NEW REVIEWS
Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.Can't display this module in this section.
Oscar History
Film Bitch History
SMACKDOWN INDEX
Can't display this module in this section.
Welcome
Can't display this module in this section.Can't display this module in this section.
DON'T MISS THIS
Can't display this module in this section.
COMMENTS
Can't display this module in this section.Can't display this module in this section.
Keep TFE Strong
Can't display this module in this section.
What'cha Looking For?
Can't display this module in this section.
Subscribe
Can't display this module in this section.

Recommend Oscar Horrors: Bringing the Aliens to Life (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

Here lies... the alien queen, expelled into space using strings, pulleys and dummies. 

Amir here to look at the Oscar-winning Visual Effects of James Cameron’s Aliens (1986). Cameron’s films have an extraordinary record with the Academy when it comes to this category. His first two features were unrecognized – and let’s be honest, anyone who’s seen Piranha II: The Spawning will surely side with the voters – but he’s enjoyed five nominations and four wins from his next five attempts. The public has come to accept him as a revolutionary director too, a man whose every work will “change the language of cinema.” Cameron’s built his career on these visual spectacles and his upped the ante with every new film, but it all started back in 1986 when Aliens was released.

Long before he became a powerhouse Hollywood director, Cameron began learning his craft on the sets of the legendary Roger Corman. For the production of Aliens, Cameron brought in the Skotak brothers, visual effects supervisors and collaborators from his Corman era, to create a whole new world surrounding Ridley Scott’s Alien mythology; a world that was wilder, gorier and more expansive than Scott’s...

More after the jump...


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: