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Entries in Justin Kelly (2)

Saturday
Sep152018

Queer TIFF: "Jeremiah Terminator LeRoy"

by Chris Feil

The newest from King Cobra director Justin Kelly, Jeremiah Terminator LeRoy, opens with Laura Dern’s gruff, heavy twang voiceover echoing through a dark theatre. Even though the film charts the wild rise of the famous alias author before inevitable and controversial decline, the shock of her accented voice is about as gasp inducing as the film gets. Dern stars as Laura Albert, the artist that created the LeRoy illusion and wrote several successful novels in his voice. The film also stars Kristen Stewart as Savannah Knoop, the woman that Albert convinced to portray JT in public and helped shape him in non-binary Warhol-ish mode. “JT” claims that fiction can be more true than truth (or... something), but Kelly’s film is far from making that case.

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Sunday
Feb122017

Gay Indie VOD Round-Up with Franco, Quinto and Juliet Stevenson

By Glenn Dunks.

It's sometimes hard to keep up with all the films hitting VOD from the festival circuit, particularly those under the LGBTQ banner that can so easily get lost by audiences. More and more films including those with big stars and major filmmakers are now taking the direct route so competition is fierce. Let's take a look at some of the titles hitting the regular services over these first few months of the year. If your interests extend beyond the buzzier must-see titles like Carol and Moonlight, you should definitely keep an eye out for them and others like them.

DEPARTURE
I’m just going to say it – Juliet Stevenson should be next in line for a Rampling/Huppert style dalliance with Oscar. She is far and away the best thing in this pretty if frustrating drama about a mother and son in the south of France. She is exquisite as Beatrice, a permanently sad Woman Who Lies To Herself™ on the verge of divorce who has travelled to the family holiday house to pack up their possessions so the place can be sold. Never too far away from a glass of wine or an angry/tearful breakdown, Stevenson’s performance is the kind of body-shaking reminder of her talent that, should they watch it, ought to inspire somebody to give her another showcase.

[More on Departure and three more queer titles after the jump]

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