Review: "Charlie Says"
Screened at the Tribeca Film Festival. Now in Theaters. This post was originally published in Nathaniel's column at Towleroad.
Quentin Tarantino’s Once Upon a Time In Hollywood, arriving in July, isn’t the first Manson Family murders / Sharon Tate-related movie hitting theaters during the 50th anniversary year of those abominable crimes.
The first out was The Haunting of Sharon Tate starring Hillary Duff, which was largely dismissed as exploitative. The second, newly arrived in theaters, is Charlie Says (Sharon Tate, played by Grace van Dien, is a very minor character in the film). Tarantino’s film will feature Margot Robbie as the doomed actress. And still a fourth picture is coming, a biographical drama called Tate starring Kate Bosworth, though its focus will not be on the actress’s murder. This true crime story is quite obviously all the rage in Hollywood at the moment.
Whether or not these films are appropriate in their timing and conception will be up to individual viewers to determine. As ever, how creepy or opportunistic true crime stories feel is largely dependent on artistic ambition and execution.
But if you’re going to make a picture like this at all, director Mary Harron and screenwriter Guinevere Turner, the women behind Charlie Says, are the filmmakers to choose…