Weekend Box Office: The Waiting of Water

By Ben Miller

Remember a month ago when no film wanted to release ahead of Black Panther: Wakanda Forever?  The box office is on the second verse, same as the first with the anticipation of Avatar: The Way of Water debuting next weekend.  Wakanda was tops for the fifth straight week of putrid box office.  The weekend total was just $35.5 million, which is the second worst of the year after the last weekend in January!  Thank goodness we have the Na'vi to save the box office.  God forbid studios try to release counterprogramming.  Apparently, the National Association of Theater Owners agree but Hollywood isn't cooperating...

Weekend Box Office (actuals) Dec 9th-11th 🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
VIOLENT NIGHT	THE WHALE
1 BLACK PANTHER WAKANDA FOREVER $11.2 (cum. $409.9)	1  🔺 SPOILER ALERT  $680k (cum. $782k) 783 screens
2 VIOLENT NIGHT $8.7 (cum. $26.7)	2 🔺 THE WHALE $360k *NEW* 6 screens

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Oscar Volley: Best Makeup... or is it "Best Prosthetics"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nathaniel and Elisa to discuss Makeup... 

Colin Farrell and... Colin Farrell?

NATHANIEL: Elisa, let's start with a question: Do you think this category should be split into two: Best Makeup Effects AND Best Makeup and Hairstyling? As it stands now, the latter never gets a fair shake. If you do incredible things with glamour and character design but don't offer anything in the prosthetic department, chances are slim to none that you'll be nominated!

For example I think it's pretty clear that Elvis, The Batman, and The Whale will be competitive primarily because they each bury one key character in prosthetics until they're almost unrecognizable. But why? It always feels a bit like showing off. Why hire a famous actor to play a role if you don't actually want their famous face? This bugs me most in the case of The Batman but it might be because I relish looking at Colin Farrell's face... and if you're going to deny me that, don't promise me Colin 'Feckin' Farrell...

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Middleburg Day 2: "Living", "The Whale", and special guests Stephanie Hsu and Dolly De Leon

by Nathaniel R

Modering a Stephanie Hsu Q&A at Middleburg Film Festival

Here's the thing with weekend festivals. They are brutal with either/or decision-making. At the longer festivals you can promise that you'll catch up with a film later (or delude yourself into thinking you can... which has the same effect). At weekend festivals there's often only one chance to see a particular film. And the whole thing can feel over in a flash. I'm typing this on day four, closing day, because I haven't been able to get to it before now. On Day two I wasn't able to squeeze in many movies between one moderation gig (a special screening of Everything Everywhere All At Once with Stephanie Hsu, pictured above) and two sit down interviews but at least both of the movies were must-sees in terms of the Best Actor Oscar race...

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10th Anniversary Middleburg Film Festival tickets now on sale!

by Nathaniel R

the Opening Night, Centerpiece, and Spotlight films

Has it really been ten years? We've been going to Middleburg for years now for this intimate weekend festival in scenic Virginia. Three years ago your host here (that's me) launched an ongoing early morning Oscar panel "Coffee & Contenders" with Clayton Davis and Jazz Tangcay (who have both since joined Variety). It's a treat to see famiiar faces from the Washington DC area each year and if any readers come to the festival make sure to say hello. Festivals start to feel like reunion parties if you go enough times!

The year they'll have films like White Noise, Glass Onion: A Knives Out Mystery, Somewhere in Queens, and The Whale (and more to be announced). Receiving tributes and awards this year are actors Stephanie Hsu and Brendan Fraser, writer/director Noah Baumbach, editor Bob Ducsay, and composer Michael Abels.  Passes and ticket passages are now on sale. Full press release after the jump...

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Abe’s ‘Jury of One’ from TIFF 2022

Brendan Fraser in The Whale

By Abe Friedtanzer 

I had always heard from other journalists at festivals like Sundance and SXSW that TIFF was the best one. I’m thrilled that I had the chance to attend my first in-person edition after covering remotely last year. I’m certainly exhausted – I saw 37 films at screenings and another six at home. Fortunately, almost all of what I saw was very good, and even better for you readers, the overwhelming majority is also slated for release. Of course, the crazy thing about these festivals is that, no matter how much you see, you’ll still somehow not get what others think was best (Baby Clyde’s top two films are among the six from his 25 that I didn’t see). But there’s plenty to celebrate, and without further ado, here are my ‘jury of one’ awards with release dates, if applicable, in parentheses, and some personal prizes…

The Swimmers 

Top Ten Films 

1. The Whale (Dec 9^th, theaters)
2. Glass Onion: A Knives Out Mystery (Dec 23^rd, Netflix)

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