Cannes: Peter Jackson

by Elisa Giudici 

Peter Jackson. Photo by Elisa Giudici

At the end of the ’80s Peter Jackson arrived in Cannes for the first time as a self-taught splatter filmmaker from New Zealand and immediately got thrown out of the Palais for wearing shorts. Nearly four decades later, he returns to the Croisette as the director behind one of the most successful trilogies in cinema history. The director is still talking about movies with the enthusiasm of somebody who never stopped being the kid borrowing his parents’ Super 8 camera to film homemade monsters. Across an unusually relaxed and funny conversation at the festival, Jackson moved freely from King Kong to The Beatles, from Andy Serkis to artificial intelligence, from Tintin 2 to the collapse of DVD culture. What emerges most clearly is how little of his career feels planned in retrospect. Again and again Jackson describes cinema as a chain of accidents, obsessions, and strange coincidences somehow turning into films...

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Almost There: Andy Serkis in "The Lord of the Rings: The Two Towers"

by Cláudio Alves

The particularities of screen acting make it a collaborative effort, even in the most low-fi of situations. What gets left on the cutting room floor, what reactions are chosen by the editor and director, the sound, the makeup, the way a cinematographer lights the performer's eyes, all shape what we see projected on-screen. Still, when it comes to awards, there's a belief that performance is the sole responsibility of the individual in front of the camera.

When the collaborative aspects of screen acting are made inescapable, it's  difficult to collect golden accolades. We see that happening to voice-only performances and motion-capture efforts, in particular. With The Lord of the Rings trilogy new to streaming on Hulu, we have a good opportunity to explore the mo-cap performance that came closest to Oscar glory. I'm talking about the paradigm-shifting work of Andy Serkis as Sméagol/Gollum in 2002's The Lord of the Rings: The Two Towers…

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YNMS x 2: Mowgli and Christopher Robin

by Nathaniel R

grrrr. oink. hsss. squeak. 'oh bother'. oohoohahah. and other animal noises.

The multiplex has a serious animal infestations coming up with Christopher Robin and yet another adaptation of The Jungle Book called Mowgli coming up in the next handful of months. Have you caught their trailers?

Let's break them down with our Yes No Maybe So™ practice after the jump...

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The New York Times' Great Performers' Shorts, Ranked

by Ilich Mejia

Every year, The New York Times Magazine picks their greatest performers of the year. This year's top ten each got to star in their own silent, "Horror Show" themed short. Italian-Canadian photographer Floria Sigismondi directed the group as characters that wouldn't be out of place in Beyoncé's haunted house. Hopefully next year, the magazine will branch out and recognize some of television's equally terrific performances. Check out the spooky standouts after the cut...

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Andy Serkis's Directorial Debut Arrives This Year

Chris here. With War for the Planet of the Apes arriving in theatres next weekend, we're already seeing the reawakened thinkpieces about an honorary Oscar for Andy Serkis that comes with what seems every motion capture performance from the actor. But now we can add another level to his multi-hyphenate talent as the risk-taker is now taking up the directing reigns with this fall's Breathe.

The true story tragic romance stars recent Oscar nominee Andrew Garfield as the polio-stricken Robin Cavendish, with The Crown's Claire Foy as his wife Diana. This is technically Serkis's second directorial effort, with his take on The Jungle Book filmed prior and now in CGI-heavy post-production. Jungle is maybe a more expected journey for the motion capture virtuoso, so Breathe makes a somewhat more intriguing choice despite it's quite familiar plot. Perhaps it's the film's spirit of innovation that calls to him, as Cavendish helped create a wheelchair equipped with a respirator.

Breathe will open the London Film Festival and open stateside on October 13. Take a look at the trailer and tell us your thoughts in the comments!