This post was originally published in Nathaniel's column at Towleroad. Nathaniel is on vacation but it is reprinted here with their permission
"On the left" Steve Rogers (Chris Evans) warns a stranger as he jogs past him at The Mall in Washington D.C. Moments later, "On the left" again. "On the left" And a wave of quiet laughter starts rolling in the theater as it dawns on the crowd - the super soldier, better known as Captain America, is lapping this man repeatedly. It's the perfect soft joke to open Captain America: The Winter Soldier. It's not hilarious, really, but it's warm and good natured... neighborly even. Which could also describe this fish-out-of-water superhero. Steve Rogers isn't of our time. He's 90 years old, actually, but he still looks like Chris Evans because being frozen in a block of ice for 60+ years is apparently it's own kind of fountain of youth. [More...]
That Marvel Studios didn't worry about modernizing the character when they de-thawed him was something of a master stroke. (Warner Bros, who owns the rights to the similarly square Wonder Woman clearly have spent a lot of time worrying about this rather than embracing it, or we'd have long since had an Amazonian blockbuster) That conviction in the character gave us Captain America: The First Avenger (2011) which was an immediate standout in the crowded superhero genre for its 1940s WWII setting (complete with an awesome retro musical number). Neither that conviction nor his character melted with the ice for this sequel. The Captain is still the Captain, through and through, even though he's had a few years to adjust and looks perfectly at home in a smartly modernized costume.
The man who can't keep up with Rogers on the run is a former soldier himself, Sam Wilson (who comic fans will know as the good captain's future sidekick The Falcon) and after a brief chat about tours of duty The Black Widow (Scarlett Johansson) drives up to collect her fellow Avenger for a top secret S.H.I.E.L.D. mission. And they're off and the story with them as they speed to the first action setpiece and the one after that. They all spin organically from plot points that might fairly be called ridiculous: artificial intelligence, Nazis, cyborgs, and then at the core shadowy organizations embedded within other shadowy organizations embedded within still other shadowy organizations like some espionage thriller matryoshka doll.
Captain America shares billing this time with The Winter Soldier, a mythic and extremely formidable assassin who wants all the heroes dead. But why? Or, a better question: who are the heroes? Nick Fury (Samuel L Jackson) after a very narrow escape from an assassination attempt warns Steve to trust no one which leads to some wonderfully tense sequences with The Black Widow. Scarlett Johansson continues to spin gold in the role, despite that weirdly dull start in Iron Man 2, slyly suggesting not so much duplicity as the thrill of conveying duplicitousness. Evans and Johansson have great chemistry and one of the welcome surprises of the movie is how much of a Black Widow feature it turns out to be (Hey, if she can't get her own movie...)
And the action sequences. Can you say "upgrade"? Joe and Anthony Russo are the new directors and though their previous filmography does not immediately suggest facility with mega-budget action, they apparently learned from the right movies. They seem to have studied at the school of James Cameron and other masters in that you can actually follow (most of) the fight scenes, where the characters are, what they're doing and how it might affect the other characters in the fight. That's so rare in modern blockbusters when they usually just edit a million tiny little shards of movement together and presume you'll be excited because it's fast and there's very loud music playing. The action here has great stunt work and numerous playfully staged surprises including one absolute knockout sequence in an elevator. It keeps things simple but you don't need visual pyrotechnics for every scene, not when you have a tightening vise of a plot and a really solid hero at the center of it all. Even better, the action scenes feel genuinely dangerous this time now that it's mostly humans fighting; the red caped demi-gods and angry green giants are nowhere to be seen and literally every character here experiences actual pain during all the explosions and shootings and death defying leaps and runs.
On the left and, now, well out front. The Captain America franchise is lapping its (plentiful) superheroic competition. Captain America: The Winter Soldier is easily the best superhero film we've seen since the genre's double peak in 2004 (Spider-Man 2 and The Incredibles). And it couldn't have happened to a nicer or more unlikely hero. Chris Evans is on record that he plans to retire from acting when his Marvel Studios contract is up. It's easy to see why playing a stiffly noble and patriotic hero in film after film might be less than artistically satisfying but he's aces in the role regardless. His quiet resolve and lack of actorly tics -- he does just enough to sell each scene and never pushes -- are a perfect fit for the modest personality of this All-American hero who's just trying to be the best man he can be. And, you know, save the world. Again.
Oscar Chances: The Academy doesn't seem interested in Marvel's Cinematic Universe so it's unlikely even in the technical categories. They didn't even nominated "Star Spangled Man" in Original Song in 2011 which was a real shame.