Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Justin Timberlake (28)

Thursday
Jul282011

10 years ago this week, 'NSYNC predicted the Rise of Timberlake

Hello, everyone! It's Mark Blankenship from The Critical Condition. You may remember me from a recent podcast here on TFE, but otherwise, this is my first appearance on the site. I'm not saying I'm nervous, but I changed my outfit six times before you got here, and I did this silly thing with my hair that you probably didn't even notice and... oh! Where are my manners? Why don't we sit in the living room and talk about you?

Ahem. Anyway.

As you already know, this week marks the tenth anniversary of Wet Hot American Summer and its ever-glorious scene of Janeane Garofalo destroying an infirmary. However, that is not the only cultural touchstone that arrived a decade ago. This week also brought us Celebrity, the final album by 'NSYNC.

Even at the time, the album was a big deal, selling 1.87 million copies in its first seven days and generating hit singles like "Girlfriend," "Pop," and "Gone." None of these were quite as brilliant as"Bye Bye Bye," but they were still pretty magical. (Plus, Dirty Pop is a great drag name.)

In retrospect, however, this album is even more important because it signalled the birth of Justin Timberlake: Media Machine. Before Celebrity, he was simply the most popular member of a boy band, meaning he occasionally shared lead vocals and danced in the back of a V formation.

Celebrity, however, was essentially the Justin show. Looking at the album cover, you could assume he was the lead artist, and watching this video or this one, you might think you were watching "Cry Me a River."

Hey... who are those guys in Justin's light?

When Lance Bass wrote a book (sigh), he suggested this intense focus on Justin broke up the group, and he may be right. Intentionally or not, this period let 'NSYNC's success provide a low-risk incubator for Timberlake's solo career. If he fizzled, then he still had the group to fall back on, but if he sizzled, then he could leap into new projects.

That's kind of how Timberlake evolved from a mere pop star into box-office draw. While nestled in his music career, he started making limited appearances as an actor, popping up in SNL videos and Christina Ricci vehicles. Failure wouldn't have meant much, since people were more focused on "SexyBack" than Southland Tales.

Obviously, though, the acting thing worked out. The Social Network, Bad Teacher, and Friends With Benefits have made Timberlake a movie star who used to make records, not a pop singer who moonlights in film. And to think this was all predicted when we heard "Pop" on the radio!

Timberlake at the Oscars, February 2011

Timberlake isn't the only person to transition from one medium to another, of course, but as Celebrity hits double digits, it's interesting to consider just how successful this former Mouseketeer has been. Ten years from now, we might be analyzing how Bad Teacher laid the seeds for Senator Timberlake's eventual appointment as the Secretary of Education.

[Editor's Note: Mark is currently hosting an amazing "ULTIMATE POP SONG" contest at Critical Condition... there's only 24 hours left to vote on the first round match-ups. Don't miss the hilarious POP SONG commentary at Nick's Flick Picks, and Low Resolution, either. Some of the first bracket countdowns are true 'Sophie's Choice's. Go now... vote!]

Saturday
Jul232011

The Pot Calling the Kettle Bleech, or Hypocritical Cinema

Hello all! My name is Nick McCathy, and I’ve been a reader—and unfortunately infrequent commenter—of The Film Experience for roughly six years. Nathaniel recently introduced me here, and it's a pleasure to meet you all as well. I’ve written for The L Magazine, Boston Phoenix, Moviefone, and the Film Society of Lincoln Center Blog, and now I’m glad to find an occasional home here. I hope you find my credentials worthy, my spirit playful, and my addition to this palace of cinema and actressexuality that Nathaniel has built to be inspired.

In direct contrast to my introduction, I would like to start by celebrating a few celebrity birthdays, and congratulate them for continuing the tradition of living (well, except one of them).

Today, July 23rd, Potter himself, Daniel Radcliffe, turns 22. Potbellied, Oscar-winning master of schlub Phillip Seymour Hoffman turns 44. Potboiler-cum-masterpiece noir author (The Big Sleep, The Long Goodbye, and screenwriter (Oscar nominated for co-writing Double Indemnity and writing The Blue Dahlia), Raymond Chandler would have turned 123 today.

