"BPM" Leads César Nominations

by Nathaniel R

The stars of BPM (Arnaud Valois, Adele Haenel, and Nahuel Pérez Biscayart) were all nominated for Césars

The César Awards, now in their 43rd year, and essentially France's Oscars have announced their nominations. It wasn't a great year for France in terms of their US arthouse performances. The most successful French release this past year in the States was François Ozon's Frantz (César eligible in 2016) which finished its theatrical run just shy of a million dollars. But of the French films that did make some sort of transatlantic mark this year (whether through festival hype or theatrical release) you'll see BPM (Beats Per Minute), the horror film Raw, and Agnes Varda's Oscar nominated Faces Places among their nominees...

Click to read more ...

EFA Noms Honor Plenty of Foreign Film Oscar Contenders

The European Film Awards will be held in Malta this year on December 1st, and as per usual they are honoring plenty of possible nominees in Oscar's Foreign Language Film category as well as films that are a little too outre for Oscar (last year Melancholia, completely ignored by Oscar, did well and this year that honor goes to Steve McQueen's Shame)

BEST EUROPEAN FILM

• Amour (Austria's Oscar Submission)
• Barbara (Germany's Oscar Submission)
• Caesar Must Die (Italy's Oscar Submission)
• The Hunt (Denmark)
• The Intouchables (France's Oscar Submission)
• Shame (UK)

Amour appears to be the likely frontrunner here as it leads in nominations but the EFAs are far less predictable than Oscar so anything might happen. Acting nominations, a very handsome director, and more after the jump.

Click to read more ...

NYFF: "Barbara" Cold War Slow Burn

Michael C. here with another dispatch from the New York Film Festival. This time it’s Barbara, Germany’s submission to the Foreign Language Oscar race. 

When you read as many movie reviews as I do you begin to pick up on certain code words critics will occasionally use, not unlike the way a real estate agent will describe an apartment as “cozy” instead of  “so small you have to open a window to use the microwave.” The reviews for Christian Petzold’s Barbara, for example, will no doubt refer to its “deliberate pacing” or its “slow-burning tension”. They will praise the admirable “subtlety” of the storytelling. All of these descriptors are accurate, no question, but they also dance around a simple blunt truth, which is that for long stretches Barbara is more than a bit boring.

Critics are forbidden to come right out and say this. First, because it makes the writer sound like he or she has zero attention span and wishes the film had more car chases and velociraptor attacks, and second, because the word is so damning it essentially negates the rest of the review. Might as well post the words DON’T SEE THIS in “Man Walks On Moon” sized letters if you are going to bring the word boring into the discussion.

In point of fact, Barbara is quite a good film...

Click to read more ...