By Spencer Coile 

John Guare's Six Degrees of Separation is a finely tuned satire of the rich and elite, inviting its audience into the lives of Flan and Ouisa Kittredge, an art dealer and his wife. Through a mixture of broad comedy, close examination of "how the other half lives," and an honest depiction of race relations in the 20th century, his work was not only a Best Play nominee at the 1990 Tony Awards, but was a candidate for the Pulitzer Prize for Drama. It is no surprise that his creation would soon find its home on the screen as well, being adapted into a 1993 film of the same name, directed by Fred Schepisi and written for the screen by Guare. 

Indeed, much can be said about both its stage and screen representation (Nathaniel even wrote about the play's current revival here), from its kooky premise to the performances. Considering the revival's Tony success (nominations for Best Revival of a Play and Best Leading Actor in a Play), not to mention many of its timeless qualities, let's dive into Guare's work and find out what connects us all.