Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
DON'T MISS THIS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
Thursday
Nov022017

Links

Village Voice Bilge Elbiri on a film review that changed his live (J Hoberman's 1992 piece on Orson Welles' Othello) - lovely personal piece
Nick Davis Chicago film festival jury picks and his own precise takes on the movies screened including high profile gems like Call Me By Your Name, and several foreign film Oscar submissions
Esquire Bryan Cranston must be seeking to sabotage his Oscar hopes this year with this admission that he's rooting for Trump to succeed
Huffington Post talks to Melissa Leo about Novitiate and becoming a gay icon with those "Consider..." ads

Another Mag amazing photos of the well decorated sets of Call Me By Your Name
EW Moulin Rouge!'s stage musical adaptation sets its debut for next summer in Boston. Which means we're probably looking at a Broadway transfer and contention for the June 2019 Tonys.
SBS an amazing interview with Katya and Trixie whose new series The Trixie & Katya Show starts real soon
Vanity Fair sits down with still-rising Tessa Thompson about her stereotype defying career
Esquire jumps on the "give I, Tonya Oscars" bandwagon. I tell you what dear readers, the ease with which this movie is getting people excited when I though it was genuinely not good (mockumentary stale, politically problematic, and cheap-looking) is going to make this Oscar season a loooong one for me (sigh). Ah well. You can't love everything... or every Oscar season. 

Thursday
Nov022017

"Lion King" Revival Announces Cast

Your childhood memories are about to get Beyoncé'd.

Disney's The Lion King is getting the live-action treatment and previews for it have already shown great promise. Disney has now revealed the list of stars that will voice your most cherised prepubescent traumas. Standouts include James Earl Jones as Mufasa (he also voiced the original in 1994), Chiwetel Ejiofor as maybe-gay uncle Jafar, and budding singer/song-reader Beyoncé Knowles-Carter. The voices of the new King features great diversity that we hope is indicative of the crew behind-the-scenes. 

Check out the full main cast up next...

Click to read more ...

Thursday
Nov022017

Happy Ann Rutherford Centennial

by Nathaniel R

Ann Rutherford in Bermuda Mystery (1944)

Today marks the centennial of studio system regular Ann Rutherford. Though she's best remembered today for her minor role in Gone With the Wind (Scarlett's little sister Carreen) she was actually a headliner both before and after that all time classic... 

Click to read more ...

Wednesday
Nov012017

Halloween Hangover -- More Celebrity Costumes! 

by Nathaniel R

Lady Gaga as Edward Scissorhands! (Hmmm, she might make a great fit for a future Tim Burton movie.) ICYMI we rounded up celebrities who got all dolled up for the holiday on Halloween night - many in movie-themed costumes!

But the pictures kept on coming so here are a handful more. Sarah Michelle Gellar, and more after the jump...

Click to read more ...

Wednesday
Nov012017

Interview: Alain Gomis on Why Senegal's Oscar Submission 'Félicité' is a Film About the Modern World

By Jose Solís

The title heroine of Félicité is unlike any film character you’ve met. As played by Véro Tshanda Beya Mputu, she’s both larger than life and an everywoman trying to make a living as a singer in a Kinshasan bar. When her son Samo (Gaetan Claudia) has a devastating motorcycle accident, Félicité is forced to go in a race against time, as she tries to find the money to pay for his treatment. But this is only the first of Félicité’s many plights and before we know it, the film has become a soulful character study in which a woman must learn to accept love from others. If the film sounds like a social drama, it’s only because director Alain Gomis uses that familiar structure to invite us into a world that will seem new to many, but once inside he defies the conventions of genre and traditional plot to convey something more lyrical.

The film has been selected as Senegal’s official Oscar entry and is now playing in select US theaters. I spoke to Gomis during the New York Film Festival, where the film was shown, and learned about his process, and why he thinks his film is a reflection of the modern world. Read the interview after the jump...

Click to read more ...