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by Cláudio Alves
THE GIRL WITH THE NEEDLE may have benefited from a different title, different expectations.
Like last year, my 2024 TIFF journey was marked by many a Best International Film Oscar submission. I've already written about some of them, including contenders from Argentina, Brazil, France, Germany, Italy, Japan, Palestine, and Portugal. Now, as this protracted post-festival coverage reaches its end – got to move on to NYFF at some point – let's consider the official submissions from Denmark and Bulgaria. The Cannes-competing The Girl with the Needle from Magnus von Horn, and the TIFF-premiering Triumph by Petar Valchanov and Kristina Grozeva dramatize shocking true stories that prove Lord Byron was right. Truth really is stranger than fiction…