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By Abe Friedtanzer
Most films tend to focus on one or several protagonists or feature a true ensemble where there’s no lead. It’s rare to find a film with two main characters who have absolutely nothing to do with each other, or at least don’t appear within the same narrative. Yet The Freshly Cut Grass does just that, following two intellectuals who are both not overly satisfied with their lives and begin to see the allure of something that feels distinctly fresh and unlike what they’ve felt in a long time…
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