 And, most significantly, everyone’s favorite Hollywood pothead and two-time Oscar nominee, Woody Harrelson (you heard me right, Matthew McConaughey), turns the big 50 today. 

What’s your favorite performance by Mr. Woodrow Tracy Harrelson?

He has had, and continues to have, such a strange career; I wouldn’t be surprised if everyone had different answers. He's unsurprisingly awarded more for his dramatic work, which is very good, but I find his best comedic performance to be his gleefully sleazy, broken, and banged-up Roy Munson in Kingpin.

 

You can see two of these birthday boys in the movie theater this week: Radcliffe in a little film called Harry Potter and the Deathly Hallows, Part Deux and Woody Harrelson in Friends with Benefits (although I would proceed with caution since it's only an ugly gay-panic stereotype).

Click to read more ...

Sunday
Jan232011

Producer's Guild Loves Bertie, Disses Zuck

True Blood's Joe Mangianello presents an awardThe PGA (the producers not the golfers) have chosen The King's Speech as the best produced film of 2010. [Dumb joke] No word yet on which film the golfers prefer... maybe True Grit with all those wide open spaces or The Kids Are All Right with its landscaping subplot? [/Dumb joke] Stammering Bertie's win may come as a surprise to the producers of The Social Network who are very used to winning things for their exciting film about the billion dollar rise of Mark Zuckerberg and Facebook. Why it's almost as if the Producers Guild have been reading all these speculative premature blog pieces "can TKS take it from TSN?" and decided that since they were producers of entertainment... they ought entertain by raising the stakes.

I'm not sure that this makes it a dead heat but it definitely raises one eyebrow. Que?

This Year's Prizes:
Theatrical Motion Picture: THE KING'S SPEECH
Animated Feature: TOY STORY 3
Documentary Feature: WAITING FOR 'SUPERMAN'
Episodic Television Comedy: MODERN FAMILY
Episodic Television Drama: MAD MEN (third consecutive win)
Longform Television: THE PACIFIC
Non-Fiction Television: DEADLIEST CATCH
Live Entertainment and Competition: Television THE COLBERT REPORT

and the honorary non-competition prizes
Milestone Award: JAMES CAMERON
Norman Lear Achievement (Television): TOM HANKS and GARY GOETZMAN
David O. Selznick Award (Film): SCOTT RUDIN
Visionary Awards LAURA ZISKIN
Stanley Kramer Award (which usually goes to a film, not a person): SEAN PENN

Amy Adams and Helen Mirren presenting...

For what it's worth...

here are the last 20 PGA winners and how they fared with Oscar
2009 The Hurt Locker (won)
2008 Slumdog Millionaire (won)
2007 No Country For Old Men (won)
2006 Little Miss Sunshine (lost)
2005 Brokeback Mountain (*sniffle*)
2004 The Aviator (lost)
2003 The Lord of the Rings The Return of the King (won)
2002 Chicago (won)
2001 Moulin Rouge! (lost which we knew it would but god bless them for going there.)
2000 Gladiator (won)
1999 American Beauty (won)
1998 Saving Private Ryan (lost)
1997 Titanic (won)
1996 The English Patient (won)
1995 Apollo 13 (lost)
1994 Forrest Gump (won)
1993 Schindler's List (won)
1992 The Crying Game (lost)
1991 The Silence of the Lambs (won)
1990 Dances With Wolves (won)
1989 Driving Miss Daisy (won -- this was the first year of the PGA prize)

Or, in the past 21 years, Oscar lines up 66% of the time. If you can find a pattern with the losers, you're my god. I can't see any patterns. All kinds of films win or lose, from big to small to American to British.

In other news: Amy Poehler and Justin Timberlake were there. Funny thing is, this is EXACTLY what happens when I talk* to Amy Poehler.


* ...and by "talk to" I mean watch her on Parks and Recreation. Aren't you glad that show is finally back?

What do you make of The King's Speech win here? A fluke or a real and present danger for Zuck and company come Oscar night?

 

Page 1 ... 2 3 4 5 6