Take Three: Barbara Steele
Craig here with this week's Take Three: Barbara Steele
Take One: Black Sunday (1960)
In Mario Bava’s Black Sunday (also known as La maschera del demonio or The Mask of Satan) Steele plays Princess Asa Vajda, a woman put to death by her brother in Moldavia, 1630 only to be resurrected 200 years later as a vampire-witch. Steele also has a second, key role, as local woman Katia Vajda. Princess Asa’s eager to wreak the long-promised revenge upon her descendants – thus proving Sunday is far from a day of rest for the undead. Black Sunday, highly influential and memorable to future horror like Bloody Pit of Horror, Bram Stoker’s Dracula and Sleepy Hollow, features some of Steele’s best work.
That's particularly true in the film's gory opening prologue where she meets her first death. Many horror fans recall with wicked grins this moment that most likely lead to Steele favouring the horror genre throughout much of the ‘60s. (See also 1965’s Nightmare Castle where she also played dual roles and 1966’s The She Beast, where she’s memorably possessed by the titular lady-ogre.) She conveys an immense sense of terror with impeccable assurance. More crucially, she does so with formidable levels of hysteria apt for a future grande dame of horror cinema. Her cries resound in the prologue like guttural shrieks from beyond the grave, but she manages to rattle off a thrilling, yet oddly wordy, pre-death warning to her condemners
My revenge will strike down you and your accursed house!”
[Two more takes, one of them Cronenbergian, after the jump...]