The Furniture Index
Monday, July 31, 2017 at 1:00PM
NATHANIEL R in The Film Experience, The Furniture

Can we have a break for applause for Daniel Walber's The Furniture column. His incredible series has been filled with sharp insights, a keen eye, and rich Hollywood anecdotes. Here's everything he's covered in the first three seasons, all 103 episodes stretching from a musical in 1935 to an erotic thriller from 2018. Please show your love in the comments if you look forward to these each week.

Early Cinema
• Top Hat (1935) Dancing sets

The Forties
For Whom the Bell Tolls (1943) moons and mountains
Hold Back the Dawn (1941) Bored at the border
How Green Was My Valley (1941) Designing dignity
Ladies in Retirement (1941) Into the marshes with Ida Lupino
That Hamilton Woman (1941) High ceilings
Captain of the Clouds (1942) A Canadian air show
The Magnificent Andersons (1942) Victorian Palace / Manifest Destiny
My Gal Sal (1942) Nonsense Gay Nineties
The Shanghai Gesture (1942) Appropriating Chinese design
Gaslight (1944) Lighting of and in the set
Black Narcissus (1947) Mad for matte paintings

The Fifties
• David and Bathsheba (1951) A humble palace of moral struggle
A Streetcar Named Desire (1951) Decorative madness
My Cousin Rachel (1952) Ghosts of property
Knights of the Round Table (1953) Reframing King Arthur
The Night of the Hunter (1955) American expressionism
Lust for Life (1956) Van Gogh's inspiration

The Sixties
How the West Was Won (1962) Saloon kitsch
Wonderful World of the Brothers Grimm (1962) weird wonders
Come Blow Your Horn (1963) Comedy by design
Hush... Hush, Sweet Charlotte (1964) Your house is listening
A Shot in the Dark (1964) Charmingly ridiculous
What a Way To Go! (1964) Death by excess
Fantastic Voyage (1966) Absurd anatomy
The Oscar (1966) Celebrate the tackiness!
Camelot! (1967) A silly and furry place
Guess Who's Coming To Dinner and Doctor Dolittle (1967) matte paintings
Is Paris Burning? (1967) Is patriotism subtle? Not very
The Taming of the Shrew (1967) A scenery buffet for the Battling Burtons
Thoroughly Modern Millie (1967) Extravagant concentrated nostalgia

The Seventies
The Exorcist (1973) A possessed bedroom
Tom Sawyer (1973) Stovepipe and steamboat nostalgia
Fellini's Casanova (1976) Grotesque extravagance
The Molly Maguires (1970)  Demolition and preservation
The Spy Who Loved Me (1977) Supertanker
All that Jazz (1979) The creative erotics of scaffolding

The Eighties
Querelle (1982) explicit architecture
Amadeus (1984) Paper opulence
Brazil (1985) Duct soup
Beaches (1988) Color schemes
Batman (1989) Nightmare at the museum
Fanny & Alexander (1982/1983) theatrical magic
• Querelle (1982) explicit architecture

The Nineties
The Age of Innocence (1993) a living museum
• Bram Stoker's Dracula (1992) Dracula's astounding castle
Orlando (1992) Otherworldy pageantry
Toys (1992) Surreal spaces
Addam's Family Values (1993) Setting fire to Thanksgiving
The Madness of King George (1994) Cluttered musty madness
Sleepy Hollow (1999) Historical realism meets nightmarish fantasy
Topsy Turvy (1999) Imperial fantasy in Gilbert & Sullivan's London

Sidebars to TV and Oscars
• Best of Absolutely Fabulous - Special Report
Emmy Production Design 2016 - Should win? Penny Dreadful, Veep, etc
Emmy Production Design 2017 - Should win? The Young Pope, Feud, etc
Oscar Set Design 2016 - Art Deco Again
Oscar Set Design 2017 - Swarovski Crystal Diamond Mine
• The Furniture's Personal Oscar Ballot 2017 The Beguiled and more... 

2000-2015
Dreamgirls (2006) Fame flattens your dream(girls), boys
Pan's Labyrinth (2006) Feasts of flesh
The Imaginarium of Doctor Parnassus (2009) Chicanery and posterity
The Skin I Live In (2011) Decorating obsession
Brooklyn (2015) and Carol (2015) Dramatically different department stores
Joy (2015) Emerald city of home shopping
Lady in the Van (2015) Crime scene home
Star Wars: The Force Awakens (2015) The Forest

Recent Cinema
20th Century Women (2016) Unfinished house, collaborative kitchen
Arrival (2016) and Passengers (2016) Lost in space and time

• Atomic Blonde (2017) Neon nihilism
• The Beguiled (2017) A plaster haze
Beatriz at Dinner (2017) Tacky muted mansion
• Blade Runner 2049 (2017) Canadian brutalism in LA
Childhood of a Leader (2016) Cruel curtained childhood
• The Conjuring 2 (2016) Malevolent secret codes
• Colossal (2017) Hoarding and emptiness
Deadpool (2016) Junkyard
Double Lover (2017/2018) cracked mirrors 

• Embrace of the Serpent (2015/2016) The venomous and fanatical
The Eyes of My Mother (2016) Stark contrasts and devotional objects
Everybody Wants Some!! (2016) 70's sitcom styles
• Fantastic Beasts (2016) and La La Land (2016) Magic unreality
Florence Foster Jenkins (2016) Exuberant fandom
• Frantz (2017) Decorating for a lost generation
• Get Out (2017) Beige house of colonial horrors
Ghostbusters (2016) Shrieking color scheme
Hail Caesar (2016) Merrily We Dance
Hell or High Water (2016) Old West descendants
Hunt for the Wilderpeople (2016) A warm welcome

Jackie (2016) and Paterson (2016) Home décor
King Arthur Legend of the Sword (2017) Reframing King Arthur
The Lobster (2016) Phony flowers
• The Lost City of Z (2017) deranged ambitions and indulgent fantasies
Love and Friendship (2016) Country charm
The Love Witch (2016) A tarot reading
• Mudbound (2017) architectural metaphors

Personal Shopper (2017) Framing the unseen
• A Quiet Passion (2017) floral punctuations
The Salesman (2016/2017) Crafting his own stage

• The Shape of Water (2017) A neon green future
Slack Bay (2017) Giddy grotesqueries
Star Trek Beyond (2016) Terrestrial fun
Toni Erdmann (2016) The dangers of corporate upholstery
Wiener-Dog (2016) Sickly green cages
The Witch (2016) Design heralds doom

 

Article originally appeared on The Film Experience (http://thefilmexperience.net/).
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