Orange Is The New (Fabulous) Black

Move aside, House of Cards. There's a new reigning champ in the Netflix world. Jenji Kohan's follow up to Weeds called Orange is the New Black has earned the designation of being the strongest television debut of the year. The series about an upper class woman Piper Chapman (Taylor Schilling) whose life is derailed by a prison sentence for a drug mule crime committed in her wilder (lesbian) youth. It features strong, multi-layered female characters, a solid dramatization of the source material and one of the best ensembles from any medium in 2013.

Nathaniel will touch on the series more soon but here are some things I, Beau, enjoyed about it as well as some 'room for improvement' items from its first season. [more...]

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Woody Allen - The Last 12 Years

Podcast mate and friend Joe Reid polled several critics (including myself) for an article at Tribeca Film detailing Woody Allen's recent output as the critical hit Blue Jasmine hits theaters. I won't be able to see the new entry in his filmography until Sunday since I'm in Chicago for the weekend and limited release films only believe in Los Angeles and New York for their coming out balls. But since I took the time to write Joe notes on each film for this collective list, I thought I'd share them. I regret to inform that in doing this I have just been reminded that my proud familiar refrain "I've never missed a Woody Allen movie in the theater since I saw my first one in 1984!" is not technically true anymore. This article forced me to recall that I did not see and still have not seen Cassandra's Dream (2007) ... though I can't honestly remember why. Have you? 

Here's my ranking from worst to best of Mr Allen's recent work if you'd like to compare it to the consensus list at Tribeca. I've also included their Rotten Tomatoes percentage and box office gross just for survey perspective. 

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Weekend Relaxation with Gregory and Ava

Glenn here and it's Friday afternoon! Time for some weekend rest and relaxation, wouldn't you say? It sure would be nice to travel back in time and put my feet up with Gregory Peck and Ava Gardner on the Australian set of On the Beach. How about you?

Shot in Chicago: Movies that capture the spirit of the city

Tim here, rejoicing over the fact that our good host Nathaniel is in my very own Chicago this weekend – we have a movie night planned tomorrow! – and to celebrate, I wanted to showcase some of my city’s best and most dubious moments in the cinematic spotlight. Therefore:

Three Chicago-based movies that truly "get" the city
(no documentaries; that would be cheating, no matter how much Hoop Dreams and The Interrupters are 100% essential Chicago movies)

Mickey One (1965)
The film that Warren Beatty and director Arthur Penn made right before Bonnie and Clyde is even more besotted with the French New Wave, but stylistic excess doesn’t get in the way of a really special hyper-naturalistic depiction of the city streets as they existed almost half a century ago. I cannot, of course, speak to the veracity of what’s onscreen, but the film’s documentary aspects shine through even under the sordid thriller aspects of the plot and Penn’s fractured filming style. Of all the classic movies filmed in Chicago – and there are a few – none do such a great job of suggesting what the neighborhoods looked like way back when, before building and gentrification made their mark.

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Personalize Your Guest Room DVD Collection

Hi kids. It's Nathaniel typing at you from a surprisingly cool Chicago, a welcome break from the stifling NYC heat. I'm visiting Nick for a few days and arrived to find the guest room (which doubles as the DVD Containment Room) super-personalized for my stay. Nick has arranged his movies in chronological order which instantaneously revealed to me why I've always been disappointment by my own DVD shelves which are alphabetical. The alphabet is about as exciting as the Dewey Decimal system. Chronology is king. 

Nick already tweeted one photo of his shelves for giggles but I thought I'd share my two favorite library notes with you. Our favorite shared movie genre, as previously noted here on the blog, is Women Who Lie To Themselves™. That note was strategically placed right under a certain Oscar-nominated 1996 picture which is a very literal interpretation of the genre. Guess which movie!

This genre is immortal and always revisited by the best filmmakers and actresses so I especially love the apotheotic "Women Who Lie to Themselves SILENTLY at the OPERA™", don't you?

Two more shelves after the jump...

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