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A series by Christopher James
Emma Thompson's output between 1994 and 1995 couldn't be more different.
Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey
Emma Thompson was on a pretty incredible run in the early 90s. Following her Best Actress win in 1992 for Howard’s End, Thompson had a consistent streak of great films. In 1993, she received two acting nominations for her work in The Remains of the Day and In the Name of the Father. On top of that, she was delightful in the critically lauded Peter’s Friends and Much Ado About Nothing (the latter perhaps the hottest film of the 90s). By 1995, she would win her second Oscar for Sense and Sensibility in the Adapted Screenplay category. Every track record is bound to have a blemish. Sandwiched in between Merchant & Ivory and Ang Lee is Ivan Reitman’s infamous Junior, better known as the movie where Arnold Schwarzenegger gets pregnant.
Was starring in an Arnold Schwarzenegger comedy the means to the end of getting her passion project made?
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