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97th Oscars. Predictions for the Films of 2024 CEREMONY: March 2, 2025
For prediction, discussion, entertainment purposes only discuss on the blog
OSCAR NIGHT: Sunday March 2, 2025
AND THE NOMINEES ARE...
SCROLL DOWN FOR ADAPTED
ORIGINAL SCREENPLAY Stats reflect writing categories only. An asterisk * means they've also been nominated in other categories, this year or previously |
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ANORA
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THE BRUTALIST |
A REAL PAIN |
SEPTEMBER 5 |
THE SUBSTANCE |
WHAT SHOULD WIN ? VOTE DAILY! |
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WHAT WAS LEFT OUT? |
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The other movies that felt like they had a good or at least feasible shot here included Challengers, Hard Truths, All That We Imagine As Light, and The Seed of the Sacred Fig. But it's a bummer that Problemista and A Different Man never got any traction whatsoever in this category. | ||||
WHAT WILL WIN? |
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That's a very good question. Prior to the nominations I assumed that A Real Pain had this in the bag. But given its underperformance in nominations, the heat really shifted to Anora (frontrunner) or The Brutalist (if and only if it takes Best Picture). On the other hand, the industry might still want to honor Jesse Eisenberg. So I'm guessing A Real Pain. It feels like a two way race essentially. PREDICTION: ANORA (whether not it wins Best Picture) |
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WHAT SHOULD WIN? NATHANIEL'S PICK |
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Ask me again later? I'm leaning Anora but could be talked into A Real Pain. | ||||
ADAPTED SCREENPLAY Stats reflect writing categories only. An asterisk * means they've also been nominated in other categories, this year or previously |
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A COMPLETE UNKNOWN Based on "Dylan Goes Electric" by Elijah Wald |
CONCLAVE
Adapted from the suspense novel by Robert Harris |
EMILIA PEREZ Based on "Listen" by Boris Razon |
THE NICKEL BOYS Adapted from the Pulitzer winning novel by Colson Whitehead |
SING SING Based on the play "Breakin' the Mummy's Code" by Brent Buell and the article "The Sing Sing Follies" by John H Richardson |
WHAT SHOULD WIN ? - VOTE DAILY! |
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WHAT WAS LEFT OUT? |
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Other films that seemed like they had a decent shot included The Room Next Door and The Wild Robot. But, given the outcome of the nominations in general, maybe I'm Still Here was the one in sixth place? The highest profile long shots were probably Dune Part Two, Queer, and Wicked. But the category should have been more competitive overall. | ||||
WHAT WILL WIN? |
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For reasons that I can't quite figure, Conclave (which I like a lot) instantly became the favourite here as if it never had any competition at all. PREDICTION: Conclave |
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WHAT SHOULD WIN? NATHANIEL'S PICK |
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The category isn't particularly exciting this year with at least three of the nominees getting much more mileage towards their overall quality from things that aren't screenplay related whether that's music, cinematography, or from the general chaos of risk-taking. Conclave is well written but doesnt' Sing Sing have a cooler story of how it took shape? . | ||||
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