Cate Blanchett at Cannes

by Elisa Giudici

Cate Blanchett. Photo © Elisa Giudici

Cate Blanchett came to Cannes ostensibly to spotlight the Displacement Film Fund, the initiative she co-founded with the UNHCR to support displaced filmmakers and stories about forced migration. But the conversation quickly expanded into something broader: a sharp, funny, deeply thoughtful reflection on acting, authorship, AI, artistic risk, and the changing state of cinema itself...

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Cannes: Peter Jackson

by Elisa Giudici 

Peter Jackson. Photo by Elisa Giudici

At the end of the ’80s Peter Jackson arrived in Cannes for the first time as a self-taught splatter filmmaker from New Zealand and immediately got thrown out of the Palais for wearing shorts. Nearly four decades later, he returns to the Croisette as the director behind one of the most successful trilogies in cinema history. The director is still talking about movies with the enthusiasm of somebody who never stopped being the kid borrowing his parents’ Super 8 camera to film homemade monsters. Across an unusually relaxed and funny conversation at the festival, Jackson moved freely from King Kong to The Beatles, from Andy Serkis to artificial intelligence, from Tintin 2 to the collapse of DVD culture. What emerges most clearly is how little of his career feels planned in retrospect. Again and again Jackson describes cinema as a chain of accidents, obsessions, and strange coincidences somehow turning into films...

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Interview: "Clodagh" Director Portia A. Buckley

By Ben Miller

Director Portia A. Buckley is in the middle of a whirlwind experience. Not only has her short film Clodagh been listed on the BAFTA longlist for Best Short Film, it was also announced as a finalist for the Best Live Action Short Oscar. I recently spoke to her about the chaos of awards season, her relationship with cinematographer Jomo Fray, prepping her for bad interview questions, and keeping her film lighter in tone...

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Interview: Director Maura Delpero on Italy's new Oscar Submission "Vermiglio"

by Elisa Giudici

Photo Credit: Biennale di Venezia

Today, the Italian selection committee announced that Vermiglio by Maura Delpero would represent Italy at the 97th Oscars, competing in the Best International Feature category "for its ability to portray rural Italy of the past, with sentiments and themes that are universal and current."

The film, presented at the Venice Film Festival, won the Grand Jury Prize and received enthusiastic praise from critics. Just minutes after the announcement, Maura Delpero participated in a press conference to share her reaction to the news, discuss the first audience screenings in Italy just days before the national release, her upcoming festival commitments, and her long journey to this achievement...

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Interview: "Girl Picture" director Alli Haapasalo

By Ben Miller

I was fortunate enough to speak with director Alli Haapasalo about her Sundance World Cinema winner Girl Picture which was my favourite from the festival. The coming of age picture about three young women opens in select theaters tomorrow. We talked about female friendships in film, sex scenes, and changing your title to ensure people don’t think you made a film about strippers.

This interview has been lightly edited for clarity.

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