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Entries in Edoardi Ponto (2)

Friday
Nov132020

Review: Sophia Loren returns with "The Life Ahead"

by Cláudio Alves

The Movie Star and Her Director Son

Even before we see her face in The Life Ahead, it's impossible to draw the eyes away from Sophia Loren. Following in the tradition of European realism, Edoardo Ponti's camera captures an Italian marketplace with shaky energy. However, no matter how shabby the framing might be, the colors depart from the standards of realism. Angus Hudson's cinematography makes everything a bit too bright, the sun shining on the streets like golden flames, every saturated color intensified. It's reality as if painted with crayons by an enthusiastic child. 

In this sunny landscape, a shot of bright blue, bluer than the sky, stands out, crowned by a mess of gunmetal hair. Dressed in azure, Loren may have lost some of the youthful glow of her heyday in the midcentury, but the star power is intact, her magnetism as strong as ever. Furthermore, the director, her son, knows how to pay reverence to the screen legend without making it too obvious or too elegiac…

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Tuesday
Feb182020

Sophia Loren Returns...

by Eric Blume

Variety recently announced that Netflix has acquired rights to an Italian remake of the 1977 Oscar winner for Best Foreign Film, Madame Rosa. Now titled The Life Ahead, it stars Sophia Loren in the Simone Signoret role, who this time "forges a bond with a 12-year-old Senegalese immigrant boy named Momo."

There's a lot to unpack here.  The original Madame Rosa movie is notoriously one of the worst winners of that Oscar category, and for good reason:  the movie is sentimental garbage.  This French film won over, among others, Luis Bunuel's challenging The Obscure Object of Desire and Ettore Scola's A Special Day, starring Marcello Mastroianni and...Sophia Loren...

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