The Films of 2013. The 14th annual FiLM BiTCH Awards
PICTURE | ACTING | VISUALS | AURALS | EXTRAS | SPECIAL | SCENES
Best Actress
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Paulina Garcia
"Gloria" GLORIA |
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She's in (literally) every frame and rewards the audience with a totally endearing, funny portrait of a brave sexually vivacious divorcee eager for the next dance... if she can just find a partner with her compatible lust for life |
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Her comic genius is a given but the textured drama surprises in this technically precise but intuitive work. How she manages facial expressions that elicit both sympathy and schaudenfreude is just beyond me
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Finalists: Adele Exarchopoulus is all insatiable id in Blue is the Warmest Color whether eating or screwing or crying; Emma Thompson gives glorious return to form in her funny bold strokes work in Saving Mr Banks |
Best Actor
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Bruce Dern
"Woody Grant" NEBRASKA |
Chiwetel Ejiofor
"Solomon Northup" 12 YEARS A SLAVE |
Tom Hanks
"Captain Phillips" CAPTAIN PHILLIPS |
Oscar Isaac
"Llewyn Davis" INSIDE LLEWYN DAVIS |
Matthew McConaughey
"Ron Woodruff" DALLAS BUYERS CLUB |
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It's all in the last reel but so what? Sometimes the culmination is key, the aftermath as the drama, cathartic release reinforming what came before. The best he's ever been?
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Though much has been made of his physical commitment, the newly reenergized star actor's emotional work on this desperate survivor, myopic but evolving, is as noteworthy and far more compelling.
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Finalist: Paul Eenhoorn fully absorbs the title of This is Martin Bonner and paints you a complete if still tantalizingly withholding portrait. This is the kind of performance that should warrant immediate interest from A list auteurs and casting directors |
Best Supporting Actress |
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Sally Hawkins
"Ginger" BLUE JASMINE |
Scarlett Johansson
"Barbara" DON JON |
Lupita Nyong'o
"Patsy" 12 YEARS A SLAVE |
Sarah Paulson
"Mistress Epps" 12 YEARS A SLAVE |
Léa Seydoux
"Eva" BLUE IS THE WARMEST COLOR |
Hawkins self-effacing turn as Jasmine's way-too accomodating sister deepens on repeat viewing as she anxiously surfs her sister's choppy psychological waves. A nice touch: Ginger is so much more relaxed with men.
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Paulson's acting instincts are as sharp as Epps' nails as she lays self regard, free range hostility, and (curiously) morbid death-wish fantasy bare (that line reading about the slaves rising up unnerves) haunting even when she's out of focus. "Do it."
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Finalists: Joanna Scanlan cuts through any period fussiness of The Invisible Woman with a solid wall of cumulative neglect and bewildered rug-pulling pain; Oprah Winfrey provides great chain-smoking entertainment value as the cheating, funny, but proud wife of Lee Daniel's The Butler |
Best Supporting Actor
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Bradley Cooper
"Richie DiMaso" AMERICAN HUSTLE |
Michael Fassbender
"Master Epps" 12 YEARS A SLAVE |
James Franco
"Alien" SPRING BREAKERS |
James Gandolfini
"Albert" ENOUGH SAID |
Keith Stanfield
"Marcus" SHORT TERM 12 |
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![]() Franco knows you will in 2013's most outre turn. People call actors 'brave' for playing gay / getting naked. They should reserve the word for those who fellate loaded weapons |
Heartbreaking and wholly human as an overweight man stumbling through an new difficult romance. This is what the romcom genre needs: actual human stakes and empathy.
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Moving and defeated and resilient in smart proportions. More importantly he never overplays his amply dramatic hand -- even when he's rapping about his own harrowing childhood.
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Finalist: Jared Leto does subtle variations of druggy performative self-awareness in Dallas Buyers Club and the way he drawls "lone star" is a particular delight; Tom Hanks gives Saving Mr Banks exactly the Disney it needs for its gosammer light (some would say fluffy) take on two artists locking horns toward compromise |
The Films of 2013. The 14th annual FiLM BiTCH Awards PICTURE | ACTING | VISUALS | SOUND | EXTRAS | SPECIAL | SCENES