NYFF: Getting High With Staying Vertical

Here's Jason reporting from the NYFF on the new film from the director of Stranger by the Lake.

With a movie like Staying Vertical it's tempting to go look up the definition of "queer" in the dictionary and start off with that - that would do a lot of my work for me. Because make no mistake about it - Staying Vertical is queer. It is queer as in it is strange, and it is queer as in it is not precisely heterosexual. It is that kind of off-putting gay guy in the corner of the party who's laughing at something even though nobody is talking to him. It's a good thing that I am that gay guy at every party, so me and Staying Vertical, we kinda hit it off.

Everybody won't. (The bane of my existence, y'all.)...

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NYFF - Abacus: Small Enough to Jail

Here's Jason reporting from the New York Film Festival with the latest doc from the director of Hoop Dreams.

At first Abacus: Small Enough to Fail plays like a game of chicken that director Steve James is playing with our sympathies - Bankers, the premiere villains of the 21st century, who might as well come with their own lightning strike and accompanying thunder-crack on the soundtrack, are here our Heroes. You'd be forgiven for spending the first act or so asking yourself, as the drama unfolds - am I really sympathizing with these people?

And James doesn't mess around, aiming straight for our sentimental jugulars...

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NYFF: I, Daniel Blake

Here's Jason reporting from the New York Film Festival on Ken Loach's Palme D'or winning drama

Having come from childhood poverty myself I'm always ready to side-eye a movie that directly tackles the subject - for instance I wasn't a fan of Beasts of the Southern Wild because it felt (I know I was in the wilderness on this one) as if it too romanticized Hushpuppy's home-life. But that's just one pitfall for a subject I'm probably overly picky about - if a film's too preachy, if it turns its subjects into ciphers of suffering for its noble cause, well I don't want to go to that place either.

Ken Loach's I, Daniel Blake walks the line. It's very much a Message Movie all capital letters, but as you can tell by its title it does matter to Mr. Loach who these people are...

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TIFF: Michelle Rodriguez & Sigourney Weaver in (re)Assignment

Nathaniel R reporting from the Toronto International Film Festival

We must ban the use of the word "problematic" so that it may be deployed to describe pop culture offerings which are PROBLEMATIC in all caps. (re)Assignment is one of those, even if its too dumb to capitalize on its sophomoric provocations.

A hired hitman named Frank (Michelle Rodriguez...with prosthetic dick because her figurative big one wasn't enough) is drugged and operated on by an amoral vengeful doctor (Sigourney Weaver) and wakes up with breasts, vagina and a smoother more beautiful face...

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TIFF: Isabelle Huppert is "Elle"

Nathaniel R reporting from the Toronto International Film Festival (Sept 8th-18th)

On any given day around the movie internet you will see the headine "What You Need To Know About ['Movie You Haven't Seen Yet']". It's clickbait. The sum total of what you need to know about a movie before you see it is nothing. Go to the movie theater and actually experience it. So if the promise of a new acclaimed Paul Verhoeven feature (his first since the riveting Black Book in 2006) that's been loudly labelled a "rape comedy" starring the world's most casually transgressive movie star Isabelle Huppert is enough to sell you a ticket I urge you to not read any reviews before seeing it, including this one. It's not that the film has twists that can spoil the experience if they're known ahead of time so much as it's in the way the movie is itself twisted.

Just how twisted is revealed through the careful deployment of its psychosexual landmines. And just how often they're successfully played for laughter ... albeit of the discomforting 'what am I laughing at?' variety. 

Two provocative legends (Verhoeven & Huppert) on set

Which is not to say that the rape itself is the subject of comedy...

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