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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Oct202015

Q&A: Sexy Vampires & Dolled-Up Monsters

For this week's Q&A we asked for questions that would get us in the Halloween spirit. So let's talk sexual vampires, scary monsters, queer horror, and unsettling auteurs.

Let's jump right in to nine creepy spooky occasionally queer questions, shall we? 

Ryan T: What are your favorite vampire performances onscreen, film and TV?

The glut of bad vampire movies over the past couple of decades may have killed my former passion for bloodsuckers but nothing can kill the love of great acting so this must be answered. With due respect to the Lugosis, Schrecks and Lees who pioneered, let's fast forward to contemporary-ish cinema and television after the jump...

Click to read more ...

Tuesday
Oct202015

Tippi's Brood

In deference to Marnie's fear of red, we presume to imagine, Classic Hitchcock heroine Tippi Hedren's brood all arrived in black for the annual Women in Hollywood event. From left to right: Dakota Johnson (50 Shades of Granddaughter), Tippi Hedren (The Original), Melanie Griffith (her Bad Seed), and Stella Banderas (The Baby). 

That's three generations of film stars. The only non-leading lady among them is Stella. Do you think she'll also be a force given that both of her parents were significant movie stars in their heyday? She just turned 19 and her only real movie role to date was as a toddler for them. She was just 3 when she appeared in Mama Melanie & Papa Antonio's Crazy in Alabama (1999).

Tuesday
Oct202015

Curio: Heartbeats Club

Alexa here with your weekly art break.  Ivonna Buenrostro is an illustrator from Toluca De Lerdo, Mexico with a love of film. Watching movies daily with pencils handy, she creates wonderful sketches that she later colorfully transforms in Photoshop.

Enjoy several after the jump...  

Click to read more ...

Tuesday
Oct202015

Star Wars: The Force Awakens Trailer

If you yearn to go into the movie theater cold -- as I am longing more and more to do -- can you resist watching the official trailer. Can I? I'll try but the Dark Side (of Hype) is strong...

On the Yes No Maybe So scale this is a yes without hitting the play button given that it's a culture event. One hates to be a slave to nostalgia but Han, Luke, and Leia returning pushes certain buttons that cannot be unfelt. But, personally speaking, it's a yes without the mania that is felt in most quarters of the internet. Yours truly has no willful amnesia about how utterly terrible the last three Star Wars films were. But let's all hope this one is good for the sake of the masses (ourselves included) who would taste test even if it came with a poison label.

Monday
Oct192015

Our Small Screen MVPs of the Week

Who or what was your MVP of this past week on your small screens at home?

We polled Team Experience to share theirs. In this new world of infinite screens and schedules, whether you're bingeing, right up-to-date, or on demand surfing, we're all probably on different time tables so please do share yours as well.

If you watch these shows do you have the same MVPs?

MVPs of the Week

Homeland's Showrunner
Alex Gansa, showrunner of Homeland, has managed to take a great-show-turned-shitshow and make it thrilling again. I said it. I said thrilling. About late season Homeland!? Am I crazy? Maybe. The thing I fear is that it will all fall apart, that three (out of three!) excellent episodes this season will turn, by season’s end, into a fluke. But here’s what we’ve got: Characters behaving in ways that don’t immediately strike you as utterly stupid. Unpredictability. Twists. Bigger twists. Signature Homeland footchases involving losing people in crowds (we all love that, right?). A connection of the CIA to geopolitics that is complex. And I have no idea what Saul Berenson is up to.  I mean, I could have given the MVP to Mandy Patinkin just for drumming his fingers, but there’s so much going on visually, and in the writing, that Alex Gansa is my guy. (I’m recapping weekly here if you’re so inclined.) - Deborah Lipp

