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By Abe Friedtanzer
It’s a rare occasion when a film ends up being more interesting than it sounds. The official synopsis for The Unknown Country, which is screening in the Visions program at SXSW and includes “experimental” and “hybrid” in its list of genres, describes a “largely solitary journey with an unknown destination.” But that’s merely a comment on the geographical nature of the trip its protagonist, Tana (Lily Gladstone) is on, and this film does manage to successfully blend together a number of styles for an intoxicating and positively disorienting experience…
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