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Recommend Cannes at Home: Day 1 – When "Gatsby "opened the festival... (Email)

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by Cláudio Alves

The 76th edition of the Cannes Film Festival has begun in a flurry of controversy. Jeanne Du Barry, Johnny Depp's return to the silver screen after a much-publicized trial, was selected to open the festivities, prompting reporters to swarm the Croisette with polemic on their minds. The situation wasn't helped by incidents earlier this year, when director Maïwenn spat on a journalist, making their film about much more than just Louis XV's last mistress. In giving such attention to the kerfuffle, we've all played into Thierry Frémaux's hands. Regardless of the picture's quality, everybody's eyes are on Cannes, whether looking for a redemption story, an immoral scandal, or secret fashion messages on the red carpet.

Then again, the Cannes opener is seldom an example of masterpiece cinema capable of accruing wide acclaim. More often than not, the titles blessed – or is it burdened? – with this honor tend to be mixed bags with big names attached, glossy stuff ready to act as attention magnets. Such was the case ten years ago when Baz Luhrmann's The Great Gatsby opened the festivities to various degrees of critical hostility. Looking back, one is enticed by the possibility of reappraisal…


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