Posterized: Edgar Wright

Who knew that you could take a coffee break on the red carpet? by Nathaniel R

After the unfortunate "creative differences" on Marvel's Ant Man (2015) which Edgar Wright abandoned despite years of passionate development of the project, isn't it nice to see him bounce back so definitely with Baby Driver? That heist-comedy-wishitwasamusical-thriller opened this Wednesday to mostly stellar reviews (alas, our own Chris Feil wasn't a fan). I saw it at a packed screening on its preview night and the crowd ate it up; the movie tasted more delicious than my stale popcorn. That might seem like meager praise but please note that I have a high tolerance for stale popcorn and a low tolerance for heist films which are the single most overplayed action subgenre.

The witty director came to fame with UK comic sitcoms (my best high school girlfriend forced me to watch the first season of Spaced one visit and it was a delight). Wright then won a new round of fans on the big screen with the zombie comedy Shaun of the Dead (2004) which launched the loosely connected fan favorite "Cornetto Trilogy". He's just 43 so there's much more filmography to come. Hooray! 

How many Wright's have you seen and which is your favorite? 
It's too early to say definitively but I think he just might have topped his own best with Baby Driver. It's a goofy stylish and mechanically precise blast. 

Review: "Baby Driver"

by Chris Feil

Edgar Wright is back in action movie mode for Baby Driver, a crime caper just slightly enough on the offbeat side enough to stand out among the summer franchise entries. Ansel Elgort stars as Baby (no, seriously), a iPod-attached getaway driver wrapping up an undefined debt to his somewhat paternal boss Doc (Kevin Spacey). There is Wright-ian wit to spare in the set pieces and characterizations as Baby wraps up his final mission and falls for waitress Debora (Lily James), but Driver is also his messiest. With a solid supporting ensemble that features a delightfully unhinged Jamie Foxx and Spacey on his more understated side of hammy, the film is nevertheless a great launching pad for Ansel Elgort as a multitalented leading man.

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Jon Hamm is ready to become a movie star

Here's Murtada with news on what's next for Jon Hamm post-Mad Men.

He finally won his much deserved Emmy and now that Mad Men is behind him, it seems Jon Hamm is set on becoming a movie star. This week came the announcement that he’s joining Ansel Elgort, Lily James and Jamie Foxx in Edgar Wright's next movie Baby Driver. He’s reportedly playing “a former Wall Street trader turned cop killer” ie. the big baddie.

Driver is one of a few upcoming Hamm movies. Already in the can is the comedy Keeping Up with the Joneses alongside Zach Galifianakis in which he plays a government spy hiding in the suburbs. Maintaining the espionage angle he’s set to play a US diplomat working with a CIA agent (Rosamund Pike) in 1970s Beirut in High Wire Act which was announced a couple of months ago but who knows if it’s still happening. He’s currently shooting Marjorie Prime in which he plays a holographic recreation of an ailing woman’s (Lois Smith) dead husband as he looked in his 30s.

An intriguing mix of movies, genres and lead/supporting parts. Perhaps chosen to compensate for the failure of his first foray into leading man territory with last year’s box office bomb Million Dollar Arm. He’s got the talent and he’s got the looks. Lines between TV and movie stardom are getting more blurred everyday with more actors and directors straddling both mediums. Still a bonafide movie star has much more clout than even the most successful TV star. Hamm seems to want that as he pointedly has chosen not to work in TV. Understandably, there’s nowhere to go on TV after the huge succes and endurance of an iconic part like Don Draper.

Do you think Hamm has what it takes to become a big crossover star a la George Clooney?