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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in The Hobbit (26)

Wednesday
Feb262014

"Nominations for Everyone!" - Saturn Awards

I maintain that a lot of "special interest" awards bodies would instantly be more respectable if they'd limit their number of nominations in a category. The Saturn Awards, who've been handing out prizes for sci-fi/fantasy/horror films for 40 years now, are one such group. When you narrow your field of eligibility -- as all special interest awards bodies must to still fit within their special interest boundaries -- why then should your nominee list be larger than the standard model (that'd be Oscar. pay attention). Despite what seems like a neverending barrage of pictures released that are catering to the comic-con community, there are actually less movies like that than those that are eligible for other prizes which only have "release date" as criteria. And yet the Saturn Awards feel the need to have six-seven nominees in all the acting categories and multiple Best Picture awards. If you combine all of their Best Film categories, they have 34 Best Picture nominees! though Gravity and The Hobbit: The Smaugening are the nomination leaders.

It must be so insulting for any picture that was not nominated... though I can't think of any that weren't offhand. Hundreds of nominations with brief grumpy commentary are after the jump. 

Best Comic-to-Film Motion Picture:
“Iron Man 3″
“Man of Steel”
“Thor: The Dark World”
“The Wolverine”

The only snubbee I can think of here is Blue is the Warmest Color but those lesbians have no superpowers beyond very limber bodies and the ability to eat huge amounts of food without gaining a pound. 

30 more Best Picture nods after the jump...


Click to read more ...

Friday
Jan172014

The Desolation of Smaug: Accentuate the Positive

Michael back again. Nathaniel recently asked us if any of us had seen The Hobbit: The Desolation of Smaug. Peter Jackson's latest Middle Earth chapter is entering its sixth weekend with $800+ million in the worldwide bank and three more Oscar nominations and it's gone completely unremarked upon at TFE.  But I could feel the life draining out of me as I attempted to review it. Surely the world did not need one more dissection of Peter Jackson’s chronic inability to rein in his material. What’s left to say, save that Desolation has exactly the problems you would expect it to have? Hell, one could get the same from any archived review of The Lovely Bones or King Kong. All the criticisms still apply.

So I junked that review and decided it would be good for the soul to write something positive instead. After all, Jackson is a maddening filmmaker not because he’s some worthless hack but because he frequently buries moments of brilliance in all the sprawling self-indulgence. So with that in mind here is a list of five things I loved or liked about The Hobbit: Desolation of Smaug:

Click to read more ...

Monday
Dec302013

Stop Trying To Make Link Happen

Clothes on Film gets writers to name their favorite costumes of the year from Stoker through The Grandmaster and on to Spring Breakers
IndieWire thinks Oscar's Cinematography category should be split into two now (computer environments/traditional) as it once was (black and white / color). Co-sign. But then you knew that since I wrote about the problem with this category earlier this year in preparation for Gravity's Oscar win, which will be the 4th heavily computerized film in 5 years to win both vfx and cinematography statues
Buzzfeed Mean Girls and 34 other movies that are turning 10 in 2014. Yes, The Film Experience will be revisiting some of these. Any preferences?

Vulture homage vs theft as it relates to American Hustle from Scorsese... and, well, Scorsese from Scorsese. I think comparisons between Russell and Scorsese's movies are largely missing the point -- an accident of release date and sudden divisive critical fervor -- but this is a good read
IndieWire gets really effusive about Inside Llewyn Davis' Oscar Isaac calling him the next Paul Newman 
Pajiba the 10 best performances from inanimate objects in 2013 from Christian Bale's hairpiece in American Hustle through Man of Steel's tragic victims
Deadline on the use of silence in Gravity, 12 Years a Slave and All is Lost. Brad from Rope of Silicon and I got into this argument with the Hitfix boys yesterday about Gravity. 'What silence? That score is terrified of letting you deal with silence!'

Today's Wolf of Wall Street arguments
Another 24 hours, another cycle of aggressive shaming of those who don't love it.
In Contention interviews The Wolf of Wall Street's Leonardo DiCaprio who does my least favorite thing that actors can do: diss critics who don't like their movie for not getting it. Usually it's better for filmmakers to shut up when they're unhappy with critics. Remember how embarrassing it was when James Cameron got all touchy about negative Titanic reviews?  Joe Reid at The Wire responds with a terrific piece about the disingenuous posturing going on from critics who like to have their cake and eat it, too. 

I haven't been online much today but I'm assuming the response to Leo's statement is drawing big cheers from critics in the Wolf of Wall Street camp.  Careful, people. Just remember how much fun you made of Armie Hammer when he blamed you for The Lone Ranger's failure. 

 

Finally...
Some of you may have seen this a couple of weeks ago but Michael Cusumano, who writes here on occasion, knew he would have to see The Hobbit: Desolation of Smaug with family over the holidays so he caved on his decision not to watch the new Middle Earth trilogy. He liveblogged The Hobbit: An Unexpected Journey (2012) to catch up (part one and part two) and it is awesome. I made the same initial vow and I've stuck to it but I did happen to recently very casually nibble on parts of last year's 3 hour fantasy slop on HBO the other night so that made this timeline even funnier... I agreed with every word regarding the scenes I tasted (but did not swallow).

Monday
Dec302013

Podcast: A Disney Double, "Frozen" and "Saving Mr Banks"

On a quiet Sunday Nathaniel & Katey get together for a Disney Double that we are surprised to realize we hadn't yet discussed as a group.

Is Saving Mr Banks a 'corporation knows best' propaganda nightmare or a rich investigation of artistic compromise or somewhere inbetween? Does the existence of Mary Poppins, automatically make Disney (Tom Hanks) the hero and P.L. Travers (Emma Thompson) the villain? We're more enthusiastic about Frozen. We see its gears and its formula and we don't necessarily love the song score but it transcends. Katey loves the message it's sending little girls.

Asides, as we do, to: Titanic, Tangled, The Hobbit, Blue Jasmine, and Meryl Streep in August: Osage County

You can listen to the podcast right here or download it on iTunes and let us know what you think of this Disney holiday double in the comments. 

Disney Double

Saturday
Dec142013

Oscar Rejects and Finalists: Makeup and Hairstyling

Though it's perhaps unfair to possible future Oscar nominees who are (tentatively) celebrating, the finalist lists that are announced in the categories that have "bake-offs" have an unfortunate side effect: the story by necessity becomes about who didn't make it; "finalist" status is not, we must remember, an Oscar nomination and might not turn into one but rejection is hard fact. The Oscar's makeup branch, though fond of showy prosthetics like old age makeup or fantastical creatures has never nominated a zombie movie and also isn't crazy about horror (despite horror employing so many makeup artists) so I knew the chances weren't great for World War Z or Warm Bodies or Evil Dead or any other genre films though I am a little surprised that Oz: The Great and Powerful was already culled. Yes, Mila Kunis's Wicked Witch looked dumb but this branch's history doesn't always give one confidence that they'll choose well.

Surprising Rejections and Unexpected Embraces after the jump...

Click to read more ...