Quick Chat: Tom Mizer (Marvelous Mrs Maisel), Emmy Nominee!

by Nathaniel R

Moore (far left) and Mizer (far right) with cast members from The Marvelous Mrs Maisel

If you're a faithful reader of TFE you know that we're fans of the songwriting duo "Mizer & Moore" who wrote the songs for this season of Marvelous Mrs Maisel. Tom, the lyricist half of the duo, recently served on the panel of our Supporting Actress Smackdown of 1947 and then guest blogged for a day here at TFE to tell us about his Maisel experience and other movie musical interests. Naturally we were thrilled when he snagged his first Emmy nomination and called him right up...

NATHANIEL: Congratulations. I am doing a little happy dance for you in my chair as I type away about the Emmys. We've on this journey with you, at least in spirit (socially distanced!) for so long now. Are you shocked? thrilled? humbled? already exhausted by well wishers? 

TOM: Thank you so much! Sharing just a bit of this madness with you and your smart, supportive readers has been a thrill given I’ve been reading The Film Experience forever. It’s surreal to be on the “other side”...

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Chatting with Disney's vfx contenders

by Abe Fried-Tanzer

When the Oscar shortlists were announced in nine different categories a few weeks ago, the remaining films up for Best Visual Effects were halved from twenty to ten. It turns out that five of those films left are Disney productions, and so we had the chance to sit down with the team from each to learn a bit more about what went into creating everything you see on screen.

Team Endgame
Avengers: Endgame
Each member of this specific team was beyond excited to have worked on the epic blockbuster conclusion, which, to each of them, was a scope that they had never experienced before. They code-named their work “Mary Lou,” after the famous gymnast, to reference a need to “stick the landing”...

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Interview: 'Diamantino' directors on queer influences, genre twists, and Pekingese puppies

by Murtada Elfadl

The balancing of many different tones differentiates Diamantino, which just opened in theaters after a hit run at Cannes last year. It's a satire, an allegory, a rom-com and a fantasy -- all of those things in one yet it all jells. Co-directors Gabriel Abrantes and Daniel Schmidt kept all these different balls in the air. The story is absolutely bonkers. Let’s see if we can get it straight with the help of the official synopsis: 

Portuguese soccer hunk Diamantino (Carloto Cotta, Tabu) blows it in the World Cup finals, he goes from superstar to laughing stock overnight. His sheltered worldview is further shattered after learning about the European refugee crisis and he resolves to make amends by adopting an African refugee – only to find that his new “son” is actually an undercover lesbian tax auditor investigating him on the suspicion of corruption. From there, Diamantino gets swept up in a gonzo comic odyssey involving cigarette-smoking evil twins, Secret Service skullduggery, mad science genetic modification, and a right-wing anti-EU conspiracy.

This doesn’t even include the fluffy giant Pekingese puppies that make the best co-stars. Critics, including this writer, have been in love since the film premiered at Cannes last year winning the Critics' Week Grand Prize. We recently had the chance to speak to the co-directors in New York. The interview has been edited and condensed for clarity...

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Interview: Ritesh Batra on 'Photograph' and why he makes movies about longing

by Murtada Elfadl

By his own admission Ritesh Batra makes movies about longing. Movies about people trying to connect. That was evident in The Lunchbox (2013), where two strangers meet and bond through a case of mistaken lunch deliveries. In Our Souls at Night (2017) two older neighbors - played by Jane Fonda and Robert Redford - try to fill their lonely nights by sleeping in the same bed, for companionship not sex.

In his latest film, Photograph, two strangers from different backgrounds also try to connect. He’s Rafi (Nawazuddin Siddiqui), a struggling street photographer. She’s Sanya (Sanya Malhotra) a shy Accounting student. They meet when he takes her photo at the Gateway of India, the famous arch monument in Mumbai. Rafi is being pressured to marry by his grandmother so he convinces Sanya to pose as his fiancée during a family visit. The film tells more with the silences between the strangers than any words, Batra is able to let emotions rise quietly but clearly to the audience. We recently interviewed him in New York about why these themes keep attracting him. The interview has been edited and condensed for clarity...

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Interview: Jia Zhang-Ke on 'Ash Is Purest White' and his collaboration with Zhao Tao

by Murtada Elfadl

Fan Liao, Zhao and Jia at the 2018 Cannes Film Festival

Ash Is Purest White, opening tomorrow in select theaters, is Jia Zhang-Ke’s latest film. It has his trademark immersive, decades spanning storytelling. This time it is also a blend of gangster film, romance, and social critique. Again it starts his muse and collaborator Zhao Tao, this time playing Qiao, a quick-witted resourceful woman who falls into a decades long epic entalegment with her mobster boyfriend Bin (Fan Liao) within the jianghu (criminal underworld) of post-industrial Datong. We called it "bold, epic and fully detailed in equal measures" in our review. While in New York last October for NYFF, we got a chance to talk with Jia about his film. This interview has been edited and condensed for clarity.

Murtada Elfadl: What ideas did you want to push forward with this film?

Jia Zhang-Ke: This film spans from 2001 to 2018 and within these 17 years I wanted to examine how Chinese people are living in this particular historic context. For this particular film, even though it has the same thread of my previous films of examining the transformation of society and its impact on interpersonal relationships among characters, this time I focused on the principles and values that people either uphold or give up during societal transformation. I created these two characters who are moving in opposing directions. Bin was a drifter at the beginning, then he decided to join the mainstream culture which is very much about power, money and fame whereas the female character Qiao takes the opposite route so we can see how diametrically they have changed...

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