hawkins self-effacing turn as Jasmine's way-too accomodating sister deepens on repeat viewing as she anxiously surfs her sister's choppy psychological waves. A nice touch: Ginger is so much more relaxed with men.
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Body. Face. Voice. She finally lives up to her early promise, pushing every part of herself to full-bodied (pun intended) characterization. Sexy, funny, and surprisingly dimensional despite playing a 'type'. Bonus Points: Her |
Patsy has no agency but thanks to Lupita, she has character. Watch the way she holds her chin high but empties out with the Epps (she's not even there). And those terrible cries, like its not just flesh but spirit ripped away.
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Paulson's acting instincts are as sharp as Epps' nails as she lays self regard, free range hostility, and (curiously) morbid death-wish fantasy bare (that line reading about the slaves rising up unnerves) haunting even when she's out of focus. "Do it."
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One of the most exciting actresses working - she perfectly embodies this often selfish artist, who runs hot emotionally (and sexually). Her cooling off wouldn't be half as devastating if she didn't so completely sell the pleasurable fire of holding her favor
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Finalists: Joanna Scanlan cuts through any period fussiness of The Invisible Woman with a solid wall of cumulative neglect and bewildered rug-pulling pain; Oprah Winfrey provides great chain-smoking entertainment value as the cheating, funny, but proud wife of Lee Daniel's The Butler |
Best Supporting Actor
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Bradley Cooper
"Richie DiMaso" AMERICAN HUSTLE |
Michael Fassbender
"Master Epps" 12 YEARS A SLAVE |
James Franco
"Alien" SPRING BREAKERS |
James Gandolfini
"Albert" ENOUGH SAID |
Keith Stanfield
"Marcus" SHORT TERM 12 |
Perfect understanding of tone but it's those merciless comic instincts which really sell it: Even in moments where Richie thinks he's winning, Cooper makes his flop sweat glisten.
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His electric rapport with the camera is now a given. But watch when he interacts or doesn't with both his internal vile thoughts and the actors around him (horribly reducing some to props)
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"Look at my shiiiiiit"
Franco knows you will in 2013's most outre turn. People call actors 'brave' for playing gay / getting naked. They should reserve the word for those who fellate loaded weapons |
Heartbreaking and wholly human as an overweight man stumbling through an new difficult romance. This is what the romcom genre needs: actual human stakes and empathy.
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Moving and defeated and resilient in smart proportions. More importantly he never overplays his amply dramatic hand -- even when he's rapping about his own harrowing childhood.
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Finalist: Jared Leto does subtle variations of druggy performative self-awareness in Dallas Buyers Club and the way he drawls "lone star" is a particular delight; Tom Hanks gives Saving Mr Banks exactly the Disney it needs for its gosammer light (some would say fluffy) take on two artists locking horns toward compromise |
The Films of 2013. The 14th annual FiLM BiTCH Awards PICTURE | ACTING | VISUALS | SOUND | EXTRAS | SPECIAL | SCENES