TIFF 50: Colombia's "A Poet" and Japan's "Kokuho"

It's easy to understand why artists would be drawn to stories about artists. Self-reflection is a powerful siren call, and the particularities of another creative's tale can help you elide the pitfalls of more direct auto-fiction. This is especially true for those who consider the artistic practices beyond their chosen medium. In this year's Oscar race for Best International Film, we find two such projects. They represent journeys of inverse success, one about failure and the other focused on glory beyond reason. But of course, such greatness comes with a price that can be as bitter as a floundering. A film looks at the smallness of man, another at being bigger than life, inspiring awe and alienation, losing humanity along the way.
First up, there's Simón Mesa Soto's A Poet, representing Colombia. And then Lee Sang-il's Kokuho, selected by Japan after proving itself a box office hit…