The Flash - Whoever Thought This Callback Up
In a strange reversal of current billion dollar movieverses, Marvel goes dark for television (see Daredevil and the upcoming Jessica Jones) and DC (The Flash/Supergirl) lightens up. The Flash's first season was a shock to the system, in that it was genuinely good: well plotted, bravely silly (Gorilla Grodd anyone?), filled with fizzy action sequences, jokey quips, and an unashamedly sentimental soul (has a lead male in a TV series ever cried as much as Grant Gustin on The Flash?) in other words: just like a comic book. Season 2 hasn't been as fun but the addition of drama from Earth Two (don't ask) in the form of another Flash Jay Garrick (played by TFE favorite Teddy Sears from Dollhouse/Masters of Sex) is promising. And this joyful bit ripped directly from comic book pages when a victim calls out for Flash and both heroes come running was pure throwback bliss. It was like I was a little kid hungrily flipping comic book pages again. - Nathaniel R

Bob's Burgers's Kristen Schaal
Confession: I love Kristen Schaal. In many circles that is a somewhat controversial stance since her comedy is at times almost intentionally grating (see 30 Rock which half the time didn’t know what to do with her Hazel Wassername). When it’s harnessed correctly (see The Daily Show, Flight of the Conchords) it is magical to behold. Seeing as her comedy so depends on her distinctive voice (a loony rubber band of a squeal) it’s no surprise she’s found success doing voiceover work (in the Toy Story franchise, in the great Gravity Falls, even in the amazing Archer). But it is her work as Louise Belcher in Bob’s Burgers which may be her crowning achievement. A conniving, no-nonsense, entrepreneurial nine year old whose adult schemes are hilariously at odds with her signature pink rabbit-ears hat, Louise prides herself on being the smartest person in the room. The latest episode, "Hauntening", where her parents attempt to give her a worthy scare with the world’s lamest haunted house was a brilliant showcase for Schaal, as her Louise goes from blasé indifference to outright fright by the end of the episode. - Manuel Betancourt

Brooklyn Nine-Nine's Chelsea Peretti 
When Captain Holt was transferred out of the 99 at the end of season two, and Gina Linetti loyally followed him out the door, devotees of TV's most reliable sitcom feared the worst. But of course the show wasn't going to let its two most valuable characters (give or take Rosa Diaz) go that easily, and if nothing else, the third season's initial episodes have made their contrived inclusions of the pair's new office a chance for Gina to exercise her superiority over everyone in the vicinity. "Gina Linetti," she introduces herself at one meeting, "the human form of the 100 emoji." Stand-up comedienne Chelsea Peretti has been acing this part from the very beginning, giving Gina a confidence that never seems arrogant despite almost complete narcissism. Whenever she speaks, her self-love seems completely genuine, because it is completely valid, but Peretti also roots it in an unspoken sense of the subservience Gina knows most women in her position would likely feel, and makes that rebellion even more empowering. Brooklyn Nine-Nine's most surprising strength is its variety of strong female characters in a workplace not typically kind to females, and Gina Linetti, despite her stereotypical role, is the crown emoji. - David Upton

 

 

Crazy Ex-Girlfriend's Musical Numbers 
The pilot of the CW's Crazy Ex-Girlfriend does not get off to the strongest possible start. But then, about ten minutes or so in, protagonist Rebecca Bunch (the supremely GIF-able Rachel Bloom) bursts into song, singing the praises of "West Covina, California" - the sun-dappled home of her former summer camp boyfriend Josh, who she not-entirely-accidentally runs into on the streets of NYC. Of course, she decides (much like Felicity before her) to ditch her soul-killing Junior Partnership at a high-powered law firm to follow him. In true movie musical fashion, she moves from the grey-blue streets of NYC to the golden-hued roads of CA over the course of the number, and in so doing kicks the show into high gear. The number just gets funnier and funnier as it goes, until it ends with Rebecca ascending to the heavens on a giant pretzel. It's musical comedy heaven. And that's just the first number. After what happened to Smash and Glee, it's tempting to think that musical series will only disappoint, but right now it looks like Crazy Ex-Girlfriend is on the glitter-strewn path to greatness. - Dancin Dan