Ernest Borgnine (1917-2012)

The Oscar winning character actor, star of 1955's Best Picture Marty, died today at 95. His career was so healthy that his IMDb page requires much scrolling through 200+ titles. The prolific filmography obscures the fact that he didn't even get started until this thirties.  Starting late isn't always a drawback when you've got the goods... particular for character actors; you can't have matinee idol looks and sell an everyman schlub like "Marty". Borgnine's career was so enduring that his latest completed role was a starring one: The Man Who Shook The Hand of Vicente Fernandez (2012) just recently debuted on the festival circuit. 

A career that long is bound to have its rough patches, its controversies and divisiveness. Borgnine generated some deserved internet ire seven years back for publicly refusing to see Brokeback Mountain (2005) despite voting on the Oscars. [The Film Experience's position on this has always been that AMPAS members should be required to see all nominees in order to vote on a win in any particular category. Currently you have to for foreign film but most categories do not require that you actually watch the movies.]

Ernest Borgnine bullying Monty Clift in "From Here To Eternity"Borgnine had been very active for a 90something actor. In addition to Vicente Fernandez, he'd done a lot of television, voicework on Spongebob Squarepants and popped up in a memorable cameo in the action comedy Red (2010). But it's his work in the 1950s and 1960s that will be his legacy: McHale's Navy, The Dirty Dozen, The Wild Bunch and two best picture winners From Here to Eternity (1953) and Marty (1955) among them.

Have you ever seen Marty? What role first pops to mind when you think of Borgnine?

Nora Ephron (1941-2012)

Goodbye NoraScreenwriter, director and all around wit Nora Ephron passed away yesterday at 71 from a long battle with leukemia. The Ephron movie I hold most personally dear (with the exception of Silkwood which is more of a Nichols/Streep thing for me) is Sleepless in Seattle (1993). When it came out on video I was in college working in a video store / pizza place. We always put movies on and they had to be safe for families so it was all G & PG titles. I'd play old movies and musicals and whatnot in the morning when people wouldn't complain about them but when it would get busier you'd have to have the new titles playing while they stuffed their faces full of hot melted cheese. Sleepless in Seattle was popular in heavy rotation. Loved that movie and always got a little heartsick right along with Meg Ryan, listening to that radio in her car.

My last Nora specific memory was the tickling experience of reading her brief spoof of The Girl With the Dragon Tattoo in The New Yorker. I remember my smile turning to audible laughter (aka LOL'ing ) a third of the way through and increasing in frequency as its brilliance sank in. There was an after pang - "If she's still this funny, how come we don't get another When Harry Met Sally?"

Alternate title for Nora Movies: "You've Got Relatlonships"

I didn't know at the time that she had already been sick for a few years. And even if her filmography contains its fair share of head-scratchers, on the whole its a good one. Her reputation has only been unfairly diminished by the shortsighted modern disdain for the rom-com genre which she ruled for a time. (While it's true that this genre is currently at its nadir, some of the greatest films ever made belong to it - think screwball.)

This morning my thoughts turned to Ephron's screen muses. While she worked with Tom Hanks, John Travolta, and Steve Martin multiple times I wondered sadly how Meryl Streep and Meg Ryan, her two most prominent interpreters, were feeling today. I have no idea what their personal friendships were actually like -- though Ephron's amazing AFI tribute speech to Streep suggests that theirs might have been filled with nonstop hilarious banter.

Since Ephron wrote so well and often about romantic relationships, I like to frame the collaborations in that way. Let's call her screen romance with Meryl Streep (Silkwood, Heartburn and Julie & Julia) an "amorous friendship" -- one of those mostly chaste things with occassional "what if...?" flarings of passion. The screen romance with Meg Ryan (When Harry Met Sally, Sleepless in Seattle, You've Got Mail, Hanging Up) on the other hand can only be interpreted as "marriage" --unmistakably public, fruitful and life-changing for both.

Nora ♥Meryl, Nora ♥ Meg

What's your favorite Nora & Meg movie? What will you most miss about Ephron's best work?

Recommended Reading
The New Yorker The Girl Who Fixed the Umlaut by Nora Ephron
Lists of Note "What I won't and will miss" by Nora Ephron 
...and my two fav Ephron tributes: NPR's Monkey See and Stale Popcorn.

Link Highway

Scanners on the tributes to legendary film critic Andrew Sarris (RIP) who helped make the auteur theory the big deal it still is with movie buffs.
NPR Monkey See says goodbye to Matt Groenig's hugely funny and enduring "Life is Hell" comic strip (RIP... so many endings lately) 
The Playlist Aw, look at who's suddenly ambitious. Mr. Ryan Phillipe. He's planning to direct his first feature Shreveport (about a has been movie star who is kidnapped and tortured) and he'll star in it, too. We hope it's a metaphor for his actual career because what would be more awesome than a elaborated staged celebrity pity party in the shape of a "Riveting Thriller"
Rope of Silicon Pixar unloads Monsters University concept art 

24 Frames August: Osage County is really going to happen I guess. George Clooney is producing now and he gets things done.
Movies.Com unexpected appearances of Presidents in Movies 
In Contention Kris Tapley picks the 10 best Pixar films on the eve of Brave's release. It's as good a time as any though I might practically flip the whole rankings 180˚
My New Plaid Pants Barbarella as a TV series? I don't know what to say...
The Mary Sue fashion ilustrations inspired by The Avengers
Awards Daily has the winners of the Broadcast Television Critics Awards... i.e. the counterpart to those "Critics Choice" awards. Showtime's Homeland is the clear favorite this past year 
Comics Alliance What if Blade Runner (1982) were entirely animated in watercolor?  

