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Entries in Review (214)

Thursday
Jan212021

Doc Corner: Sundance winner 'Acasă, My Home'

By Glenn Dunks

Acasă, My Home’s opening passage ends with a single shot that is so startling it would normally be quite hard for the rest of the film to live up to its surprise. It’s little wonder then that it won a Special Jury Award for cinematography at 2020’s Sundance Film Festival, having some of the best use of drone documentary photography I’ve seen—something that should silence the naysayers of this common doc tool, at least for a little bit.

It’s lucky then for first-time Romanian filmmaker Radu Ciorniciuc—previously only known as a journalist and for featuring in something called, yes, Sick Chicken: What You Need to Know—that drama follows his subjects wherever they go...

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Thursday
Jan142021

Review: Search Party (Season Four)

by Christopher James

Alia Shawkat returns as Dory Sief in the new fourth season of Search Party on HBO Max.Who doesn’t love a good quarantine binge? The minute HBO Max (finally) came on Roku, I began my binge of the first three seasons of Search Party. The beloved, niche TBS comedy about self-absorbed Brooklyn-ites became a strange, but satisfying watch during the day. Sure, the characters were unlikable enough to make the cast of Girls look like saints. Still, I couldn’t stop watching. Maybe that’s because there’s something satisfying about watching the character’s schemes and cover ups come unraveled. What began as a simple search party for a Facebook friend spirals into a murder trial three seasons later. The show continues to take big swings in season four that eventually pay off to be a highly memorable season of TV.

The fourth season, available on HBO Max today, takes us simultaneously further from and closer to that first season premise...

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Wednesday
Jan132021

Doc Corner: Lynne Sachs' 'Film About a Father Who'

By Glenn Dunks

You can keep your MCU. You can have your… whatever DC’s is. For me, the only cinematic universe that matters right now is the Sachs and Johnson Cinematic Universe. What’s that you ask? Well, it’s the films of brother and sister pair Ira and Lynne Sachs as well as Kristen Johnson with whom the brother Sachs has children, all of whom seem to make movies about and/or featuring one another. I feel like I know these people in very intimate ways because of the way their works reflects each other’s. It’s a curious little enclave of filmmaking that only enriches each additional film that I see.

I lead off with this somewhat facetious observation because the latest film, Lynne Sachs’ Film About a Father Who is about her father, which only seeks to expand and enlighten the story of this fascinating bunch of New York filmmakers...

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Wednesday
Jan062021

Doc Corner: 'Gunda'

By Glenn Dunks

I’m not going to lie. There are times in Viktor Kosakovskiy’s buzzy new barnyard documentary, Gunda, that feel a bit like a colossal piss-take. Literally if you’re talking about that one extended scene of piglet urination. But between that, the one-legged chicken, the continued attention to the titular pig’s shaking udder, and its shiny black and white photography, the entire enterprise often feels like the punchline of an extended arthouse joke about what people perceive documentaries and international cinema to be.

That isn’t to say it isn’t impressive. It is, frequently. Especially from a purely logistical standpoint as Kosakovskiy and Egil Håskjold Larsen’s camera fluidly encircles and follows its animal subjects with access that often defies belief...

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Wednesday
Dec302020

Doc Corner: Werner Herzog's 'Nomad: In the Footsteps of Bruce Chatwin'

by Glenn Dunks

Is it a coincidence that I watched Werner Herzog’s Nomad: In the Footsteps of Bruce Chatwin on the same day as Nomadland? Perhaps. Perhaps not. Maybe it was more just serendipitous that I turned my screener of Herzog’s film off just before leaving the house to go and see Chloé Zhao’s Oscar favourite. Maybe I am just feeling emotional about the very idea of being out in nature and enmeshed in a broader human existence, but both left me quite affected.

Perhaps unsurprisingly, this double feature left me with the desire to walk home under the glowing blue sky with earth and tar and grass and cement under my feet...

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