And in another auteurial revision... "What if David Lynch had directed Rock of Ages?" Ha! Very well executed imaginings here, particularly the Paul Giamatti riddles.

...would you see that movie?

Goodbye Dad.

For those of you who wondered why the blog has been dark, my father passed away suddenly. I've been spending time out west with my mom. This is one of my favorite photos of my parents, which I found on an old ektrachrome slide. They were married in December 1960 and this picture, taken sometime that decade, predates my existence altogether! I think it's maybe even before they had any kids (I'm the youngest of four) but perhaps my sister was around.

My dad and I were never "close" per se though he was surprisingly supportive of most of my artistic endeavors paying for art classes and congratulating me on writing successes.  We disagreed on virtually everything but particularly politics and movies.

He was not, in fact, a fan of the cinema and often grumbled about my nonstop chatter about the artform. Once when I was a teenager he was so frustrated that he banned movie talk at the table:

No talking about movies during dinner!"

I credit this inexplicable then-hurtful ruling with creating the monster you know now. (Teenage rebellion's silver lining!) Despite my Dad's resistance to the movies, I loved to yank information about his movie feelings when I could. 

The first movie he remembered seeing was Snow White and the Seven Dwarfs (recently revisited right here) in *gasp* 1938 in the movie theater when he was all of 7 years old. My parents took us kids to movies in the 70s and 80s when I was growing up but they were usually of the Disney or science fiction variety. (My parents liked Star Trek a lot, a fandom gene that was not passed on to me.) Dad didn't mind being dragged to Oscar-Bait movies, especially historical epics (He liked Amadeus if I recall correctly), but the Oscar movies were always my idea. He hated Woody Allen, Jane Fonda and Marilyn Monroe (three of my favorites as a baby film buff... naturally) and pretended to not know who any movie stars were when I would talk about them. "Who's Meryl Streep?" "Who's Brad Pitt?" He had a bizarre fondness for The Gods Must Be Crazy and a more common fondness for John Wayne. The only thing he might have passed down to me movie-wise is the dread of arriving late to the screening. 

The only movie I ever heard my father wishing into existence was Wendy & Richard Pini's Elfquest though it never came to pass. He loved the graphic novels (which I brought home one day on a whim) and my siblings and myself delighted in the strangely obsessive way he latched on to them...'He only loves guns that much!' I bought him replacement copies one Christmas when I noticed the binding falling apart.

The ship of dreamsThe last movie I remember seeing with my Dad was Titanic (1997) since I would force movie outings on the family when I visited for Christmas. He complained all the way to the theater but much to his surprise he loved it. He had nothing to say about Leo & Kate's romance which the rest of the planet was obsessing over but he went on and on and on about the historical accuracy of the details of the ship and the way it looked, filled, cracked, tilted, and sank.  To this day I still feel gratitude to James Cameron for delivering such a mammoth Movie-Movie and cross generational sensation. It made me feel, however briefly one Christmas, much closer to my Dad.

Goodbye Dad (1930-2012)

Last Dance for Donna Summer (RIP)

Goodbye to disco queen Donna Summer who died yesterday at 63 of cancer. She was one of the rare through lines in popular music of the 70s and 80s -- doesn't it seem like disco had its inordinate share of one hit wonders? But not Donna. Hit after hit and her voice defined the era: I Feel Love, Macarthur Park, Love to Love Ya Baby, No More Tears (Enough is Enough) and so on...

Donna was a "special guest star" in the movie, but promoted to top billed for the DVD release despite her small role.

Donna wrote or co-wrote some of her hits but not "Last Dance", the Oscar-winning one. Still, you can bet her indelible vocals helped win songwriter Paul Jabara that naked gold man. As you can see in the image up top Donna became the film's most important selling point retroactively on DVD but in the original poster, she only has a small frame to the bottom left of the poster (also excerpted above). She played a disco diva naturally. It was her first and last appearance in a motion picture.

Here's Donna Summer performing "Last Dance", the Oscar winning song from Thank God It's Friday (1978). I love that opening speech for its sheer retro wtfness... $12 a ticket, Donna? Different era! But if tickets were really only $12 she was working hard for the money. So hard for you honey.

Which song have you been playing in her honor since you heard the sad news?

Related: Barbra Streisand reacts to the news and here's a fine Advocate piece on Donna Summer's complex relationship with the gay community who were the first to embrace her sound.

P.S. Speaking of the gay community. "I Feel Love" with two gay trailblazers after the jump.

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